查询词典 mythological

The people of Hubei are given the uncomplimentary nickname "Nine Headed Birds" by other Chinese, from a mythological creature said to be very aggressive and hard to kill.

湖北人被中国的其他地方的人贬称为"九头鸟"，神话中说这种鸟非常好斗且很难被杀死。

Jake confirmed that he had personally seen some of the classified maps showing dramatically altered future coastlines, and also confirmed the possibility of a very advanced high-speed 'shuttle-like' system that connected many places, like the US and Australia under the Pacific Ocean - a longstanding but always uncorroborated rumor within the UFO community that had acquired semi-mythological status since the startling reports of John Lear and William Cooper in the late 1980s.

杰克证实，他曾亲自见过一些机密地图，上面显示了引人注目的、改变了的未来海岸线，同时他确证，未来可能会出现非常先进的高速运转的"梭子般的"（shuttle-like）系统，来连接许多地方，就像美国和太平洋下面的澳洲-这是一个长期存在的，但却总是未被证实的、流传在UFO社区里的传闻

The statue that adorns the face of the USMA Library is that of Athena, or Minerva, mythological protectors of heroes, the brave, and the valorous.

装饰在图书馆门口的雕像是雅典娜或者是Minerva女神，她们是神话中的守护神，她们英勇无比。

He mourns the vanishment of shared public language and the increasing gap between the mythological American life and the realistic one.

他哀悼共享的公共语言的丧失，哀悼神话般的美国生活与现实中的美国生活之间差距越来越大。

They created together an animal named LONGHU, They created together an animal named LONGHU,a creature similar to Kirin and appears with strong mythological color – with vibrissa and tail like cold-blooded reptiles, yet has been added with foldable wings.

它既像四足爬行动物，有尾，嘴上有须；又有双翼，可收可放，具有神话般的亮色。艺术家近期作品中，蠪螜形象替代了具象人物，如同系列作品中的主角，频频亮相在当下一个个现代性和全球化的现实图景中，构成了艺术家针对人类乃至宇宙命运的警世预言。

A vimana is a mythological flying machine, described in the ancient literature of India.

维曼拿斯是神话般的飞行器，在古代印度的文献里有描写。

Alternative investment managers are no longer the mythological wunderkind making big returns from under-exploited investment niches from an attic in New York or London.

另类投资经理们一度置身纽约或伦敦的阁楼里，瞄准投资不足的利基投资领域，斩获丰厚回报，但现在，他们已不再是这种神话般的有为青年了。

The anfractuous characters, plots and space-time structure of "Master and Magaritte" reflect the author's thinking on religious philosophy. Its deconstruction upon biblical stories and mythological romantic plots are based on the background of western Christian culture. The mysticism and profound logical nexus give readers and researchers reasons to see the art essence from various aspects.

大师和玛格丽特》错综复杂的人物情节和时空结构体现出作者的宗教哲学探索精神；它对《圣经》故事的演义和神话式的浪漫情节建立在西方基督教文化背景之上；其中的神秘主义因素以及玄奥的逻辑关系又使阅读者和研究者有理由对作品的艺术内涵做多种角度的理解和领会。

In other words, a mythological doxa has been created: denunciation, demystification, has itself become discourse, stock of phrases, catechistic declaration; in the face of which, the science of the signifier can only shift its place and stop further on - no longer at the dissociation of the sign but at its very hesitation: it is no longer the myths which need to be unmasked (the doxa now takes care of that), it is the sign itself which must be shaken; the problem is not to reveal the meaning of an utterance, of a trait, of a narrative, but to fissure the very representation of meaning, is not to change or purify the symbols but to challenge the symbolic itself.

面对这些，符号的科学性只能改变自己的位置，并阻止进一步发生，不再在分离的迹象，而是对它深表迟疑。它已不再是需要被揭示的神话，它本身是标记，定会被动摇；问题不是去揭露话语、特征、叙事的含义，不是改变或净化象征符号，而是区分这种代表性含义。这样，符号学发现自己在心理分析方面和它有共同之处：后者开始变得必需，通过画出符号列表。

On the one side, Bakhtin borrows resources from the mythological world, and permutes"Dionysus"with the"Carnival"by way of"displacement"in discourse, and at last, develops Nietzsche's Dionysian spirit into his unique carnival spirit; on the other side, Bakhtin apparently leads a different way from Nietzsche ranging from interpreting contexts to religious attitudes and spiritual orientations in the following souls of the Dionysiac Theory. He eventually transforms Nietzsche's aesthetically artistic ideal of"Traum und Rausch"("Dream and Drunk") into a religious spiritual demand of"leading two lives", and fulfills"a transcendental journey from the God to the man".

尼采的酒神理论和巴赫金的狂欢理论之间，存在着无比亲密的&对话关系&：一方面巴赫金从神话世界中索取理论资源，通过话语的置换，用&狂欢&取代了&酒神&，将尼采倡导的酒神精神发展成自己独特的狂欢精神；另一方面巴赫金又在遵循酒神理论精髓的同时，在阐释语境、宗教态度、精神所指上，与尼采存在明显的不同，并最终将尼采&梦与醉&的审美艺术理想转换为走向&两种生活&的宗教精神诉求，实现了一种&从神到人的超越之路&。

Plunder melds and run with this jewel!

掠夺melds和运行与此宝石！

My dream is to be a crazy growing tree and extend at the edge between the city and the forest.

此刻，也许正是在通往天国的路上，我体验着这白色的晕旋。