查询词典 modernists

This lead to the outgrowth of the Abstract Expressionist movement in art , came up out of the colliding of influences between Ashcan artwork and the modernists from Europe like the Cubists and abstract painters , and appeared in the years after World War II .

这导致以突起的抽象表现主义运动的艺术，想出出碰撞的影响之间ashcan作品及现代派从欧洲一样 cubists 和抽象画家，并出现了在未来几年内，第二次世界大战后。

The form discussion studies Liang Zongdai and Ye Gongchao respectively introduced and spreaded the French imagism and British and American formalism. The Poem special issue in the literature and art supplement of Ta kung Pao Newspaper and New Poetry organized twice discussions in poetic forms. The pure poetry school introduced that the modernists introduced the western and ancient pure poetry theories: from Baudelaire, Mallarme, Vale'ry, H. Read, A. Bremond to J.M. Murray, and the basic idea and difference of pure poetry. Besides, a lot of modem poets became greatly interested in pursuit heat of the pure poetry in late Tang and Nan Song dynasties, studying the development and variation of pure poetry. Music theory argues that modernists make introduction and reform on the western and Chinese music theory. He Qifang and Bian Zhilin continue the topic to the contemporary time, and put forward the theoretical frames in Chinese poetry. Rhyme and rhythm theory make researches on the introduction and reform of French symbolism and British and American modernists' rhyme and rhythm theory, making studies on the Chinese new form poetry and its thyme and rhythm theory.

纯诗论是形式论的重心；对西方和古代的纯诗理论之引入，引进了从坡到波德莱尔、马拉美、瓦莱里、默里、里达、白瑞蒙的纯诗理论；纯诗理论的基本内涵与差异；诸多现代派诗人掀起了晚唐南宋纯诗热，对姜夔、严羽作了新的理解；对纯诗理论的发展和变异，含梁宗岱的现象学形式论，何其芳的唯美论与形式论，现代派诸人的诗本体论；梁宗岱对纯诗理论的中国化研究，含梁宗岱的超越性与形式性，"超验"与"妙悟"的比较研究与形态超脱性的比较研究；中西纯诗形态的超脱性等；现代派纯诗论是对初期白话诗理论的清算，对新月派、象征派探索的总结和发展，音乐论是对纯诗论的延伸和对格律论的发展；现代派引入研究了西方诗学音乐论理论，含坡、瓦莱里、里德的纯诗音乐论、抽象音乐论、各种具体的音乐论技术论点；引入了中国古代诗学中关于诗与音乐、音韵、音顿、音义、平仄双声叠韵等音乐的理论；进行了两次关于新诗音乐论的大讨论；在节奏、音顿、音韵三方面借鉴了西方的理论，同时改造了古代的格律理论，扬弃了平仄说，何其芳、卞之琳把新诗音乐论命题延续到当代，提出了汉诗音乐论的理论框架。

A pseudo-Mysticism is also the logical outcome of the Fideism and evolutionistic Subjectivism of modern Protestants, inaugurated by Lessing (1728-81), developed by Schleiermacher (1768-1834), A. Ritschl (1822-89; cf. Goyau,"L'Allemagne Religieuse, Le Protestantisme", 6th ed., Paris, 1906), Sabatier, etc., and accepted by the Modernists in their theories of vital immanence and religious experience (cf. Encyclical "Pascendi").

伪神秘主义，也是合乎逻辑的结果的信仰和evolutionistic主观现代新教徒，开幕莱辛（ 1728年至1781年），开发的施莱尔马赫（ 1768年至1834年），甲里奇尔（ 1822年至1889年；比照goyau " l' allemagne religieuse ，乐protestantisme "，第六版，巴黎， 1906年），撒巴帖等，并接受了由现代在他们的理论具有重要的内在性和宗教的经验

To sum up, the human relation among modernists is provided with strong "impersonalization" feature.

总之，现代人之间的人际关系带有强烈的"非人格化"特征

The modernists' intellectualism is being replaced by subjective feelings.

现代的理性主义，似乎正在被后现代的主观感觉主义所取代。

When talking about the evolution of the Book of Changes, therefore, the Modernists contend that it is important to distinguish between the traditional history assigned to texts such as the I Ching (felt to be anachronistic by the Modernists), assignations in commentaries which have themselves been canonized over the centuries along with their subjects, and the more recent scholarly history aided by modern linguistic textual criticism and archaeology.

在谈到发展的易经，因此，在现代主义者认为，重要的是要区分分配给传统的历史文本，如易经（认为是不符合时代精神的现代主义者）， assignations中有自己的评注被册封千百年来与他们的问题，以及最近的学术史的帮助下现代语言考证和考古。

When talking about the evolution of the Book of Changes, therefore, the Modernists contend that it is important to distinguish between the traditional history assigned to texts such as the I Ching (felt to be anachronistic by the Modernists), assignations in commentaries which have themselves been canonized over the centuries along with their subjects, and the more recent scholarly history aided by modern linguistic textual criticism and archaeology.

在谈到发展的易经，因此，在现代主义者认为，重要的是要区分分配给传统的历史文本，如易经（认为是不符合时代精神的现代主义者），在评注的assignations自己被册封千百年来与他们的问题，以及最近的学术史的帮助下现代语言考证和考古。

We are modernists, and as modernists we believe in the dialectical relationship between the 'old' and the 'new'.

我们是现代主义者，相信&新&&旧&之间的辩证关系。

Today, I'm sorry to say, there still remains a gulf between those obsessed by forms (and Classicists can be as guilty of this as Modernists, Post-Modernists, or Post-Post-Modernists), and those who believe that communities have a role to play in design and planning.

对不起，今天我还是要说，对于形式样式走火入魔的一派（这一点，古典主义派和现代主义派，以及后现代派，后-后现代派都是一样的，谁也逃不了干系）和那些坚信社区应该在建筑设计和规划中应当发挥作用的一派，这两派之间的巨大鸿沟依然存在。

The form discussion studies Liang Zongdai and Ye Gongchao respectively introduced and spreaded the French imagism and British and American formalism. The Poem special issue in the literature and art supplement of Ta kung Pao Newspaper and New Poetry organized twice discussions in poetic forms. The pure poetry school introduced that the modernists introduced the western and ancient pure poetry theories: from Baudelaire, Mallarme, Vale'ry, H. Read, A. Bremond to J.M. Murray, and the basic idea and difference of pure poetry. Besides, a lot of modem poets became greatly interested in pursuit heat of the pure poetry in late Tang and Nan Song dynasties, studying the development and variation of pure poetry. Music theory argues that modernists make introduction and reform on the western and Chinese music theory. He Qifang and Bian Zhilin continue the topic to the contemporary time, and put forward the theoretical frames in Chinese poetry. Rhyme and rhythm theory make researches on the introduction and reform of French symbolism and British and American modernists' rhyme and rhythm theory, making studies on the Chinese new form poetry and its thyme and rhythm theory.

纯诗论是形式论的重心；对西方和古代的纯诗理论之引入，引进了从坡到波德莱尔、马拉美、瓦莱里、默里、里达、白瑞蒙的纯诗理论；纯诗理论的基本内涵与差异；诸多现代派诗人掀起了晚唐南宋纯诗热，对姜夔、严羽作了新的理解；对纯诗理论的发展和变异，含梁宗岱的现象学形式论，何其芳的唯美论与形式论，现代派诸人的诗本体论；梁宗岱对纯诗理论的中国化研究，含梁宗岱的超越性与形式性，&超验&与&妙悟&的比较研究与形态超脱性的比较研究；中西纯诗形态的超脱性等；现代派纯诗论是对初期白话诗理论的清算，对新月派、象征派探索的总结和发展，音乐论是对纯诗论的延伸和对格律论的发展；现代派引入研究了西方诗学音乐论理论，含坡、瓦莱里、里德的纯诗音乐论、抽象音乐论、各种具体的音乐论技术论点；引入了中国古代诗学中关于诗与音乐、音韵、音顿、音义、平仄双声叠韵等音乐的理论；进行了两次关于新诗音乐论的大讨论；在节奏、音顿、音韵三方面借鉴了西方的理论，同时改造了古代的格律理论，扬弃了平仄说，何其芳、卞之琳把新诗音乐论命题延续到当代，提出了汉诗音乐论的理论框架。

It has been put forward that there exists single Ball point and double Ball points on the symmetrical connecting-rod curves of equilateral mechanisms.

从鲍尔点的形成原理出发，分析对称连杆曲线上鲍尔点的产生条件，提出等边机构的对称连杆曲线上有单鲍尔点和双鲍尔点。

The factory affiliated to the Group primarily manufactures multiple-purpose pincers, baking kits, knives, scissors, kitchenware, gardening tools and beauty care kits as well as other hardware tools, the annual production value of which reaches US$ 30 million dollars.

集团所属工厂主要生产多用钳、烤具、刀具、剪刀、厨具、花园工具、美容套等五金产品，年生产总值3000万美元，产品价廉物美、选料上乘、质量保证，深受国内外客户的青睐