查询词典 moss-rose

Http://www.ArchGo.com世界建筑网 Architects: NOW for Architecture and Urbanism / Tuomas Toivonen Location: Saimaa lake, Finland Client: Private Project area: 140 sqm Project year: 2009 Sketches: Nene Tsuboi Photographs: Maija Luutonen The site is in Saimaa, the Finnish lake district. A rocky west-facing slope, growing pine, juniper, moss, lichen and blueberries, descends to the vast lake.

建筑师： NOW for Architecture and Urbanism / Tuomas Toivonen 地点： Saimaa lake，芬兰业主： Private 项目面积： 140 sqm 项目年代： 2009 草图： Nene Tsuboi 摄影： Maija Luutonen 基地位于芬兰湖区的塞马湖边一块朝西的岩石上，周围是松树、杜松、苔藓、地衣和蓝莓，一直延伸到到宽阔的水面。

The trees had bent over towards the nettles, the plant had sprung upward, the branch had inclined, that which crawls on the earth had gone in search of that which expands in the air, that which floats on the wind had bent over towards that which trails in the moss; trunks, boughs, leaves, fibres, clusters, tendrils, shoots, spines, thorns, had mingled, crossed, married, confounded themselves in each other; vegetation in a deep and close embrace, had celebrated and accomplished there, under the well-pleased eye of the Creator, in that enclosure three hundred feet square, the holy mystery of fraternity, symbol of the human fraternity.

树梢低向青藤，青藤攀援树梢，藤蔓往上援，枝条向下垂，在地上爬的找到了那些在空中开放的，迎风招展的屈就那些在苔藓中匍匐的，主干，旁枝，叶片，纤维，花簇，卷须，嫩梢，棘刺，全都搀和、交绕、纠缠、错杂在一起了。这儿，在造物主的满意的目光下，在这三百尺见方的园地里，紧密深挚拥抱着的植物已在庆贺并完成了它们的神秘的友爱棗人类友爱的象征。

The trees had bent over towards the nettles, the plant had sprung upward, the branch had inclined, that which crawls on the earth had gone in search of that which expands in the air, that which floats on the wind had bent over towards that which trails in the moss; trunks, boughs, leaves, fibres, clusters, tendrils, shoots, spines, thorns, had mingled, crossed, married, confounded themselves in each other; vegetation in a deep and close embrace, had celebrated and accomplished there, under the well-pleased eye of the Creator, in that enclosure three hundred feet square, the holy mystery of fraternity, symbol of the human fraternity.

树梢低向青藤，青藤攀援树梢，藤蔓往上援，枝条向下垂，在地上爬的找到了那些在空中开放的，迎风招展的屈就那些在苔藓中匍匐的，主干，旁枝，叶片，纤维，花簇，卷须，嫩梢，棘刺，全都搀和、交绕、纠缠、错杂在一起了。这儿，在造物主的满意的目光下，在这三百尺见方的园地里，紧密深挚拥抱着的植物已在庆贺并完成了它们的神秘的友爱？？人类友爱的象征。

The ground beneath the canopy itself is a rolling landscape of velvet moss and ferns.

在林冠之下的地面有着被苔藓与蕨类植物所点缀的高低起伏的地势。

Aviva defended the behaviour of Andrew Moss after it was revealed that he left his wife Susan to move in with twice-married Deirdre Moffat.

英杰华捍卫了安德鲁莫斯行为被揭露后，他离开他的妻子苏珊跟上两次结婚迪尔德丽莫法特英寸

Paved the turf and the moss below.

把下面的草地和青苔铺满。

I sought, and soon discovered, the three headstones on the slope next the moor-the middle one gray, and half buried in heath-Edgar Linton's only harmonized by the turf and moss creeping up its foot-Heathcliff's still bare.

我在靠旷野的斜坡上找那三块墓碑，不久就发现了：中间的一个是灰色的，一半埋在草里；埃德加－林的墓碑脚下才被草皮青苔覆盖；希刺克厉夫的却还是光秃秃的。

I sought, and soon discovered, the three headstones on the slope next themoor: on middle one grey, and half buried in the heath; Edgar Linton'sonly harmonized by the turf and moss creeping up its foot; Heathcliff's

坟墓上的植物生长状况暗示了死亡的时间，Heathcliff在他后半生漫长的时间里，是如何承受他曾经用生命爱和恨的女人的坟墓逐渐被树丛所掩盖这个事实的呢？

I sought, and soon discovered, the three headstones on the slope next the moor: the middle one grey, and half buried in heath: Edgar Linton's only harmonized by the turf and moss creeping up its foot: Heathcliff's still bare.

我在靠旷野的斜坡上找那三块墓碑，不久就发现了：中间的一个是灰色的，一半埋在草里；埃德加－林惇的墓碑脚下才被草皮青苔复盖；希刺克厉夫的确还是光秃秃的。

I sought, and soon discovered, the three headstones on the slope next the moor: the middle one grey, and half buried in heath: Edgar Linton's only harmonized by the turf and moss creeping up its foot: Heathcliff's still bare.

我在旷野斜坡上寻觅片刻，便看见了那三块石碑：中间的一块是灰色，有一半已经没入荒草；埃德加。林淳的那块则刚刚有青苔爬上底座；而希茨克利夫的，还是光秃秃一片。

We have no common name for a mime of Sophron or Xenarchus and a Socratic Conversation; and we should still be without one even if the imitation in the two instances were in trimeters or elegiacs or some other kind of verse--though it is the way with people to tack on 'poet' to the name of a metre, and talk of elegiac-poets and epic-poets, thinking that they call them poets not by reason of the imitative nature of their work, but indiscriminately by reason of the metre they write in.

索夫农 、森那库斯和苏格拉底式的对话采用的模仿没有一个公共的名称；三音步诗、挽歌体或其他类型的诗的模仿也没有——人们把&诗人&这一名词和格律名称结合到一起，称之为挽歌体诗人或者史诗诗人，他们被称为诗人，似乎只是因为遵守格律写作，而非他们作品的模仿本质。

The relationship between communicative competence and grammar teaching should be that of the ends and the means.

交际能力和语法的关系应该是目标与途径的关系。