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musical相关的网络例句

查询词典 musical

与 musical 相关的网络例句 [注:此内容来源于网络,仅供参考]

On the musical aspect, De Andrè used musical instruments from Bosporus to Gibraltar : oud , andalusian guitar , macedonian bag pipe , flute , turkish shannaj , lute , greek bouzuki and neapolitan mandolin .

在音乐方面,deandrè使用的乐器,从博斯普鲁斯到直布罗陀:oud,安达卢西亚吉他马其顿袋烟斗,长笛,土耳其shannaj,琴,希腊bouzuki和那不勒斯曼陀林。

In Britain, says a Disney executive based in London, the firm's programme-sales group worked hard to sell "High School Musical" to the BBC, even though it contributed relatively little to their own division's bottom line, because exposure on free-to-air TV then bolstered sales of "High School Musical" DVDs, pencil cases and other products.

伦敦的一位迪斯尼总裁说:在英国,迪斯尼的项目销售小组努力向BBC推销《歌舞青春》的播映权,虽然这并不能在他们的底薪之上增加多少提成,但在自由空气电视的播映却能提高该剧的DVD、铅笔盒等其他主题产品的销售量。

As quality education,musical education, its basic task is to develop and enhance people' s musical perceptible ability.

社会音乐教育作为素质教育的音乐教育其根本任务是培养和增进人的音乐感知能力。

Prelude" was first used in the general sense of "something preliminary" and only later acquired its musical application, while "postlude developed in the opposite direction, originating as a musical term before broadening to include other kinds of closings.

Prelude最早的意思只是"处于初步阶段的东西",随后才在音乐界得到了"前奏"的称号。但是postlude的发展过程正好相反,一开始它就是个音乐术语,随后它的意思才逐渐拓宽,包括了其它各种事情的"结尾"。

The thesis below aims at the character of the person musical analysis and the value of the taste in arias of the heroine "Rosina" in the opera "I1 Barbiere di Siviglia" and " Cinderella " in the opera " La Cenerentola ". We can understand the particular way of musical performing and singing on different character.

本文以他的两部喜歌剧代表作《塞维利亚的理发师》和《灰姑娘》中女主角的经典咏叹调为例,对人物性格、音乐表现、审美价值进行分析,从而了解了罗西尼喜歌剧中不同性格人物的音乐处理和演唱方式。

Set pitch or low frequency surge can bring the roulade of the periodic change to the volume. To set the low frequency surge or controller can bring quaver. And set the both can make the timbre bring periodic rocky purpose. We edit out the percussion timbre that adapts the musical style and character, during the editing course, the percussion timbre is decided by our musical understanding.

通过设定音高包络或低频振荡调制可产生周期性变化的颤音效果,通过设定包络、低频振荡器或控制器,可以产生音量周期性变化的震音效果,通过滤波器消除声音中的杂质,通过包络、低频振荡器或控制器的设定,使音色产生周期性晃动的哇音效果,音源在研发的过程中已经对各种鼓音色进行了设定,我们使用编辑制作出适合音乐风格和特点的打击乐音色,在编辑制作过程中,人脑对音乐的理解将最终决定打击乐的音色。

As for the explorations on the rhythm of Rubato, the writer concludes seven kinds of factors contributing to the rhythm of Rubato, and based on this, writer goes further to make combination , classification and sum-up to these factors, in hope of setting certain tone for the vocal works and further explaining the repeated musical part or intensifying some kind of expressive effect. All these aim at serving to the musical structure and expressive force, at displaying the individual's singing style better,and at bringing out the charm of the performing art

对于自由节奏Rubato的探索,本文主要归纳出造成自由节奏的七种因素,并在此基础上对其进行合并分类、总结,以期奠定声乐作品的某种基调,并进一步阐释被重复的音乐段落,或者加强某种表情效果,进而为乐曲的结构与表现力服务,更好的展现个人演唱风格,展示出表演艺术的创作魅力。

In the fourth chapter, the author utilizes the theory of Musical apperceive analysis , which is established by Leonard B. Meyer, a famous American musical esthetician and theoretician, and then, from the angle of music apperceive, analyzes the third scherzo of Chopin more particularly.

在第四章中,运用了美国著名音乐美学家、理论家伦纳德·迈尔所创立的音乐感知分析的理论,从音乐感知角度入手,对肖邦创作的第三首谐谑曲进行了较为细致的音乐分析。

Andrés Segovia was my musical inspiration growing up, and I still desire to follow with excellence the musical tradition he left us.

安德列斯·塞戈维亚是我成长中的音乐灵感的激发者,我仍然需要跟随他留给我们的优秀音乐传统。

The music signal was divided into several subsections and the length of each section was equal to the duration of one semiquaver. The base frequency was obtained using one dimension DCT operated on each section. The extreme points of the musical notes were found by comparison with the adjacent sub-sections. And then, the musical scores were got using the principle of least derived notes.

采用离散余弦变换结合能量比对的手段,并提出了一种变化音最少法则:以十六分音符对应的时值作为步长,将乐曲信号分为若干个子段;对每个子段进行一维DCT操作,提取基音频率;对相邻子段进行能量比对,查找音符的端点;利用变化音最少法则,生成乐谱。

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