查询词典 modern man

Farther, this chapter tries to hold a dialogue between the native and the West on a new level of Sino-western mutual understanding, thus, the chapter, with the basic idea of"comparison equals dialogue", launches a discussion focusing on four features: the widely-ranged introduction from anti-alienation spirit, modern humanitarianism and individualism in Western modern art to the anti-Confucianism in Chinese cultural tradition; the seek for the essence of Western modern abstractionist art in Chinese traditional intellectual art atmosphere; the decoding of Western modern non-rationalism based on native cultural tradition; and the discussion on relations between"The Harmony Between Heaven and Man"and Western postmodernism.

于是本章基于"比较即对话"的观念，围绕四个问题展开了讨论：从西方现代艺术的反异化精神、现代人道主义、个人主义说到中国的"反儒文化"传统；在中国传统文人艺术境界中寻找西方现代抽象艺术的真谛；对西方现代非理性主义进行基于本土文化传统的解读；探讨天人合一精神与西方后现代主义的联系。

Within the complicated environment of contemporary society (or pre-modern, modern, postmodern in China), a "split" man (obviously with partly "split personality" and partly "split mentality"), or in my words, a "split city man", if Marcuse built up his theory of "one-dimensional man" in terms of social stratification, would become an offspring generated in the contemporary social environment with "its" reference to "everyone affected by modernization"(city man, country man unassimilated or assimilating in city and the "minority" being encroached by city culture).

当代社会（中国的前现代、现代、后现代）的复杂社会局面中，&分裂&的人，(当然，这种&分裂&一部分是&人格分裂&，另一部分是&精神分裂&。)如果说马尔库塞的&单向度&的人的提出是建立在一种社会阶层化概念上来说的，那我这里所言的&都市分裂人&则是在一个时下的当代社会背景下提出来的一种社会产物，而且&它&的指涉性指向&受现代化干扰的所有人&。（都市人、未完成都市化或正在都市化的乡村人及受到都市文化侵入的那些&少数人&。

It is really shocking that there should be a complete lack of co-ordination between the former and the latter.The sharp contrast between the two is terrible."It reflects the fact that man is dangerously lagging behind his own inven- tions."Modern arts lay bare unrestrictedly the perplexity of man's spiritual world and search for man's confusion about where to find a place for his spiritual home in this world of atheists.

是的，现代人比普罗米修斯、伊卡洛斯、孙悟空以及任何神话中的英雄都更强有力，可如果转向我们的小说、戏剧、绘画和雕塑所反映出的人的形象，看到的则是一个浑身上下布满窟窿和缝隙，没有面部特征、充满疑虑和否定、终有大限的生灵。

The arrogating of empirical rationality and scientific rationality in scientism ideology causes the concept of knowledge of positivism correspondence theory to become modern knowledge-based view. It also completely separates man\'s life world from science world. Education has been looked on as the tool to instruct knowledge and skills and develop man\'s rationality, neglecting its care to man itself.

科学主义思潮中的实证理性和科学理性的僭越，使实证主义的符合论知识观成为现代科学知识观，使人生活世界和科学世界完全分离，教育被看成是传授知识技能、发展人理性能力的唯理性教育，忽视了对人自身的关怀。

Part two: Main body, expounds the development of the new period fiction"s introduction from, reference to and fusion with western modernistic fiction, of the breakthrough of the original aesthetic norms and of conducting the "modernity" of the new research of fictional style. The development is as follows: beginning from exploring the artistic forms and skills, it self-examines the history, searches for the meaning of life, and calls for the realization of certain "personality", i.e. spiritual freedom; then, adopts the spirits of modernistic literature, searches for and sublates our national traditional culture; cares for the modern people"s specific mental states and makes inquiries for the meaning of life; then, revolutionizes the textual narration, reveals the doubt about the man"s subject exposed in the theme of works, describes directly the problems of the man"s subject itself, inquires the reality and possibility of the subject"s being, and uncovers the complexity of the modernistic central proposition: man"s anxiety and his essence.

本论部分，论述新时期中国文坛对西方现代主义借鉴、吸纳、融合，突破原有的审美规范，进行小说文体新实验的发展历程——即从艺术形式、艺术技巧的探索开始起步，反思历史、探索&人&的意义；在对民族传统文化的寻找与扬弃中，重建民族的&文化&主体，以走向现代世界；关注现代人的精神状况，揭示社会的贫乏、专横、庸俗、虚伪和窒息的一面，寻求生命的意义与价值；通过文本的叙述革命，揭示作品对人这一主体的怀疑，在小说中直接描写&人&本身所存在的问题，以及人自身本质的复杂性；对城市化、世俗化生活的窥望与期冀，对其作品中多元化的欲望进行透视，揭示当今社会中人的现代主义的虚无与后现代式的焦虑，指出其书写的局限与精神提升；论析女性作家&个人化&躯体写作的意义、特色以及女性作家个人化写作的精神困境。

The paper further analyzes and explores the ontological origins of "The world becomes an image" and "Man turns intoasubject", which is of determining meaning to the basic process of modern history, and points out, it is the western two-value logical nature and the abstract subjective principle of "objective thinking", while grasping "the being" as an entitative "object", that cancels the actual historical nature, excludes and overshadows the whole sensible richness of man and man"s sensible existent area which can not be objectified so that the freedom to use reason turns into rigidified rational external coercive power, resulting in the loss of meaning world as "the root of human life.

论文进而分析探讨了对于现代历史的基本进程具有决定性意义的&世界成为图像&和&人成为主体&的存在论根源，从而试图指出：正是西方&对象性思维&的二值逻辑本性和抽象主体性原则，在其将&存在&把握成实体性的&对象&时，也就取消了本真的历史性，排除和遮蔽了不能被对象化的人类感性的全部丰富性和人的感性存在领域；致使运用理性的自由转变成僵化之理性的外部强权统治，进而导致作为人类生命之&根&的意义世界的失落。

If modern man descended from primitiveapes and if 85% of humans have the rhesus positive blood factor,was the remaining 15% of the rhesus negative blood factor inheritedfrom Annunaki/human crossbreeding?

如果现代人类是原始大猩猩的后裔，85%的人类有恒河猴的阳性血液遗传因子，那剩下15%的恒河猴阴性的血液基因是从安鲁那奇人与人类杂交得来的吗？

If modern man descended from primitive apes and if 85% of humans have the rhesus positive blood factor, was the remaining 15% of the rhesus negative blood factor inherited from Annunaki/human crossbreeding?

如果现代人类是原始大猩猩的后裔，85%的人类有恒河猴的阳性血液遗传因子，那剩下15%的恒河猴阴性的血液基因是从安鲁那奇人与人类杂交得来的吗？

Good News for Modern Man N.T.

给现代人的福音

The veteran excavator Richard Leakey declared in 1977:"There is no single center where modern man was born."

老资格的考古挖掘家里查德？利基在1977年声称：&现代人没有单一的诞生中心。&

This one mode pays close attention to network credence foundation of the businessman very much.

这一模式非常关注商人的网络信用基础。

Cell morphology of bacterial ghost of Pasteurella multocida was observed by scanning electron microscopy and inactivation ratio was estimated by CFU analysi.

扫描电镜观察多杀性巴氏杆菌细菌幽灵和菌落形成单位评价遗传灭活率。