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Full Band Festival, Macao Solo at Sugar Jar, Beijing Germany Night, Beijing Tie Guan Yin at UMWEG BER CHINA Festival, Berlin Qianhai Kwanyin, Beijing Waterland Kwanyin, Beijing More Less More project, Beijing Solo at Mini Midi 2007, Beijing Bu Yi Yang post Shanghai, Shanghai 2006 Bu Yi Yang Shangbu Nanshan,Shenzhen 12th Kolkata Film Festival, Kolkata Borderline International Film Art Exhibition, Beijing The Third China Independent Film Festival, Nanjing Moscow Biennale, Moscow The Voice Of The Other Shore, Beijing Midi Music Festival, Beijing Dashanzi International Art Festival, Beijing Art Beijing, Beijing Waterland Guanyin Series, Beijing Qianhai Guanyin Series, Beijing 2005 Holland Chinese Festival, Amsterdam Most Electronics, Xiamen Waterland Guanyin Series, Beijing Midi Music Festival, Beijing Dashanzi International Art Festival, Beijing Don't Break My Core, Shanghai 2004 Nuit Blanche Festival (With fm3 and Yan Jun) Paris 1000 Revolutions Per Second, Brussels Shanghai Biennale, Shanghai 2pi Music Festival, Hangzhou Dashanzi International Art Festival, Beijing OUT THE WINDOW (China, Japan, and South Korea multimedia art unites exhibition) Tokyo, Seoul, Beijing Discography: Support the umbrella to stand in dust that float float CD 2006 Kwanyin Records The Microwave DVD 2006 Kwanyin Records Tie Guanyin Duo-viva la vaches, wuquan + yan jun CD 2006 Kwanyin Records Tie Guanyin Duo-Live at 798Cubic Art Center, wuquan + yan jun CD 2006 Kwanyin Records View DVD 2005 Kwanyin Records http://www.myspace.com/wuquan http://www.neocha.com/wuquan ———————————————————————————— Xiao He Third son of Tian Qiaoyun and He Pingsuo.

主要艺术活动： 2007 参与不一定乐队乐巡演上海、芜湖、杭州、义乌、珠海、深圳、广州"不一定·愚公移山"北京"不一定·798"北京"武王文窦·澳门国际马拉松国际摇滚音乐节"澳门"白糖罐·声场"北京"德国之夜"北京"迂回中国"柏林"前海观音"北京"水陆观音"北京"马恩列斯毛"系列演出北京"第八届迷笛音乐节"北京"不一样·后上海"上海 2006 "不一样·上步南山"深圳"第12届加尔格达电影节"加尔格达"边界线国际影像艺术展"北京"第三届中国独立影像年展"北京"莫斯科双年展"莫斯科"彼岸之声"北京"第七届迷笛音乐节"北京"第三届大山子国际艺术节" 798艺术工厂北京"艺术北京2006"北京"水陆观音"北京"前海观音"北京 2005 策划/组织电影短片集《色！》"荷兰中国文化节，实验中国"阿姆斯特丹"最电子"厦门"水陆观音"北京"第六届迷笛音乐节"北京"第二届大山子国际艺术节" 798艺术工厂北京"don't break my core"上海"湿森林实验电子现场"长沙"workshop"大理 2003-2004 "Nuit Blanche"艺术节（与fm3、颜峻）巴黎"1000 revolutions per second"布鲁塞尔"第五届上海双年展"上海 2004 "第二层皮音乐节"杭州"第一届大山子国际艺术节"798艺术工厂北京《十夜谈》（与颜峻、fm3、王凡）北京"OUT THE WINDOW"（中、日、韩多媒体艺术联展）东京、汉城、北京 2003 《三国·四记》上海《水煮黄昏》（与fm3、颜峻）北京《不可能》（与颜峻、fm3）北京 2002 "丽江雪山音乐节"（与窦唯、fm3）丽江"点亮长城音乐节"北京发表作品：《打着伞在浮沉中站立》 CD 2006 观音唱片《微波》DVD 2006 观音唱片《铁观音二重奏-杀不死的牛》CD 2006 观音唱片《铁观音二重奏-立方艺术中心现场》CD 2006 观音唱片《观》DVD 2005 观音唱片

In American, Jazz, Rock and Roll, Western and country music are the main type of popular music. Jazz is considered the U.S' s unique contribution to music.

爵士乐，摇滚乐和西部乡村音乐是美国流行音乐的几种形式，爵士乐被认为是美国人对音乐的特别贡献。

Later by chance he was exposed to the more alternative world of music including John Zorn, Tom Waits as well as the disbanded local group The Box, that opened up his ear to a greater music language. For the last 10 years he had been more inclined in exploring sound for media such as theatres and video art until early 2003, with the help of a friend, he released his first solo CD "Stuck in Traffic" and since then he became more focused on making songs and music that he could "play on stage".

在1993 年，曾创作及演出首个个人音乐会"热壼仔音乐故事"，作为当年艺穗节节目之一；于95年，曾与本地作家小西及朗天合作，创作"给阿米巴节信"——一个结合舞台，音乐及动作之剧场；在97年，曾与另一本地音乐人潘德恕合作，举行多媒体音乐舞蹈剧场"极乐世界一九九七"，并邀请日本编舞者松岛诚进行创作，曾亦於此演出中同时以乐手及演员身份出现，於年末，其音乐部份亦以 CD 形式公开发行。98年初曾再度参与艺穗节，并进行其第二个个人音乐创作剧"卵石屋之歌"，并请来本地录影人卢燕珊负责视像及服装设计；由'00年至'02年间，曾亦3度被澳门石头公社邀请，参与当地之街头文化活动。

Acceptive aesthetics developed from modern Hermeneutics theories, but strengthens the position of appreciation body. It tells us that in music appreciation education we should promote the active roles students play in music appreciation education and adopt active education approach, and establish harmonious and equal relations between students and teachers.Key Words : Pedagogy of Music Appreciation, Hermeneutics, Acceptive aesthetics

接受美学发展了现代释义学的观点，从审美的角度强调审美主体的作用，它启示我们：在音乐欣赏教学中应当发挥学生的主体作用，实行主体性教学，并在音乐欣赏教学中构建和谐平等的师生关系。

This work combines the music style of Romanticism and the Norway music tradition, besides to have entered the impressionism and actualism music style Creation gimmick and unique artistic style having embodied Grieg all-round but distinct melting.

这部作品主要将浪漫主义的音乐风格与挪威音乐传统相联系，另外还融入了印象主义与现实主义的音乐风格，全面而鲜明地体现了格里格的创作手法和独特的艺术风格。

As for the realization of hardware,the thesis depicts the realization of every partof music recognition system based on the TMS320VC5402 in detail;as for thedevelopment of software,the thesis gives the software design flow chart of the musicrecognition system,simulates the basic theory with MATLAB language and gives thesimulation results.Well,with the characteristic parameters of the vocality and theinstrumental music,we can recognize the input digit music speech successfully andput forward it's pitch,cadent,and sing name.The result is comform that the musicrecognition based on the TMS320VC5402 is run well and the accuracy reaches 96percent.and it can meet the needs of the practicality application.

在硬件实现上，详细阐述了基于TMS320VC5402DSP的嵌入式音乐识别系统的各部分硬件设计，在软件开发上，给出了嵌入式音乐识别系统软件设计的各部分流程，并对各部分进行了仿真试验，给出了仿真结果，并分别对声乐和器乐这两种音乐信号进行了模板特征参数提取及其与待测信号进行匹配识别，试验结果表明：对音乐信号的识别精度在96%以上，成功实现了对音乐的音高、唱名、节奏的识别，满足了实际应用的需求。

DADU' s music is refer to the capital music of Yuan , which respects the highest level of music in Yuan Dynasty.

元大都音乐是指元朝的首都大都城的音乐。元大都音乐代表了元代音乐的最高水平。

Any music lack of individuality will certainly tend to be vaguely general and formulistic, without artistic appeal; and any music lack of universality will tend to go to "non-music" direction, which is also hard for audience to accept.

缺乏个性的音乐必然一般化、公式化，没有感染力；缺乏共性的音乐则易出现&非音乐化&倾向，也难以为听众所接受。

From the study in the past, the experts in and out of our country studied the music of Gesar, but they merely studied the music noumenon on some part or some area fragmentarily. So this article tries to probe into its music thoroughly, using the inner regulation of this art and the forms it embodies. The first chapter of the thesis introduces the talking and singing in Gesar, with theemerging and development of the combining of the two art forms being a start.

从以往的研究来看，虽然国内外也有些专家、学者对《格萨尔》音乐有一定的研究，但他们的研究都是零碎性的、片段性的，更多的是对某一部分、某个地区的音乐本体研究，所以本文将试着从它的艺术形式出发，以这种艺术形式的内在规律及其特殊的表现形式来对《格萨尔》音乐进行一个较为全面和深入的探讨。

In this chapter, the author tries to discuss music content in heteronomous aesthetics and autonomic aesthetics, as well as music content in music appreciation pedagogy.

这一章中探讨的内容有他律论美学观中的音乐内容，自律论美学观中的音乐内容，以及音乐欣赏教学中的音乐内容。

Methods Clinical data of 3 cases of bile duct injury during laparoscopic cholecystectomy were analyzed retrospectively.

回顾总结3例LC术中胆管损伤的临床资料，分析3例胆管损伤的原因及对策。

These techniques are applied to the gobang.

本文将这些技术用于五子棋中。