查询词典 modern-day

The company occupies 55 acres and production workshop area of 23000 M3, with all kinds of skilled workers and technical staff of 220, divided into a casting workshop, spare parts processing workshops, high-frequency Heat Treatment workshops, equipment assembly plant tests, all spare parts, no one Purchase, a new modern office buildings are under construction, covering the cement square hollow brick production equipment of the modern large-scale job-shop has拔地而起pipeline, the first in-house and set up the State Institute of Zhuanji automation equipment And formed a set research and development and production of new simultaneous integration of the modern enterprise Zhuanji brick, Zhuanji ensure the quality and low-cost operation, so that every one of the guests are in the enterprise to purchase a complete set for themselves satisfied with the "Guaranteed quality / price popularization of" brick equipment, we have been tireless pursuit, and insisted on maintaining the leading position in the peer.

公司占地55亩，生产车间总面积23000M3，拥有各类技术人员熟练工人220人，分设了铸钢车间，零配件加工车间，高频淬火热处理车间，设备组装测试车间，所有零配件无一外购，现在一座崭新的现代办公大楼正在兴建之中，占地平方的水泥空心砖生产设备大型的现代化流水线作业车间已拔地而起，并首家在企业内部成立了国发砖机自动化设备研究所，形成了集研发和生产同步一体化的现代新型砖机制砖企业，保证了砖机的品质和低成本运作，让每一位客人都能在国发企业内选购到一整套适合自己满意的&品质有保证/价格大众化&的制砖设备，是我们一直以来孜孜不倦的追求，并坚持保持着在同行中的领先地位。

Due to the country's location, Ukraine artist accept more easily the modern western artistic impactions. One is the direct introduction to the modern western arts. The other is when artists are on the way to return the noumenon of art, they no longer settle for the traditional narrative style and this happen to have the same view with the language manner in modern western art.

地处欧洲使乌克兰画家更易接受西方现代艺术的影响，一是西方现代艺术的直接传入，再是画家们在回归艺术本体过程中，已不满足于传统绘画的叙事方式，而与西方现代艺术的语言风格不谋而合。

The Neo-Confucianism of Taiwan and Hongkong\'s aesthetic study combines the artistic spirit of Confucianism and Taoism, introjects the aesthetics of China and the west, and excavates the modern merits of traditional aesthetic, which are important problems of the modern Chinese aesthetics. Therefore, it is very helpful to the modern Chinese aesthetic and the comparative poetics that we scan the Neo-Confucianism of Taiwan and Hongkong\'s problems again and pursue the evolution of these problems in a cross-cultural and cross-subject view.

由于台港新儒家的美学研究兼有会通儒道艺术精神、融合中西美学思想，及发掘传统美学之当代价值等的层面，这些无一不是中国当代美学的重大课题，因此带着问题意识用跨文化、跨学科的视野重新审视他们探讨过的问题并追踪问题的延伸，将对中国当代美学的建构和比较诗学的研究都有着重要的启发意义。

Into Beijing International Home Living Museum of the large 3000 square meters of space, not only have come from Milan, Paris, New York and other international cities to display the latest home fashion trends, and the most fashionable furniture dynasty romantic of the seven series, more than brand-name products section, such as a layer of wood Santa brands internationally popular Scandinavian style and the Italian brand new perfect combination of modern minimalism, with a slight浅紫Medium lavender blue color, pure , simple, extremely elegant; second floor of the "I HOME" series of products will be China's traditional red and western gray perfect combination of fashion, with the color of the most poetic, and then add pure white decorations, pieces of furniture will become a pleasant works of art, constructed by the home, it is full of art; came three Dynasty furniture is the most "cool" furniture series - light series, Sapele series, only use material neat and simple metal the plates, just a crisp, beating about the bush in no way express the modern flavor; enter the four-story, we will see more than 1000 million family favorite, with traditional Eastern United States, another implication of modern simplicity and art of "Collected Essays" shallow Hu, black HU Series .

到北京国际家庭生活的大型3000平方米的空间，不仅有来自米兰，巴黎，纽约和其他国际城市来，博物馆展出最新的家居流行趋势，以及最时尚的家具浪漫的王朝7个系列，品牌名称的产品部分，如木材层圣品牌在国际上流行的北欧风格和意大利全新现代简约完美结合，有轻微浅紫中等薰衣草蓝色，纯净，简单，非常优雅，第二次&我主页&产品系列地板将是中国传统的红色和灰色的西方时尚的完美结合，与最富有诗意的颜色，然后添加纯白色装饰，几件家具将成为愉快的工作艺术，是由民政兴建，它充满了艺术；来到三时期的家具是最&酷&的家具系列-灯系列，沙比利系列，只使用简单的材料整齐，金属板，只是一个清晰的，转弯抹角绝不表达现代气息，进入四层，我们将看到1000多万个家庭喜爱，与传统的美国东部，另一个现代简单，&文集艺术的影响&浅胡，黑胡系列。

Modern Japanese tattoos are real works of art, with many modern practioners, while the highly skilled tattooists of Samoa continue to create their art as it was carried out in ancient times, prior to the invention of modern tattooing equipment.

当代日本有许多纹身从业者，纹身在日本已经成为了一门艺术。萨摩亚的纹身者在现代的纹身工具发明以前，秉承其古老传统，仍孜孜不倦的发展文身艺术。

It is the center of this article that how to put the costumes art of china's ethnic groups to good use in the modern character design. The writer expounds and proves the inevitability and necessary of the combination of external works and china's costumes art of traditional ethnic groups, according to which the writer chose several characters from famous classical novel ?The Creation Of Chinese Gods and recreated them with interrelated knowledge. These recreative examples and: Nvwa Sudaji nine-tailed Fox Denchanyu and Longji princess. Their vivid creative images and design prove the superiority of the two combinations. Meanwhile, some good relative suggestions have been put forward and a theory has been concluded in which modern character design is "skeleton", the comprehensive artistic display of the costumes art of china's ethnic groups is "blood and flesh".In addition, the topic is discussed according to higher practical field. Through the tentative analyses of productive economy and social development in china, the writer applies the costumes art of china's ethnic groups to modern character design, which will be good for the development and improvement of products' economic results, the improve and perfect of educational system, the standard of continuing cultural tradition and the resist of foreign culture invasion.

本文围绕中国传统民族服饰艺术在角色设计中的运用这一论题进行论述和研究，通过国外角色作品对中国传统民族服饰艺术的运用，论证了两者结合的必然性和必要性，并以服饰是角色灵魂设计的重点作为切入点，结合了融会贯通的中国传统民族服饰艺术知识进行了对名著《封神演义》人物：女娲、苏妲己、九尾狐、邓蝉玉及龙吉公主的实例创作，以生动的形象和实际设计的演练论证了两者结合的优越性，同时，也为创作提出了相关的建议，并提出了以现代角色设计为&骨骼&，以中国传统民族服饰的综合艺术表现为&血肉&的结论。

This article starts with a review of the history of the "Expression" conception in the Occident literature tradition,from which to conclude the base connotation of modern "Expression" conception in occident.Relying on this springboard,we analyses the history of the occidental modern plastic arts gradually ,then the naissance and development of the occidental modern plastic arts may boil down to a going-deep course driven by the "Expression" conception:the impressionism which had been pursuing sensual reality brought out a turning point from Representation to expression;Faurism accomplished the consciousness of Expression based on inheriting and criticizing Post-Impressionisme, and resisted the suppressant on Expression by Physical Image; the German Expressionism and Surrealism uplifted Expression at the same time they resisted Physical Image by "Nugatory Physical image"; From the apocalypse of Cubism,Suprematism and De Stijl tended towards Pure Plastic which excluded Physical Image completely,meaning that it had realized absolute Expression in the range of plastic;After WW II,artsists in western detected that Pure Plastic had actually suppressed Expression newly,as a result of Abstract-Expressionism and Mirnirnaliam Art,Expression broke away from Pure Plastic gradually to seek some new possibilities other than plastic.

本文从对西方文艺传统中的&表现&观念的历史考察着手，归纳出西方现代&表现&观念的核心内涵，以此为基点来逐步分析西方现代造型艺术史，进而将西方现代造型艺术的产生与发展归结为在&表现&观念驱动下不断递进的历史进程：印象主义对感觉真实的追求为造型艺术由再现走向表现打开了缺口；野兽派在继承和批判后印象主义的基础上首次实现了表现的自觉，并在艺术中反抗物象对表现的压迫；德国表现主义与超现实主义以不彻底的&否定性物象&来张扬表现反抗物象；至上主义、风格派等则在立体主义的启示下走向完全排斥物象的纯粹造型，在造型的范围内实现彻底的表现；二战后的西方艺术家们察觉到纯粹造型已经掉转头来形成新的对表现的压制；经由抽象表现主义、最低限艺术，表现逐步摆脱了纯粹造型，寻求造型之外的新的表现可能。

A complete revolution in his ideas was required before it could challenge his respect, but so complete was it when it did occur, that the true reason why our modern estimate of the Jus Gentium differs from that which has just been described, is that both modern jurisprudence and modern philosophy have inherited the matured views of the later jurisconsults on this subject.

在&万民法&能得到他的重视以前，必须在他思想中有一次彻底的革命，但当这个革命确实发生时，它真进行得非常的彻底，我们现在对于&万民法&的估计所以与刚才所说的完全不同，其真正理由就在于现代法律学和现代哲学所持的观点都是继承着后期法学专家就这问题所持的成熟见解的。

This paper tries to draw an outline of modern defense economics, which is lined in the pedigree of modern economics, and reviews the process of its development in China. The purpose of this article is to attract the attention of mainstream economics in China to modern defense resea...

本文力图介绍现代西方国防经济学研究的现状，并回顾中国国防经济学的发展历程，旨在使国内主流经济学界对这门学科及其在中国的发展予以关注，并参与到这门学科的研究中来。

Museum's permanent exhibition -"simulated mine", its scale and rich in content, similar museums in the world is rare, he brought together the scientific, intellectual, interesting as one, the application of high and new technology and the arts each other The combination of modern means to create a display of real-borne Lane, the ancient manual mining, modern coal mining and blasting hole heading face, modern mechanized mining and geological structure as well as the heading face eight landscape.

博物馆永久的陈列——《模拟矿井》，其规模之大，内容之丰富，在世界同类博物馆中是少见的，他集合了科学性，知识性，趣味性为一体，应用了高新技术和艺术相互结合的现代展示手段来营造出逼真的媒巷，古代手工采煤，近代打眼放炮采煤和掘进工作面，现代综合机械化采煤和掘进工作面以及地质构造等八个景观。

This one mode pays close attention to network credence foundation of the businessman very much.

这一模式非常关注商人的网络信用基础。

Cell morphology of bacterial ghost of Pasteurella multocida was observed by scanning electron microscopy and inactivation ratio was estimated by CFU analysi.

扫描电镜观察多杀性巴氏杆菌细菌幽灵和菌落形成单位评价遗传灭活率。