查询词典 modernity

The practice aesthetics is based on Marxism practical materialism, founded by Marx and Engels in the middle of 1800's. The practical aesthetics produced in China from 1950 to 1960s, and matured from 1980 to 1990s. It developed isochronously with global modernity.

在&后实践美学超越实践美学&的众声喧哗之中有一种声音宣称自己从主体间性的角度对实践美学的主体性进行了批评，进一步揭示了实践美学的前现代性，同时也深化了'后实践美学'。

In fact Kish could be seen as a back-lot for experimentats with modes of modernity and national and international identity.

事实上，基什可以被看作是现代模式、国家与国际认同的试验基地。

Eric Gregory and Jeffrey Stout are occupied with the role of Christian faith and Christian churches in a liberal democratic society, and Leora Batnitzky has interesting things to say about Judaism's engagement with modernity.

Eric Gregory和Jeffrey Stout致力於基督信仰与教会在当代自由民主社会的议题。

In this thesis, I mainly study the aspect of the individuals being moulded by modernity.

全球化的到来又进一步加强了人们之间的横向联系。

In this sense, modernity pursues a kind of enlightenmental spirit that can truly establish subject, which helps mankind wake up from necromantic traditional bondages.

从这一意义上说，现代性追求的是一种启蒙精神，一种能够真正确立主体地位的存在方式，使人类从巫术的、奇魅的或传统的束缚中觉醒出来。

Taiwan connected to the world as a vast network, via which we, a subject, can exchanged and distributed the experience. This made the on-going technologization different from how modernity discussed about tradition, modernization, occidentalization, and localization as well as from the suspicion of globalization and post-colonization. Instead, the on-going technologization emphasized the process fo exchanging present subjective experience.

台湾与世界缔结成有如汪汪海洋的世界网路，由我们这个主体跃入海洋网路将经验交流转递，使得这一波科技化进程有别於过去现代性对「传统」、「现代」、「西化」与「本土化」的讨论，也有别於世纪末「全球化」和「后殖民」的疑虑，而强调当下主体经验的交换过程。

The possibility of the ranking is theconsequence of the modernity.The rationalization make the universities placeable.

大学排名何以可能，现代性的后果，现代性之下大学的合理化使得大学具有了可排性。

The possibility of the ranking is theconsequence of the modernity. The rationalization make the universities placeable .

而大学何以追逐大学排名，它源于大学对现代性的迫切追求，大学排名从宏观上展示了大学的现代性问题。

In "Dislocated Modernity: A Retrospect on Narratives in Contemporary Chinese Art," Gao Minglu pointed out that contemporary Chinese art is characterized by the prevalence of realist reflectionist theory, including works that have made their way into the Western exhibition circuit. Specifically citing photographic works to illustrate this point, he writes that Western interest in Chinese photography is explained by their use of it to observe concrete changes affecting China. As such, in this article is an excerpt of Gao Minglu's brilliant analysis

高名潞在《现代性错位：对中国当代艺术叙事的反思》一文中提示了中国当代艺术中的一个事实，即这种艺术中普遍存在着现实主义反映论的特征，就是进入西方展览系统的中国当代艺术也主要是现实主义反映论的作品，他还特地举了图片，来说明这个问题，即西方对中国的图片关注是西方人通过这些图片来看中国现实变化，所以在这篇文章中，高名潞有一段非常精彩的论述

"Scopic Regimes of Modernity ".in Hal Foster,Vision andVisuality .

〈在凝视的帝国：福柯与20 世纪法国思想对视觉的贬损〉。

Plunder melds and run with this jewel!

掠夺melds和运行与此宝石！

My dream is to be a crazy growing tree and extend at the edge between the city and the forest.

此刻，也许正是在通往天国的路上，我体验着这白色的晕旋。