查询词典 musical box

Part one studies the sequence techniques, including the original sequence and its magic cube table, the sequence distribution in each movement and the sequence application techniques in different parts; Part two is a study of chord structure, consisting of fourth-fifth chords that are comprised of tritone, polychords, tall chords, note-cluster chords, as well as whole-tone scale chords; Part three is to analyze the techniques of polyphony, involving the counterpoint of melody and that of rhythm; Part four examines techniques of orchestration, such as those of conventional orchestration and of unconventional orchestration, and the figure of changing track of orchestration acoustics; Part five is a research of musical form structure, including illustrations of musical form structures in all movements, in addition to the effects of timbre, performing methods, dynamics, and density on musical form structural force.

本文将从五个方面来分析研究王西麟《第三交响曲》：第一，序列技术研究，其中包括原始序列及其魔方表、序列在各乐章的分布、多声织体中的序列应用手法；第二，和弦结构研究，其中包括三整音叠置的四五度和弦、复合和弦、高叠和弦、音块式和弦、全音音阶纵合化和弦；第三，复调技法研究，其中包括旋律对位、节奏对位；第四，配器手法研究，其中包括常规配器手法、非常规配器手法、配器音响效果变化轨迹图；第五，曲式结构研究，其中包括各乐章曲式结构图示，以及音色、演奏法、力度、织体密度对曲式结构力的影响。

This thesis deeply discusses the unique technique of musical representation and using of musical language by analyzing the musical image-building of the three female roles Donna Anna, Zerlina and Donna Elvira in Don Giovanni.

本论题从三位女性角色的人物刻画入手，对莫扎特的歌剧《唐·璜》中安娜、采琳娜、埃维拉这三个音乐形象展开分析，从而进一步了解作曲家在塑造人物形象时运用的独特的音乐表现手法和富于特色的音乐语言。

Supposition certain years later, has the author to want in Hong Kong popular musical world annals, under record the late 90s Hong Kong musical world continuously ten year ebb tide time, then only needs to analyze a Rong Zuer person merely, nearly may solve 90% above problems, declines innumerably with Hong Kong musical world the close related key word, can because of Rong Zuer's charm, but this present existence.

假设若干年以后，有作者想要在香港流行乐坛编年史中，纪录下九十年代后期香港乐坛连续十年的低潮期，那么仅仅只需要剖析容祖儿一个人，就几乎可以解决90%以上的问题，无数与香港乐坛衰退密切相关的关键词，都会因为容祖儿的魅力而现身。

Indeed,in pieces such as his O Lord,arise and in many anthems by his contemporaries(Morley's Out of the deep is another striking exmlple),the musical logic and the use of musical figures or devices to "paint"words,images,feelings,or ideas in the text are overtly madrigalian,though the control of musical form and balance can justly be attributed as well not to the influence of the Italian madrigal but to the discipline of the long-standing English tradition of sacred music.

事实上，诸如他的《O Lord，arise》和其他一些由同时代的其他教会音乐家所创作的圣歌一样（另一个鲜明的例子是莫里的《圣颂》），乐理以及运用音乐人物形象和节奏去描绘形象，感受以及理念的手法被明显的牧歌化了，即使音乐的形式和平衡出自长年的英国宗教音乐传统的原理而非受意大利牧歌的影响。

After many years of effort, the Southern District Orchestra can be said to have had some success in training the District's musical talent, promoting local musical popularisation and raising the standard of musical education.

经过多年来的努力，南区管弦乐团在培训南区的音乐人才、在推动地区音乐的普及和提升音乐教育水平方面，已略有成效，今后还会按乐团创办宗旨，不断巩固和发展。

The Purpose behind the founding of the Orchestra is to provide training in western musical instruments for the young people and residents of Southern District, and to promote musical popularisation and education in Southern District by organizing concerts and taking part in local musical performances annually.

乐团成立的宗旨是为南区青少年及居民提供西洋乐器的培训，藉著每年举办音乐会和参加地区音乐表演，推动南区音乐的普及和教育。

Most work about musical score recognition is based on MIDI format file; however, most musical data are stored in audio frequency format. Therefore, this paper discussed a musical score recognition method from WAV format file including solo music signal, adopted the Discrete Cosine Transform combined with energy, and presented a principle of least derived notes.

大多数乐谱识别工作都是在MIDI格式文件下进行的，而音乐数据大多采用音频格式存储，为此讨论一种从WAV音频文件的独奏乐曲信号中识别出乐谱的方法。

Production of "Star" brand of vertical, horizontal piano, Piano Group Co., Ltd. Yingkou Northeast production "Nordica Scafa" brand vertical, horizontal piano; violin class, Taixing Fengling Musical Instrument Co. produced " Feng-Ling "," Yinggehai "," Li "brand series 4/4-1/16 violin; guitar category, Guangzhou Pearl River Piano Group Co., Ltd. production of" Cotton Tree "brand guitar, electric guitar, Canton Sihui City Hua musical instrument produced by the "Star Hill" brand electric guitars, wood guitar, Taixing Fengling Musical Instrument Co. production of "Feng-Ling","Yinggehai","Li" brand of classical, folk, electro-acoustic guitar, Canton Kat Sound Guoqin industry produced by "Voice of Kyrgyzstan" brand guitars.

有限公司的&明星产品&的立式，卧式钢琴品牌钢琴集团有限公司营口东北生产的&诺地斯卡法&牌立式，卧式钢琴，小提琴，泰兴凤灵乐器有限公司生产的&凤翎&，&莺歌&，&李&牌系列4月4日至1月16日小提琴，吉他类，广州珠江钢琴集团有限公司的&生产红棉&牌吉他，电吉他，广东四会市华音乐由&星山&牌电吉他，木吉他制作工具，泰兴凤灵乐器有限公司生产的&凤灵&，&莺歌&，&李&牌古典，民间，电声吉他，广州吉声琴业的&吉尔吉斯斯坦声生产的&品牌吉他。

This paper studies the works of Vivaldi, Op.3 Lestro armonico.By the way musical form analysis of musical analytics, tries to analyze the structure, musical form, harmony, key relationship, stylistic evolvement of the works . It reveals the status of the works and the impact to the autumn period solo-concerto Four Seasons in the course from grand concerto to solo concerto . Vivaldi contributes the foundation of the solo concerto and his works get a further reference to learners.

本文以维瓦尔第的作品Op.3《和谐的灵感》为研究对象，运用音乐分析学中曲式分析的方法，试图通过对作品的结构形式、曲式、和声、调关系、风格演变等方面的分析，揭示出在从大协奏曲到独奏协奏曲的演变过程中，这套作品有着怎样的地位，对成熟时期的独奏协奏曲有着怎样的影响以及作曲家在独奏协奏曲的最终确立方面都有哪些探索，做出了怎样的贡献，对人们进一步了解维瓦尔第的其它优秀作品提出一些参考。

The thesis has three chapters. Chapter one looks back on the general development of musical education, classes of musical appreciation and teaching materials of musical appreciation in Chinese institutions of higher education.

希望能为普通高校公共音乐鉴赏教材的建设，为未来的教材编写与鉴赏教学，为进一步提高普通高校的公共音乐教育的深入发展提供可信赖的理论依据和参考意见。

Although translator has turned from being a crystal ball by which the original culture can unrestrainedly penetrate to another crystal ball by which the target culture can freely traverse, the translator's personal embodiment, in the process of cognitive act, are still absent in translation studies. Translators are still subjects without body or simply disembodied subjects.

译者虽然由原语文化可以自由穿透的玻璃球变成了译语文化可以自由穿越的玻璃球，但译者认知过程中的个体体验在翻译研究中依然缺席，译者依然仅仅是一个没有躯体体验的主体。

Chillingly, he claimed our technology is 'not nearly as sophisticated' as theirs and "had they been hostile", he warned 'we would be been gone by now'.

令人毛骨悚然的，他声称我们的技术是'并不那么复杂，像他们一样，和"如果他们敌意"，他警告说，'我们将现在已经过去了。