查询词典 music class

In 21st century, most people regard"quyi"as crosstalk, opusculum, storytelling and acrobatics, but they neglect the more important part of"music of quyi", and the young worship black talking and singing music blindly. All of these need us to return "the mother tongue music" system, if we don't understand our national and folk music, our music accomplishment is incomprehensive.

在二十一世纪的今天，大多数人对&曲艺&的认知还仅仅停留在相声、小品、评书、杂技上，而忽略了更为重要的&曲艺音乐&这一部分，还有青年人对于黑人说唱音乐的盲目崇拜，这些都需要我们回归&母语音乐&系统，因为，不了解本国的民族民间音乐，其音乐素养是不够全面的。

Therefore I want to analyze the characters of the composing techchnique of poly-phony in Bruckner"s "The 3rd Mass in this article,researching the sit-uation of compo-sing the western sacred music in 19~ century, emphasizing on the situ-ation and the rel-ationship of the creating technique between sacred music and polypho-ny music after 19~ century, and demonstrating the western polyphonous composing te-chnique help in developing the sacred music and the influence of sacred music on the western polypho-nous composing technique .

因此，笔者希望通过本文对布鲁克纳在其第三弥撒曲中的复调创作手法特征的论述，初探十九世纪西方宗教音乐的创作状态，并着重讨论十九世纪及其后的宗教音乐与复调创作手法之间的状况和联系，以期论证西方复调技法对其宗教音乐的发展，以及宗教音乐对复调技法创作的影响。

This article will take it for index to discuss in correct orders, namely the fusion of music styles, the fusion of music and art, the fusion of music and technology and the fusion of music and social culture elements, to elaborate "fusion" is the main sourer of modern music development in this age, it's also the essential factor of boosting the development of musical variety.

现代音乐中音乐元素主要来源于爵士乐，而爵士乐与现代音乐的发展历程之间又有着紧密的联系，本文以此做为索引，依次探讨了音乐不同风格之间的融合、音乐与美术之间的融合、音乐与科技的融合和音乐与社会文化元素的融合来阐述&融合&是这个时代音乐发展的重要来源，也是推动音乐多元化发展的重要因素。

This is a paper which studies Plato's aesthetics of music comprehensively, discussing his concept of music, the criterion of music judgment, the education of music, theatrocracy and aristocracy, involving every aspect of his music aesthetics.

摘 要：这是一篇全面研究柏拉图音乐美学的论文，讨论了他的音乐的概念、音乐判断的标准、音乐教育以及剧场政体和贵族政体，涉及了柏拉图音乐美学的各个方面。

This is a paper which studies Plato's aesthetics of music comprehensively, discussing his concept of music, the criterion of music judgment, the education of music, theatrocracy and aristocracy, involving every aspect of his music aesthetics.

本文章共10601字，分6页，当前第1页，快速翻页：摘要：这是一篇全面研究柏拉图音乐美学的论文，讨论了他的音乐的概念、音乐判断的标准、音乐教育以及剧场政体和贵族政体，涉及了柏拉图音乐美学的各个方面。

After finishing High School he decided to enroll in EMPA, first Popular Music School in South America, where he graduated in Jazz Guitar Music after studying with renowned masters in Tango, Jazz and Folk music. In year 2000 he moved to USA, where he performed with artist such as Lauren Hill, Ricardo Montaner, Al Dimeola, Valeria Lynch as well with several Tango Orchestras, Blues bands, and Latin Music Bands. He also record music for TV commercials and Radio.

高中毕业后入读南美洲首间流行音乐学院EMPA，主修爵士结他，跟随多位音乐大师学习探戈、爵士乐以及民族音乐。2000年移居美国，其间与多位著名艺术家及探戈、蓝调、拉丁乐队同台演出，包括Lauren Hill， Ricardo Montaner， Al Dimeola， Valeria Lynch等，此外，他还替电视广告和电台录制音乐。

The Hakka singer Sheng-Hsiang Lin (who was awarded for 'the best Hakka singer' and whose album was award for 'the best Hakka album') refused to receive the awards. He said,'this award should categorize music by music genre instead of ethnic group. I feel the Golden Melody Award is outdated. I have been invited to many music festivals in other countries, and we are always categorized as world music or folk music. I suggest the board of this award open their minds and make some audacious changes. I propose that we abolish this award because this award deprives the Hakka singers' opportunities to join the positive competitions with other singers and decentralizes the Hakka songs.

客语歌手林生祥连续拒领两个奖项，他说：「金曲奖应该用音乐类型来分类，而不是用族群，我觉得金曲奖太不合时宜，我参加过很多国外音乐祭，都被归类在世界音乐或民谣，我建议金曲奖放开心胸，大胆改变，废除这个奖项，因为这个奖项，使得用客家母语的歌手失去了良善竞争的众多对手，也使客家歌曲被边缘化。

In the past, we paid more attention on the cognitive function and the moral education function of music education, cons idered music as a kind of major, extended the knowledge of music and the trainin g of skill; or considered music education as the education of idea and moral, le cture instated of music.

过去，我们更为重视音乐教育的认知功能和德育功能，这两种认识都有悖于音乐教育的本质。

The purpose of this Music Week is to promote and protect advent-garde and experimental music by unfolding the achievements in new music, to bring Shanghai audience face-to-face contact with the new music by new international maestros while enjoying the new civilization created by humankind, and to introduce new music by Composers of Shanghai Conservatory.

首届2008上海音乐学院当代音乐周经过了长时期的精心准备，终于开张了。音乐周的目的在于宣传与保护当代具有前沿性和实验性的新作品，展示新音乐的新成果。让国际上最新的音乐、最新的著名的大师级的作品与上海的听众直接见面，让我们共享人类创造的新文明，也让本院作曲家的新作品直接面对听众。

This passage analysises the importance of national music culture in music education through the status quo of national music culture coming down in music education in China and propounds four measures on improving the teaching of national music culture .

本文通过民族音乐文化传承在我国音乐教育中的现状，分析了民族音乐文化传承在音乐教育中的重要性。

Hanna: That's over now, isn't it?

都结束了，对吗

You must be ill. You look so pale.

你一定是病了，你的脸色苍白。