查询词典 much-travelled

Came in March 2008 in June, the attention that Z and C never pass pair of Www.176pet.com laxly and newer, do not advocate exceeding SEO, but the thing that how holding to spend is a special difficulty, excessive optimize, can be indexed prop up a repulsion by search for certain, the station that a lot of people say me by Baidu K, perhaps be you fail to had held to spend, perhaps be you those who disobeyed search engine is certain collect regulation, the proposal watchs stationmaster network more (Www.admin5.com), engine of much all alone seeing search collects a guideline, optimize appropriately, be necessary, build up from nothing after all, careless root people the conduct propaganda that do famous website without too much capital, go Baidu, Google, Yahoo makes key word rank, and new station should stand firm, can friendly do well with each big search engine this kind of delicate concern also is crucial.

2008年3月至6月，Z和C从来没有松懈过对www.176pet.com的关注和更新，不提倡过度的SEO，但如何把握好度是一件非常困难的事情，过度优化，肯定是会被搜索引擎所排斥的，很多人说我的站又被百度K了，也许就是你没能把握好度，也许是你违反了搜索引擎的某些收录规则，建议多看看站长网(www.admin5.com)，多看看搜索引擎收录指南，适当的优化，是有必要的，究竟白手起家，草根们都没有太多的资本去做闻名网站的宣传，去百度、google、yahoo做要害字排名，而新站要站稳脚跟，能友好的和各大搜索引擎搞好这种微妙的关系也是至关重要的。

Results show that the insect community structure in the Bt fields differed sharply from that in the CV fields. The populations of the Lepidopterous pests, such as cotton bollworm, corn borer, diamond bollworm and cotton leaf caterpillar, decreased significantly in the BT fields, while the populations of non-target pests with piercing-sucking mouthparts, such as leaf bugs, cotton spider mites, cotton aphids and whiteflies, increased obviously. Much more predators, such as spiders and ladybirds, and much less parasitiods of Helicoverpa armigera were observed in the BT fields.

结果表明，与常规棉田相比，Bt棉田棉铃虫、玉米螟、金刚钻、棉小造桥虫等鳞翅目害虫种群数量显著降低，而盲蝽象、红蜘蛛、棉蚜、烟粉虱等非靶标刺吸式害虫种群数量显著增加；蜘蛛、瓢虫等捕食性天敌种群数量显著增加，而棉铃虫的寄生性天敌种群数量则显著下降。

The elder sister Lucy ate so much food in dinner, Aunt told her she will be fat if she eat too much, while Young sister Linda didn't want to have meat and hid the bread in order to have it when she's hungery, Aunt asked her to hand it out,and taught her how to cut meat, but Linder feel slept when aunt was teaching.

晚饭时，姐姐Lucy吃很多东西，姑妈不让她吃太多，说会肥，妹妹Linda不想吃肉，她把面包藏起来，饿的时候拿来吃，姑妈让她拿出来，然后教她怎么切肉，当姑妈说教的时候，Linda睡着了

Just been chillin with peeps over here during the little free time I get and of course loggin in to this site to see who's stopped by to leave nice comments and messages...the best part is seeing the different mix of peeps who show so much love for the music and performances...every encouraging message/comment makes me wanna work that much harder for whatever's comin out next.

利用我有的一点空闲时间来这里和大家玩，登陆上来这里看看谁给我留消息和评论了…最棒的是能够看到不同的人表现出他们对我的音乐还有表演的热爱…每一条鼓励的留言/评论都让我想要更加为将来努力。

If his previous work could be categorized by being in between illustration and Contemporary art, his recent work can be described as shifting and committing completely to the presets of Contemporary art. Deva Loka, an epic project Amano eagerly created with much drive. Deva Loka, a work that was crystallized through much time and imagination, carries significance because it encompasses Amano's world of art. The main concept for this project is the Big Bang, a phenomenon that brought about all the planets in space.

如果说之前的作品是游走於动画与现代艺术的中间地带，那麼，2008年创造的 Ddeva Loka＜天界＞则是开天辟地的艺术史诗，充满形而上的美丽华滋和未来主义的斑斓表现，天野喜孝发挥了他前所未有的想像力，倾注了大量的心血和时间，淋漓尽致呈现他的艺术观，创造一个过去与未来并存，存在各种不可预知的可能与光怪陆离持续在酝酿变化的奇异想像空间，那是一个充满无限生机和爆发力的混沌空间，是宇宙万物的源头，天神的居所，未来的寄托，更是梦幻的渊薮。

The happy pain was too much. His wave and peace gesture were too much to us. Our loveworthy Takuya, there was no way we can quit loving you. And, Thanks Takuya, our love towards you bound us together, enabled us to share the unimaginable experience together, share the heartly laugh and tears together.

这种快乐的痛苦，是一种享受，而他的摆手跟Peace手势，确远远的超出了我们承受范围，爱上他简直就是超值，让人怎能不爱你，是你的爱让姐妹们相聚，一起哭一起笑，一起分享这不可思议的经历，拓哉，谢谢你！

What, man!'tis not so much,'tis not so much:'Tis since the nuptials of Lucentio, come Pentecost as quickly as it will, some five and twenty years; and then we mask'd.

什么，兄弟！没有这么久，没有这么久；那是在路森修结婚的那年，大概离现在有二十五年模样，我们曾经跳过一次。

Tis not so much,'tis not so much:'Tis since the nuptialsof Lucentio,Come pentecostas quickly as it will,Some five and twenty years;and then we mask'd.

没有这么久，没有这么久；那是在路森修结婚的那年，大概离现在有二十五年模样，我们曾经跳过一次

The study shows that the most striking feature about the use of the mandative subjunctive is that the distribution of the mandative subjunctive in MTE is much higher than that in MEE, NEC or T4, and much lower than that in LOBA or BROWNA. Another feature is that the morphological subjunctive, as one of the two variants of the mandative subjunctive, is most favored in MTE.

而在强制性虚拟语气中，原形式强制性虚拟语气在海事条约英语中的分布要高于迂回式强制性虚拟语气，而在其它语料库中，原形式强制性虚拟语气的分布却要低于迂回式强制性虚拟语气。

At the same time we take innovation seriously very much, our innovation is from the bottom up, first-rate to employee inside the company, we have 5 stars large kitchen, have gym, have massagist, and offerred the working hours with very stretch employee, and let the theme that him employee has the time of 20% to do his to want to do, why to have so much innovation, because employee thinks this is a company,trust him, put authority to give him, give him very good environment, encourage him himself to innovate, the president that is not a company or a few other chief had decided way, inviting everyone is a castle only.

同时我们非常重视创新，我们的创新是从下到上的，在公司里面对员工非常好，我们有五星大厨，有健身房，有按摩师，而且提供了员工非常弹性的工作时间，并且让员工自己有20%的时间做自己想做的题目，为什么有这么多创新，因为员工认为这是公司信任他，放权给他，给他很好的环境，鼓励他自己创新，而不是公司的总裁或者一些其他的负责人把方向定好，让每个人只是一个棋子。

We have no common name for a mime of Sophron or Xenarchus and a Socratic Conversation; and we should still be without one even if the imitation in the two instances were in trimeters or elegiacs or some other kind of verse--though it is the way with people to tack on 'poet' to the name of a metre, and talk of elegiac-poets and epic-poets, thinking that they call them poets not by reason of the imitative nature of their work, but indiscriminately by reason of the metre they write in.

索夫农 、森那库斯和苏格拉底式的对话采用的模仿没有一个公共的名称；三音步诗、挽歌体或其他类型的诗的模仿也没有——人们把&诗人&这一名词和格律名称结合到一起，称之为挽歌体诗人或者史诗诗人，他们被称为诗人，似乎只是因为遵守格律写作，而非他们作品的模仿本质。

The relationship between communicative competence and grammar teaching should be that of the ends and the means.

交际能力和语法的关系应该是目标与途径的关系。