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The establishment of the collective class of digital piano in universities provides a chance for non-major music universities students to learn digital piano playing. Through this art practice, students could percept the aesthetics in music and improve their appreciation abilities for piano music; master the preliminary skills of playing piano and other skills like music reading, solfeggio, sight-reading and reciting; learn to play their enjoyed music which is not so difficult, and accompany at the piano for the singer. So that a comprehensive purpose will be achieved including self-amusement, the temperament in art, the mental adjustment, the rich spiritual life, the aesthetic pleasure, improved life quality and the guarantee of both mental and physical health.

在普通高等学校开设数码钢琴集体课，是为了让非音乐专业的大学生们通过学习弹奏数码钢琴这一艺术实践，来感受音乐的美，从而提高对于钢琴音乐的鉴赏能力；使得大学生们掌握钢琴演奏的初步技能，连带着掌握识谱、视唱、视奏、背奏的技能；学会弹奏自己所喜欢的不太难的钢琴曲，并且能为同伴的歌唱进行简易的伴奏，从而达到自娱自乐、陶冶性情、培养高雅的艺术素质、调剂脑力、丰富精神生活、获得审美愉悦、提高生活质量、保障身心健康的综合目的。

The author considers that the form of the instrumental music structure came from special opera shape in Shangdang area and its act with five tune-patterns together in the same platform, it is also due to the Shangdang phonic criterion in Yongzheng government of Qing dynasty, which objectively shaped its system and scale, and meanwhile accelerate its growth and creativity. Shangdang instrumental music absorbed broadly t...更多he instrumental music on experience of Kun opera, Luo opera, Juan opera and Huang opera on basis of instrumental music on the local tune, which contains with diversity, and generally became of the art matrix of Shangdang folk music and opera melody.

本文认为：上党梆子器乐结构的形成，主要来自上党地区独特的戏曲生态和五种声腔同台共演的历史经验；特别是清代雍正年间国家政策对上党八音的规范，客观上引发了上党梆子器乐在体制和规模上的定型，也促进了上党梆子器乐在此基础上不断发展、创新；上党梆子器乐是在梆子腔器乐结构基础上，广泛吸收了昆腔、罗腔、卷腔、簧腔在器乐结构中的经验，由此兼容并包，逐渐成为集上党民间音乐和戏曲音乐大成的音乐艺术母体。

I mean music performed for Broadway theater in the heart of New York city surely would seem to be in the western tradition of popular music and not have much in common with the music we have been studying in this course, such as gamelan music of Indonesia, or Zulu chants of South Africa, music that developed outside the western tradition of Europe and America.

我的意思是，在纽约中心百老汇上演的音乐剧看上去一定是跟随西方音乐传统，而这不同于我们所学的欧洲和美洲传统之外的音乐，比如印尼的gamelan音乐，或南非Zulu族单调的口号。

I mean music preformed for Broadway theater in the heart of New York city surely would seem to be in the western tradition of popular music and not have much in common with the music we have been studying in this course, such as gamelan music of Indonesia, or Zulu chants of South Africa, music that developed outside the western tradition of Europe and America.

在像百老汇这样坐落在纽约市中心的剧院上演的西方流行音乐，与我们以前学过的音乐不同，比如，印尼的加麦兰音乐、或者南非的祖鲁圣歌这些在欧美传统西方音乐区域之外发展的音乐。

This course not only covers staff and numeral music notation, simple audio recording, digital music and movie editing software programs, Web music setting and Flash music player making, but also includes the basic concept of multimedia technology, a brief introduction to HTML, Web-Blog and the current trends of music technology.

本课程内容包括五线谱和简谱软件、数字录音编辑软件、简单的录音软件、音乐和电影编辑软件，音乐网页制作、简单的Flash音乐播放器的制作，还涉及相关的多媒体技术基础知识、HTML语言简介、博客网页编辑技巧和现代音乐技术发展趋势。

Teamed up with four other beautiful and brilliant girls, all of whom are graduates of music academy schools, Sun Lili, herself a music academy graduate, founded the Five Princess Band in 2004. Unlike other girls bands which have been quick to colone the same style, an enormously success for a band of this nature, Five Princess is quietly insistent on developing its own style: combining singing with melody to create a new fashion of traditional Chinese music. The reason, according to Sun Lili, the singer of the band and one of the top ten winner singers in the Pepsi Pop Music contest, is that it greatly adds to the appeals of the music if the traditional melody is accompanied by a song.

&五乐格格女子新民乐弹唱组合&创建于2004年，由毕业于高等音乐学府的五位音乐学院青春靓丽，才华横溢的美少女组成，她们没有向如今遍地开花的其他新民乐组合一样去拷贝一种风格，而是走出了另外一条不同于任何组合的路线，那就是弹唱结合的形式，扬琴兼组合主唱手之一孙莉莉的想法是：现如今没有一首脍炙人口的器乐曲，很多器乐组合演奏了很多优美的器乐曲也不被广大听众认知，所以，她们认为有曲有唱，既有优美的民族乐器旋律，也会同时通过她们的演唱来丰富乐曲，这样才会流传下来她们的歌曲。

Teamed up with four other beautiful and brilliant girls, all of whom are graduates of music academy schools, Sun Lili, herself a music academy graduate, founded the Five Princess Band in 2004.Unlike other girls bands which have been quick to colone the same style, an enormously success for a band of this nature, Five Princess is quietly insistent on developing its own style: combining singing with melody to create a new fashion of traditional Chinese music.The reason, according to Sun Lili, the singer of the band and one of the top ten winner singers in the Pepsi Pop Music contest, is that it greatly adds to the appeals of the music if the traditional melody is accompanied by a song.

&五乐格格女子新民乐弹唱组合&创建于2004年，由毕业于高等音乐学府的孙莉莉召集了其他四位音乐学院青春靓丽，才华横溢的美少女组成，她们没有向如今遍地开花的其他新民乐组合一样去拷贝一种风格，而是走出了另外一条不同于任何组合的路线，那就是弹唱结合的形式，扬琴兼组合主唱手之一孙莉莉的想法是：现如今没有一首脍炙人口的器乐曲，很多器乐组合演奏了很多优美的器乐曲也不被广大听众认知，所以，她们认为有曲有唱，既有优美的民族乐器旋律，也会同时通过她们的演唱来丰富乐曲，这样才会流传下来她们的歌曲。

His major works and commissions include: ' Three Temperaments , for Big Choir ' (1986), ' Counterpoint of Times , for woodwind septet ' (1989), ' Wild Children , for mixed Chamber Ensemble ' (1993), ' Overture , for solo Chinese bass drum and Chinese winds and percussion band ' (1994), ' Intonation , for chamber orchestra ' (1990-1994), ' Flavour of Bashu , for two violins, piano and percussion ' (1995), ' Pole , for solo Chinese Yun-luo, Chinese pai-gu and Chinese bass drum with six percussionists ' (1996),commissioned by Japan Asian Percussion Ensemble, ' Symphonic Prelude --- Bashu Capriccio' (1996), 'The Song Without Words , for solo percussion ' (1997), commissioned by the Ministry of Culture of Japan, Japanese Contemporary Music Association, and Japanese Embassy in China,'Illusions of the Symphonic Stage of Tang Dynast y , for orchestra of Tang Dynasty, percussion, voices and a big choir '(1999), commissioned by Japanese No Music Guanshiliu Green Spring Association, Chinese Music Research Center in Japan, Japanese Asian Percussion Ensemble and Japanese-Chinese Cultural Exchange Association,'The Prospect of Colored Desert , for violin, cello, sheng, pipa and percussion '(2000),commissioned by Yo-Yo Ma, Silk Road Project Inc. of the U.S., Sony Record,'Three Movements of Autumn , for small Chinese instruments ensembl e'(2000) and ' Sound Games , for 5 Chinese Percussion Instruments Players ' (2000-01), commissioned by La Cité de la Musique, Paris "2000 Chinese Classical Music Series", ' Fusion I , for Mixed Chamber Ensemble ' (2002), commissioned by Holland New Ensemble and Atlas Ensemble, ' Fusion II , Concerto for Solo Chinese Percussion and Orch.' (2002), commissioned by Japanese–Chinese Committee of Friendship and Public Music Performance, and ' Fusion III , for Irish flute, accordion, bodhran, Chinese sheng, zheng, Percussion and 13 Strings with Chamber Choir.' (2003-04), commissioned by China-Ireland Exchange Program, ' The Three Images from Washing Painting , for chamber ensemble of 17 players '(2005) commissioned by the New Juilliard Ensemble for the special concert of the Juilliard Centennial and sponsored by Asian Cultural Council and the Guggenheim Partnership and 'The Butterfly Dream', new 7 scenes Opera inspired by KUN QU' (2007) commissioned by the Contemporary Legend Theatre, Taiwan etc.

主要作品及委约包括：《三种气质，无伴奏合唱》(1986)、《时间的对位，木管七重奏》（1989）、《野娃子，混合室内乐队与童声》(1993)、《对话，男声独唱，女高音，童声合唱团，混声合唱团与混合乐队》(1993-94)、《序鼓，独奏中国大鼓、排鼓、云锣与中国民间吹打乐队》（1994）、《吟，室内交响乐》（1990-1994）、《蜀韵，两支小提琴、钢琴与打击乐》（1995）、《极，独奏中国云锣、大鼓、排鼓与六位打击乐演奏家》（1996）、《巴蜀随想，交响序曲》（1996）、《无词歌，打击乐独奏》（1997）（日本国文化厅、日本现代音乐协会、日本国驻中国领事馆等联合委约）、《梦的交响舞台，唐代乐队，打击乐，人声与合唱团》（1999）（日本能乐观世流绿泉会、日本中国音乐勉强会、日本亚洲打击乐团、日中文化交流协会等联合委约）、《舞蹈组曲，大型管弦乐队》(1999)、《漠墨图，小提琴、大提琴、笙、琵琶与打击乐》（2000）（马友友、美国丝绸之路文化发展公司、日本Sony唱片等联合委约）、《秋三阕，9位中国乐器演奏家》（2000）、《响趣，5位中国打击乐器演奏家》（2000）（法国巴黎音乐城&2000中国古典音乐系列音乐会&委约）、《融I ，混合室内乐团》（2002）（荷兰 New Ensemble， Atlas Ensemble联合委约）、《融II ，打击乐协奏曲》（2002）（日本日中友好音乐公演委员会委约）、《融III ，爱尔兰笛子、手风琴、巴朗鼓，中国笙、筝，打击乐，13件弦乐器以及室内合唱团》（2003-04）（爱尔兰国家文化委员会、爱中2004文化交流年组委会委约）、《水墨画意三则，为17位演奏家的室内乐团》（2005）（美国朱丽亚音乐学院新室内乐团委约，美国亚洲文化基金会和美国古根海姆基金支助）及《梦蝶，七场新昆剧》（2007）等。

Still, the term is not usually applied to rock music rooted in the blues -based or other African American music (except as mediated through folk revivalists ), nor to rock music with Cajun roots, nor to music (especially after about 1980) with non-European folk roots, which is more typically classified as world music .

但是，任期不是通常采用的摇滚乐，根植于蓝调型或其他非洲裔美国音乐(除中介民俗revivalists)，也不是摇滚乐与美国路易斯安纳州的根源，也对音乐(尤其是约1980年)与其他非欧洲民族的根，其中较为典型列为世界音乐。

In a classical sense of music performance, sonic showing manner is a crucial link, which is a cause to make every music performance of the same music work different. And it is the different sonic showing maimers that embody the unrepeatability of music performance that fully presents the inexhaustible music artistic charm.

在传统意义的音乐表演中，音乐作品的音响呈现方式是一个关键的环节，因为它是造成音乐表演之所以不同的根源，同时，也正是由于音响呈现方式的不同，才体现出音乐表演艺术的不可重复性，从而充分展示了音乐艺术的无穷魅力。

A carrier gas such as nitrogen is directed through line 20 and valve 22 to connect with line 26 and mix with the gas sample.

如氮气之类的载体通过管线20和阀22引入，与管线26相通，与气体样品混合。

But for the most part, knaves and parasites had the command of his fortune

然而支配他的家产的大多是恶棍和寄生虫。