查询词典 myth

Myth and art are interknit from their birth. The first, myth and art all are fictions. The second, myth has double structures of conception and sensibility, theory and art. The third, be related to the characters of mythical thought, myth had unified intuitive images and feelings, but feelings of myth is different from that of art. The forth, feelings of art have a character of associability.

神话和艺术从生成始就是有着密切的联系的：首先，神话和艺术一样都是一种虚构；其次，神话具有概念和感性、理论和艺术的双重结构；再次，与神话思维的特征相关，神话具有直感性与情感的统一性，但是神话中的情感不同与艺术中的情感；第四，神话情感有交感性的特点。

At last, carring on dependent thinkingThis paper firstly introduced the exsiting achievement of subject"Han nationality myth of NǚWa and myth of Goddess",then combined with the record about classical books of myth of NǚWa and investigation, revealed the meaning, property, characteristics, historical evolvement of myth of NǚWa. It lets Primary Goddess Procreative Worship stripped from the inordinate folk Goddess worship. This paper holds that NǚWa is the first ancestor of human, which possesses distinct godship of great mother.

首先介绍了关于汉族女娲神话以及女神神话这一课题的既有研究成果，然后在前人已有研究的基础之上，结合古往今来关于女娲神话的典籍记载和实地调查资料，揭示汉族女娲神话的含义、性质、特点、历史演变，将原始女神生殖崇拜从纷乱驳杂的民间女神崇拜中剥离出来，本文认为女娲是人类的始祖母，具有鲜明的大母神神格，在神话的发展过程中，她又粘合了其他种种神绩，成为拥有文化英雄神格的神话人物，并与伏羲结合，在以女娲、伏羲为主人公的洪水神话里面同样担负着生殖与造人等重任。

The story of Eurydice has strong parallels to the Japanese myth of Izanami, as well as to the Mayan myth of Itzamna and Ix Chel, the Indian myth of Savitri and Satyavan, and the Akkadian/Sumerian myth of Inanna's descent to the underworld.

曾翰这个摄影系列里其他两个比较现代年轻的部分— cosplay， World of Warcraft —又让我想起那句土耳其流亡作家的话来

Then be in the light of the hand from the mythological text, the difference was from the human origins myth , flood myth with create a life time myth the argument the Chinese myth has blood relationship this characteristic.

然后从神话的文本着手，分别从人类起源神话、洪水神话和创世神话中论证了中国神话具有血统性这一特质。

Such a study is no other than one of an ideological criticism, because the decisive mechanism behind this influence is the ideological circumstances in which the receiver of the influence is set. The truth of a influence is a myth, which confirms to Roland Barthes1 myth concept in all aspects. For a influence or a myth, the important thing is not what the influence sender is actually like, but what the receiver needs. The receiver tells and retells this influence as a myth for his own ideological purpose.

这样一种探究不是别的，正是意识形态批判的一种，因为这一影响背后的决定机制就是接受者所处的意识形态环境，影响就其实质而言是一个神话，它在各方面都符合着罗兰·巴特的神话概念，对于一个影响来说，重要的不是影响的发射者的本来面目是什么，而是接受者现在需要什么，而接受者现在将这个影响作为神话而转述、传播也是服从于自己的意识形态目的。

Jackson's essay Tolerant but Unaccepting: The Myth of a Thai 'Gay Paradise' but am less concerned with foreign misconceptions of Thai social life than the currency of this sexualized imagery, which I examine in terms of a dialectic between the production of and resistance to forms of stereotyping.

的文章，即《容忍但不接受：一个泰国&男同性恋乐园&神话》（ Tolerant but Unaccepting： The Myth of a Thai 'Gay Paradise'），但是，我的分析较少关注西方对于泰国社会生活的错误观念，而更多考虑这种关于性的想象的传播。在这种传播过程中，有对形象的刻板化的生产，也有对这种生产的抵制。我用辨证方法探讨了两者的关系。

Through comparative study, we can discove the relationship of the distinct blot of female reproduction worship and myth of NǚWa, it provides a lot precious materials for studying myth of Goddess. Based on this, investigate them in the pluralistic and organic-whole pattern of Chinese nation. It can not only understand the basic content of myth of Goddess,but also detect the culture fictor of the deep and the core. The author starts with the transmissiong of myth of NǚWa in the south minority nationality area.

然后在此基础上，笔者从汉族女娲神话在南方少数民族地区中的传播入手，分析前者对后者的影响，同时南方少数民族女神神话对汉族女娲神话的接受、认同与改造，具有直接移植、改造、发展汉族女娲神话的特征，纵横比较了两者之间互相影响共同发展的关系，而汉族女娲神话向少数民族传播与浸润的过程，同时也是多元一体之中华民族形成与发展过程。

The thesis composed of six chapters. First, he stuthes the myth motif and its idea. Then, classified it for several types, such us myth about clan's origin, myth about natural phenomenon, myth about conquering nature, myth about human being's origin/earth's origin, myth about celestial spirits etc.

在由六章构成的论文主体部分中，从神话母题和意象入手，分别对氏族起源神话、解释自然神话、征服自然神话、文化起源神话、人类起源神话、创世神话、天神神话等各种类型神话的文化内涵进行跨文化、跨学科的分析、阐释，提出了一系列新见解。

The Greek mythology is the myth literature arts domain treasure, this research has comprehensively is discussed literature nature in the ancient Greece myth manifestation and the special characteristic , in to the ancient Greece myth artistic contour ,the creation content ,subjective ideology ,the rationality is energetic ,in the esthetic value cognition integrity understanding ,comprehensively understood the ancient Greece myth literature nature unique charm and it's the origin ,have the significant to the European and American later generation literature cognition .

希腊神话是神话文学艺术领域的瑰宝，本研究全面探讨了文学性在古希腊神话中的表现形式及特质，在对古希腊神话的艺术外形、创作内容、人本精神、主体意识、理性精神、审美价值认知的完整认识上，全面理解古希腊神话文学性的独特魅力及其成因，对欧美后世文学的认知具有重大的意义。

"Myth" Dream familiar faces I am waiting for you is the tenderness Even tears drowned world I will not let go, and every minute lonely bear Because I has promised I know you moved between Love to awake Jesus Christ vicissitudes only love is forever the myth Told not always the same segments of love If repeated how much pain entangled night Qia扎 Hold your hands and let me never-never Chen Shang-frozen love Cradle can really melt phase Swaying in the wind on the furnace fire Immortal also endless Waiting for spring to bloom come spring I laugh mercilessly years Chijue Heart of the World such as steel barren Miss him forever to arrive together Beihuan negative, only love is forever the myth Nobody forgotten ancient, ancient oath Your tears filled fly into the Nabi Love is the wind under the wings accompanied comfortable flying two heart You are beautiful my heart only a myth

这首歌不错的，谁能翻译成英文？《神话》梦中的人熟悉的脸孔你是我守候的温柔就算泪水淹没天地我不会放手，每一刻孤独的承受只因我曾许下承诺你我之间熟悉的感动爱就要苏醒万世沧桑唯有爱是永远的神话潮起潮落始终不悔真爱的相约几番若痛的纠缠多少黑夜掐扎紧握双手让我和你再也不离分枕上雪冰封的爱恋真心相摇篮才能融解风中摇曳炉上的火不灭亦不休等待花开春去春又来无情岁月笑我痴狂心如钢铁任世界荒芜思念永相随悲欢负月唯有爱是永远的神话谁都没有遗忘古老，古老的誓言你的泪水化为漫天飞舞的彩蝶爱是翼下之风两心相随自在飞你就是我心中唯一美丽的神话

Do you know, i need you to come back

你知道吗，我需要你回来

Yang yinshu、Wang xiangsheng、Li decang,The first discovery of haemaphysalis conicinna.

1〕 杨银书，王祥生，李德昌。安徽省首次发现嗜群血蜱。