查询词典 moving in

It tells particularly the debris flow"s the encironment and the development characteristic by numbers . And according to its character , selecting the latest research results at present , the anthor calculates the debris flow"s the moving , dynamical characteristics and the scale , such as , the velocity of flow , the wallop , the peak value flux , and the total flux . And the anthor calculates density in different design frequency by the empirical formula method . In the text, the author uses the modle of evaluating a single gully to evaluate the risk of the debris flow . First , the author calculates the hazard degree in different design frequency , and forecasts the risk range of debris flow in Shenjia gully based on the maximum pile thickness and the total solid amount of a denbris flow . Then , on the basis of the risk range in different design frequency , the author carries out the damageability and risk assessment . The basic purpose of risk management is reducing risk or transferring risk , reducing the loss of life and property . The text constructs the system of risk management of debris flow in Shenjia gully , basis on the condition of Shenjia gully .

本文从地形地貌、地层岩性、地质构造、气象水文等方面系统地阐述了深家沟泥石流的发育环境及发育特征；分别从形成区、流通区、堆积区对深家沟流域特征进行描述；依据泥石流沟自身特点，选用现阶段最新的研究成果，推算了不同设计频率下的深家沟泥石流流速、峰值流量、总流量、冲击力等动力特征和规模数据；并且根据经验公式法来确定深家沟不同设计频率下的泥石流容重；本文采用单沟泥石流风险评价模型对深家沟泥石流进行风险评价，首先对不同的设计频率下的深家沟泥石流进行危险度评价，根据最大堆积厚度与一次泥石流冲出量来预测不同频率下的泥石流危险范围，然后，根据预测的评估范围，评价对应范围内的易损度，最后作出风险评价；城镇泥石流风险管理的根本目的是降低风险或转移风险，减少生命财产的损失，本论文根据泸定深家沟泥石流的具体情况，构建了深家沟泥石流风险管理体系。

The results show that the air crossing pressure pulse magnitude of the container generated in the tunnel is 3.46 times that generated in open air when container flat wagon at the speed of 160 km/h passed by EMU moving at the same speed. Both the lateral force and overturning moment of the container train during the crossing induced in open air and tunnel are approximately proportional to the square of running speed of the passing train. The pressure of crossing side and uncrossing side for the container flat wagon is almost equal since the one-dimensional characteristic of pressure distributing induced in the tunnel is not faintish. Consequently, the value of the lateral force and overturning moment of the container train generated in open air is greater than that generated in the tunnel, about 1.1 times.

研究结果表明：集装箱平车以160 km/h的速度与动车组等速交会时，在隧道内会车时车载集装箱中部压力变化幅值是在明线会车时的3.46倍；在明线和隧道内会车时，集装箱列车受到的侧向力和侧滚力矩均与交会列车运行速度近似成平方关系；因隧道内压力分布一维特性较强，集装箱平车交会侧与非交会侧压力相差并不大，因此，在明线会车时集装箱平车受到的侧向力和侧滚力矩均比隧道会车时的大，大约是其1.1倍。

He started playing piano when he was three and trumpet at five, performing in a dance band when he was 13. Towner studied classical guitar in Vienna and played with classical chamber groups in the mid-60s. After moving to New York in 1969, Towner worked with Jimmy Garrison, Jeremy Steig, and Paul Winters Winter Consort (1970-1971). In the latter group, Towner first met up with Collin Walcott, Glen Moore, and Paul McCandless, and in 1971 they broke away to form Oregon, a highly versatile group that ranges from jazz and free improvisations to folk music.

Ralph Towner是爵士乐手中少数完全专注于空心吉他演奏的当代杰出吉他手之一，他的角色位置就像是就如同另一位大师Joe Pass一般，持续不断专注于演奏技巧与特色，致力于探索空心吉他声音发展的各种可能性，其演奏特色总是带有一股十分特出的气质，既融入了爵士乐与古典音乐，时而也有世界音乐的元素在里头，但是表现出来的结果常常是干净、细腻而充满想像的。

In those days, Liu Yong always was one of the first ones who played rock music, rode motorcycle, operated company, learned computer, drove automobile and went abroad…I still remember that Liu Yong taught me to ride bicycle. We went to the outskirt along Xi Ba River to sketch. Going through weeping willow, there were very tall eucalyptus leaves, moving back and forth in the wind. They looked green sometimes, and reflected sunshine sometimes, resembling those dreamy and innocent days: mountains and lake, girls washing clothes by the river, boatmen living in lake, fisherman casting net, youth fishing, buffalos dazing, and water birds observing everything by reeds…We caught everything in our paintings, obsessed with painting. The world outside, and the peace of monastic life all moved far away. Those shared days were the pure, clear and beautiful time in both Liu Yong's and my life.

多年来，昆明这个小城最早玩摇滚、骑摩托、干公司、弄电脑、开汽车、办出国，刘涌可都是走在前面的人……记得是刘涌教会了我骑自行车，每天我们骑车沿着西坝河到郊外去写生，穿过佛面垂柳，后面是一排排高高的杨草果，在风中摇动树影，时而满目幽绿，时而反射银白的阳光，象是那晃惚懵懂的岁月：湖光山色、河边洗衣的少女、水上船家、撒网的渔翁、钓鱼的少年、发呆的牛儿、苇草边东张西望的水鸟……我们一一画下这一切，只知道痴迷的画着，身外的世界，暮鼓晨钟，离的好远，那是我们共同经历的生命中最单纯美好的时光。

The documentaries commissioned by MEDECINS SANS FRONTIERES in Spain directed by Wim Wenders, etc in the "Invisibles" is definitely an eye-opener to the greatest empathy and compassion."Moving the Dreams" showcasing up-and-coming Taiwanese directors are lighting up our affectionate embraces to local culture. The dreamlike sight, sound and vision in "My China Now" and multimedia performance by D-Fuse "Latitude [ 31°10N / 121°28E ]" from the UK give an imaginative reflection on our urban life, whereas the rhythm of movement is pushing boundaries of the frame and body in "Selections of Jumping Frames Dance Video Festival". Watch out for the first-ever animation screening and workshop dedicated to children in Hong Kong.

首选当然是开幕节目《看见不看见》，云E温达斯等国际大导纪实关怀无国界医生妙手仁心见人所不见的人文情怀；那边厢《海角七号》魏德圣等红人导演用最耍家的浓情厚意打造台湾人的电影梦，还有当代中国导演的「私家中国」与英国著名多媒体组合D-Fuse的现场表演《纬度》，用创意影音画踏遍城市足迹的梦想；再看「《跳格》舞蹈录像节精选作品展」里身体力行走入影像的舞者，加上全港破天荒举行专为小学生而设的动画放映节目及工作坊，一起走入无限远的光影梦！

A bird's eye view of the county, moving from the east to the west of the Gui River basin, shows that in the east is Jinniu Lake, in the centre are Xiadu and Guishui Parks, and in the west is Wild Duck Lake wetlands, in the north are Sanli River Wetland Park, with the three big parks and two big reserves encircle the county town and forming the largest wetland community in the north of Beijing.

从空中俯瞰延庆县城，自妫河流域从东到西，东有金牛湖、中有夏都公园、妫水公园、西有野鸭湖湿地、北有三里河湿地公园，三大公园两大保护区对延庆县城形成了包围之势，形成京北最大的湿地群落。

We are mature enough now to stand the shock of learning that much of what we were taught in our youth was wrong, or improperly understood by those who were teaching it, or perhaps shaded a bit, the shading resulting from the personal needs of the teachers, who as human beings had a tendency to introduce some of their heart's blood into their work, and sometimes this may not have been of the first water, this heart's blood, and even if they thought they were moving the "knowledge" out, as the Board of Education had mandated, they could have noticed that their sentences weren't having the knockdown power of the new weapons whose bullets tumble end-over-end (but it is true that we didn't have these weapons at that time) and they might have taken into account the fundamental dubiousness of their project (but all the intelligently conceived projects have been eaten up already, like the moon and the stars) leaving us, in our best clothes, with only things to do like conducting vigorous wars of attrition against our wives, who have now thoroughly come awake, and slipped into their striped bells, and pulled sweaters over their torsi, and adamantly refused to wear any bras under the sweaters, carefully explaining the political significance of this refusal to anyone who will listen, or look, but not touch, because that has nothing to do with it, so they say; leaving us, as it were, with only things to do like floating sheets of Reynolds Wrap around the room, trying to find out how many we can keep in the air at the same time, which at least gives us a sense of participation, as though we were Buddha, looking down at the mystery of your smile, which needs to be investigated, and I think I'll do that right now, while there's still enough light, if you'll sit down over there, in the best chair, and take off all your clothes, and put your feet in that electric toe caddy and slip into this permanent press hospital gown, to cover your nakedness-why, if you do all that, we'll be ready to begin!

现在我们已经足够成熟来承受学习的震撼，以此我们来嘲笑我们年轻时候的错误，或者错误地理解教我们的人，或者也许掩饰掉它，掩饰将使得我们更需要老师，他们就像人类的趋向来将他们的一些心血用在工作上，有些时候这些已经不是第一点水了，这是心血，甚至他们是在想他们把&知识&搬了出去，广泛教育形成，他们也许已经认识到他们的句子已经没有新武器的那样的震撼力了，新武器的子弹击倒了一个又一个（但是的确哪个时候我们没有那样的武器），他们也许会被考虑进基础性不确定的留给我们的项目（但是所有构思高明的项目早就被吃光了，就像星星之于月亮），在我们最好的衣服中，只有一件事情可以做，就像操纵有力的战争摩擦来反对我们的妻子一样，她正在完全醒来，滑进有斑纹的闹钟中，扯下羊毛衫，放在为完成的作品上，坚决拒绝在羊毛衫里穿任何凶罩，小心翼翼地想任何听众解释这个拒绝政治上的重大意义，或者观众，但不包括触抹者，因为这没有任何意义，所以他们说，不要管我，只有一件事情要做，就像雷诺茨？

We are mature enough now to stand the shock of learning that much of what we were taught in our youth was wrong, or improperly understood by those who were teaching it, or perhaps shaded a bit, the shading resulting from the personal needs of the teachers, who as human beings had a tendency to introduce some of their heart's blood into their work, and sometimes this may not h39e been of the first water, this heart's blood, and even if they thought they were moving the "knowledge" out, as the Board of Education had mandated, they could h39e noticed that their sentences weren't h39ing the knockdown power of the new weapons whose bullets tumble end-over-end (but it is true that we didn't h39e these weapons at that time) and they might h39e taken into account the fundamental dubiousness of their project (but all the intelligently conceived projects h39e been eaten up already, like the moon and the stars) le39ing us, in our best clothes, with only things to do like conducting vigorous wars of attrition against our wives, who h39e now thoroughly come awake, and slipped into their striped bells, and pulled sweaters over their torsi, and adamantly refused to wear any bras under the sweaters, carefully explaining the political significance of this refusal to anyone who will listen, or look, but not touch, because that has nothing to do with it, so they say; le39ing us, as it were, with only things to do like floating sheets of Reynolds Wrap around the room, trying to find out how many we can keep in the air at the same time, which at least gives us a sense of participation, as though we were Buddha, looking down at the mystery of your 56ile, which needs to be investigated, and I think I'll do that right now, while there's still enough light, if you'll sit down over there, in the best chair, and take off all your clothes, and put your feet in that electric toe caddy and slip into this permanent press hospital gown, to cover your nakedness-why, if you do all that, we'll be ready to begin!

现在我们已经足够成熟来承受学习的震撼，以此我们来嘲笑我们年轻时候的错误，或者错误地理解教我们的人，或者也许掩饰掉它，掩饰将使得我们更需要老师，他们就像人类的趋向来将他们的一些心血用在工作上，有些时候这些已经不是第一点水了，这是心血，甚至他们是在想他们把&知识&搬了出去，广泛教育形成，他们也许已经认识到他们的句子已经没有新武器的那样的震撼力了，新武器的子弹击倒了一个又一个（但是的确哪个时候我们没有那样的武器），他们也许会被考虑进基础性不确定的留给我们的项目（但是所有构思高明的项目早就被吃光了，就像星星之于月亮），在我们最好的衣服中，只有一件事情可以做，就像操纵有力的战争摩擦来反对我们的妻子一样，她正在完全醒来，滑进有斑纹的闹钟中，扯下羊毛衫，放在为完成的作品上，坚决拒绝在羊毛衫里穿任何凶罩，小心翼翼地想任何听众解释这个拒绝政治上的重大意义，或者观众，但不包括触抹者，因为这没有任何意义，所以他们说，不要管我，只有一件事情要做，就像雷诺茨？

Came to the lava cliffs fall zone, take the left side of the road directly in a group of birds where there are two columns below, the jump down (not dead, I am sleepy in this place as long as two hours), skip left after the first go, be reminded to observe, and now moving about in the magma, but can only be waist high magma, there is a need to see more of the terrain, do not waste HP, now jumped down, back to the left跳崖Department, went to is located in Magma, Fire Dragon Shou equipment can move around a half height of magma, first up, get a weapon, and then down, has been in the end, to continue filing filed walk inside the wind can be magic, the way to the red chest is a green precious stones, to increase the wind magic attack, and get back only to return to bandage things MM has emerged, but said a few left, and then returning to fight BOSS, the BOSS to attack his tail, the beginning of the head is of no use, finished BOSS, while red chest after using wind magic jump can be achieved

掉下悬崖来到了熔岩地带，直接走左边的路，在一群鸟的地方，下面有两根柱子处，往下跳(不会死的，我在这个地方困了2个小时之久)，跳下后先往左走，得到火龙守，现在可以在岩浆中走动了，但是只能是下半身高的岩浆，所以要多看地形，不要白白浪费HP，现在可以往下跳了，回到跳崖处往左，来到岩浆地处，装备火龙守，可在半身高岩浆里走动，先往上，拿到武器一把，再往下，一直到底，存档处存档继续往里走可得到风魔法，途中的红宝箱是绿宝石，增加风魔法攻击的，等回来时才能拿，返回事绷带MM又出现了，不过说了几句就走了，然后返回途中打BOSS，此BOSS要攻击他的尾巴，开始时打头是没有用的，打完BOSS，途中红宝箱利用跳后的风魔法可以取得

Heaven the foot hot tile just with the three-stringed piano moving musical sound;drove from the yellow river aroused a more rising big wave voice and ten thousand precinct chief, river, the ship work number son voice of the male hun;the absolute being state no.5 cosmos airship that embarked from yang li wei of aerospace hero roamed about at pleasure to drive in the good news of space;blue print and country that developed from reform in the city wealthy civilization fantasy drove in the song.hence, i see the spring breeze blow into a hundred million happy doors and windows, heard"the story in spring" resounding through china the earth.the broad sea jiang flies fast heroic war boat, western backland again teng rise hurtle the rocket in sky.it was glorious in the boundless process of half several centuries, there is frustrate.the chinese of diligence braveness leader in 3 and under the party central leadership, unity of will is a formidable force, overcome all difficulties, with tremendous passionate devotion economic development of"develop china, strengthen my national prestige".history tells us and tells future, deng xiaoping's construction contains the socialism theories of chinese special feature and is like the rich brocade future prospects that the lighthouse illuminates a motherland, the party is central the jian being leading people of the whole country effort go "three representatives"s, with accompany into, constuct middle-class family completely society, head for fine future.

于是，我看到春风吹进亿万扇幸福的门窗，听到了&春天的故事&响彻华夏大地。辽阔的海疆飞驶英雄的战艇，西部边陲又腾起冲天的火箭。漫漫半个多世纪的历程中有过辉煌，有过挫折。勤劳勇敢的中国人在三代领少得离谱，还以为是瘪了的干果。我甚至以为，沉闷空气中动物和植物都是些小小干果。住在楼的四层，对面是一幢同样九层导人和党中央领少得离谱，还以为是瘪了的干果。我甚至以为，沉闷空气中动物和植物都是些小小干果。住在楼的四层，对面是一幢同样九层导下，众志成城，排除万难，以极大的热情投入&振兴中华，壮我国威&的经济建设。历史告诉我们，告诉未来，邓去南京工作了，楼上则是她一个人照看两个孙女的地方。本分工作外，我有个习惯——收集容器，这非职业习惯，而是生活习小追逐着雨滴，落在我阳台盆栽的榕树叶上，叶子颤动，枝丫摇晃，但还是支撑不住这重量。风从东面吹来，雨水砸在窗口上的平建设有中国特色的社会主义理论，像灯塔照亮祖国的锦绣前程，党中央正带领全国人民努力践行&三却又警觉的问我租这处干什么。还能干什么，我是当地民间工艺品厂的业务员，我的职业是积极地在城中寻找合适的商家推介个扎着开出了红色小花，因为隔着远，没看清楚是什么花。雨滴追逐着雨滴，落在我阳台盆栽的榕树叶上，叶子颤动，枝丫摇晃代表&，与时俱进，全面建设小中国教育总网文档频道康社会，走向美好未来。

We have no common name for a mime of Sophron or Xenarchus and a Socratic Conversation; and we should still be without one even if the imitation in the two instances were in trimeters or elegiacs or some other kind of verse--though it is the way with people to tack on 'poet' to the name of a metre, and talk of elegiac-poets and epic-poets, thinking that they call them poets not by reason of the imitative nature of their work, but indiscriminately by reason of the metre they write in.

索夫农 、森那库斯和苏格拉底式的对话采用的模仿没有一个公共的名称；三音步诗、挽歌体或其他类型的诗的模仿也没有——人们把&诗人&这一名词和格律名称结合到一起，称之为挽歌体诗人或者史诗诗人，他们被称为诗人，似乎只是因为遵守格律写作，而非他们作品的模仿本质。

The relationship between communicative competence and grammar teaching should be that of the ends and the means.

交际能力和语法的关系应该是目标与途径的关系。