查询词典 moving in

This kind of images has made the city become a forest of cement and mechanical moving objects.Those who have created and are living in this atmosphere are,at the same time,enjoying the curiosities,strangeness,dissepiment and insecuritie .All these feelings are hard to be described in one scenario.This is no doubt the feeling of Feng jie,therefore he has adopted a kind of mural painting,used some images that are not interrelated and organized these pieces of memories into a container.Feng jie has a good skill to paint realitically,so he is able to express this kind of absurdness as truly as photographs.He can organize the reality like pieces of cards into an ordered space of images.

环路、高速路、红灯、绿灯、黄灯，——从过街桥上看街道，街道是车的河床，流动着过来的白灯，过去的红灯——这种印象把城市变成了水泥的森林，机械物的运动场，——造成，并生活在其间的人，也同时"享受"这期间的"新奇感"、"陌生感"、"隔膜感"和"不安全感"——这种感受，很难在一个情节剧中叙述，——这就是作者的感觉，他采用一种壁画的篇幅，用一些互不相关的图像，把这些"记忆的碎片"组织在一个"集装箱"中——作者有很强的写实能力，因此能把这种潜在的荒诞感，做得如照片映像般的真实，能把这些碎片似的真实，潜在结构成一个有序的图示的空间中，——一种可沟通的"惶惑"，可感知的冷处理的客观性以及他的批判立场。

Act IV, scene vii of Lear, if had a tempo marking as in music, would be an adagio, but it is still one of the most profoundly moving scenes in world literature.

如果《李尔王》第四幕第七场有音乐速度标记的话，可以算慢板，但它依然是世界文学中最感人肺腑的场景之一。

The vertical distribution of soil animal community in ubalpine coniferous forest in western Sichuan still had surface accumulation, but had the tend of adown moving.

川西亚高山针叶林土壤动物群落垂直分布仍具有表聚性，但有向下层移动的趋势。

Mascherano has yet to taste success with Liverpool since moving to Anfield in February 2007, although he has come agonisingly close on a couple of occasions - especially in Europe.

在2007年2月加盟利物浦后，小马还未尝到过冠军的滋味，在那一年的欧冠决赛中，他曾经距离冠军那么的接近。

Today, in this new millenium, in an electronic era where everything is revitalised in the form of a dot.com, we are also striving to be a shining star of the Internet, moving forward together with you in the pursuit of utopia.

让我们一起从零的世界望出去，看看现在的新人类，新世界，还有那令人耳目一新的一草一木；和你一同进入我们闪光的小小文化艺术宝地，愿你喜欢它。

The person is a kind of life which has memory, keeping in mind old is also the person's instinct, we while recalling increase own motion and experience continuously, acquire 1 kind to satisfy thus, come and go of the years always re-appears in the memory, floating fantasy of moving the heart bottom in the thoughts and feelings.

人是一种有记忆的生命，怀旧也是人的本能，我们在回忆时不断的添加着自己的情绪和体验，从而来获得一种满足，过往的岁月总是在记忆中重现，思绪中飘动着心底的梦幻。

"We are moving ahead as fast as possible," said Gerard Wolfe, president of Chinalco in Peru, at the Perumin mining convention in Arequipa. Toromocho is the company's first investment in Peru.

&我们正在尽可能快地发展&，秘鲁的中国铝业的业务总裁Gerard Wolfe在阿雷基帕举行的秘鲁矿产大会上说道。

Addo held court in a sparsely furnished whitewashed office in a squat two-storey building in Bamako, across the road from the broad, slow-moving Niger.

在巴马科的一栋矮墩墩的两层楼房中，有一间刷得雪白的办公室，里面疏疏落落摆着几件家俱，这儿就是阿多当值坐班的地方，而马路的对面，就是广阔潺湲的尼日尔河。

Another member, Geoffrey Jellicoe has been described as the 'moving spirit which brought landscape design out of the private domain in the early part of the 20th Century, and into the public domain in the latter part' (Roger Stringer quoted in Landscape Institute, 1996). Mike Downing has said that although Geoffrey Jellicoe has been described as 'the life and soul of the British Landscape Institute, Sylvia Crowe was its conscience' Downing, Pers.

另外一个成员Geoffrey Jellicoe，他被看作是&在20世纪前期把景观设计带出私人领域同时在20世纪后期把它带入公共领域的倡导人&(Roger Stringer在1996年《景观学会》中的引用) Mike Downing 说尽管Geoffrey Jellicoe 被看作是&英国景观学会的生命和灵魂，而Sylvia Crowe是它的道德心& Downing， Pers。

In one of the most moving moments in the series, the two teenagers in Botswana were asked to write their versions of Martin Luther King's famous speech which starts,'I have a dream'.

在最感人的一些节目场面中，博茨瓦纳的两个孩子被要求写下对马丁路德金的&我有一个梦想&演讲的感想。

We have no common name for a mime of Sophron or Xenarchus and a Socratic Conversation; and we should still be without one even if the imitation in the two instances were in trimeters or elegiacs or some other kind of verse--though it is the way with people to tack on 'poet' to the name of a metre, and talk of elegiac-poets and epic-poets, thinking that they call them poets not by reason of the imitative nature of their work, but indiscriminately by reason of the metre they write in.

索夫农 、森那库斯和苏格拉底式的对话采用的模仿没有一个公共的名称；三音步诗、挽歌体或其他类型的诗的模仿也没有——人们把&诗人&这一名词和格律名称结合到一起，称之为挽歌体诗人或者史诗诗人，他们被称为诗人，似乎只是因为遵守格律写作，而非他们作品的模仿本质。

The relationship between communicative competence and grammar teaching should be that of the ends and the means.

交际能力和语法的关系应该是目标与途径的关系。