查询词典 much-travelled

This article mainly discuss the state of the art of the Koreanischer film and why the Koreanischer film develops rapidly and become an industrialization.Firstly,the reform of culture give Koreanischer film an liberal producing room ,such as film classification system, Cree quota and film promoting committee and film assistant system. Secondly, government has invested much money, cooperated with other countries and hold international film festivals. Thirdly, Koreanischer film producers work hardly and the audiences love their film very much. Frothily, sophisticated publish system.

文章主要讨论了在韩国电影的发展现状，分析了韩国电影迅速崛起并形成产业化的原因，第一是文化制度的改革让韩国电影获得了更为自由的创作空间，其中包括电影分级制度的确立、电影配额制度的推动、电影振兴委员会的成立和电影辅助金的设立；第二是政府加大了资金投入力度，积极参与国际合作并充分利用本土举办的国际电影节来打造文化输入平台；第三是韩国电影制作人奋发图强的努力和韩国观众高涨的爱国热情；第四是完善的发行体系；第五是注重对民族文化精神内核的挖潜。

No matter your workshop has much heat: 32 spend or 45 degrees of above or dirt, hydrosphere is very much, or ventilated and undesirable, very fuggy.

无论阁下的车间有多热：32度或者45度以上或者尘士、水气许多，或者透风不好，特别凡热。

A man that is busy, and inquisitive, is commonly envious For to know much of other men's matters, cannot be because all that ado may concern his own estate; therefore it must needs be, that he taketh a kind of play-pleasure, in looking upon the fortunes of others Neither can he, that mindeth but his own business, find much matter for envy For envy is a gadding passion, and walketh the streets, and doth not keep home: Non est curiosus, quin idem sit malevolus

好管闲事且好深隐私者通常都好嫉妒，因为劳神费力地去打探别人的事情绝非是由于那些事与打探者的利害有关，所以其原因必定是打探者在旁观他人祸福时能获得一种视剧般的乐趣。而一心只管自家事的人无甚嫉妒的由来，因为嫉妒是一种爱游荡的感情，它总在街头闲逛，不肯呆在家里，所以古人说：&好管闲事者必定没安好心。&

That's the picture of the garden last year ,you can see the wildrness growed much much high

这是去年秋天菜园子的情形，看见了吧，荒草长的那么那么高

How does ability let Baidu spider update your site, this is an implied meaning that there also are a lot of photographs to close above headachy problem net very much, by no means an isolated case, much still is practice

怎样才能让百度蜘蛛更新你的站点，这是一个很头痛的问题网上面也有很多相关的文章，不一而足，多的还是实践

Do you think ,because i am poor ,obscure ,plain ,and little ,i am soulless and heatless?you think wrong !i have as much as you ,and full as my heat!and if god had gifted me with some beauty and much wealth ,i should have made it as hard for you to leave me ,as it is now for me to leave you .

难道就因为我一贫如洗，默默无闻，长相平庸，个子瘦小，就没有灵魂和心肠了吗，你不是想错了吗我的心灵跟你一样丰富，我的心胸跟你一样充实，要是上帝赐予我一点姿色和充足的财富，我会使你很难离开我，就象现在我很难离开你一样

Clifford was much more hedgy and nervous, he got cold feet much quicker in connie's absence, and the talk didn't run.

但是你注意这一点：当你过着你的生活时，你至少是参与全生活的机构的一部分。

Clifford was much more hedgy and nervous, he got cold feet much quicker in Connie's absence, and the talk didn't run.

她不得不坐在那儿；没有她，他们的谈话便没有这么起劲；他们的意见便不能这么自由发挥了。

Clifford was much more hedgy and nervous, he got cold feet much quicker in Connie's absence , and the talk didn't run.

没有康妮，克利福便要变成更局促，更不安，更易烦躁，谈话便无生气。

Results:(1) The mean BMI of patients except for women aged from 20 to 29 years, was much higher than that of the general population (P.01).(2) The overweight (BMI≥24) ratio of the patients was much higher than that of the general population (P.01).(3) Patients with hypernormal BMI were more than those with normal BMI (BMI4) except for patients aged from 20 to 29 years.(4) Patients with hypernormal BMI were significantly more than those with normal body weight in all other occupations except for young students.

结果：①除了女性20岁～29岁年龄段外，其余各组患者体重指数的均数均明显大于中国普通人群体重指数的均数（P均＜0.01）；②本组患者中男、女性体重指数超常者(BMI≥24)所占的比重，均明显大于中国普通人群中体重指数超常者所占的比重（P均＜0.01）；③除了男、女20岁～29岁年龄段以外，其余各年龄段的患者中体重指数超常者所占的比重，明显大于体重指数正常者(BMI4)所占的比重；④除青年学生外，其他职业中体重指数超常者所占的比重，明显超过体重指数正常者所占的比重。

We have no common name for a mime of Sophron or Xenarchus and a Socratic Conversation; and we should still be without one even if the imitation in the two instances were in trimeters or elegiacs or some other kind of verse--though it is the way with people to tack on 'poet' to the name of a metre, and talk of elegiac-poets and epic-poets, thinking that they call them poets not by reason of the imitative nature of their work, but indiscriminately by reason of the metre they write in.

索夫农 、森那库斯和苏格拉底式的对话采用的模仿没有一个公共的名称；三音步诗、挽歌体或其他类型的诗的模仿也没有——人们把&诗人&这一名词和格律名称结合到一起，称之为挽歌体诗人或者史诗诗人，他们被称为诗人，似乎只是因为遵守格律写作，而非他们作品的模仿本质。

The relationship between communicative competence and grammar teaching should be that of the ends and the means.

交际能力和语法的关系应该是目标与途径的关系。