查询词典 modern history

In Chinese modern literary history, Hu Shi was an advocator and erector of modern style theories.

在中国的现代文学史上，胡适既是现代文体理论的提倡者，又是现代文体理论的建设者。

From the aspect of urban and rural integrative "Modern Cadastration" management style,the paper discusses the differences from traditional cadastral alterations,introduces right alteration s,land use alterations and history backdate of "Modern Cadastration" alterations.

本文从城乡一体化"现代地籍"管理方式的角度，探讨了有别于传统方式的现代地籍变更模式，并详细介绍了"现代地籍"变更中的权属变更、地类变更和历史回溯。

He extended the theory of Depth Psychology into the study and criticism of novels , affirmed the human significance and modern aesthetic value of psychological novel , and revealed the psychological nature of the history of Western fiction from the phenomenon of the unconsciousness . Freud s theories pounded at the novel writing principle of Western Classicism , and affected the theoretical position and the writing concept of modern Western novelists .

从20世纪初期起弗洛伊德就在小说观念领域悄然发动了一次革命，他把自己的"深层心理学"理论延伸到了小说理论研究和批评之中，明确肯定了"心理小说"的人性意义和现代审美价值，并从"无意识"表现的历史存在揭示了西方小说史的心理学本质，对西方古典主义的小说创作原则造成了极大的冲击，有力地影响了西方现代小说家的理论立场和创作观念。

Owing to the image of China from the late Qing dynasty which was passively transformed from "Empery" to "Nation-state", and the consequence of which gave birth to the consciousness of "Enlightenment" and "saving the nation from extinction", we abandoned the traditional circulative theory of history, but accepted the western linear time theory, so the occurrence of the concept of Modern Literature is based on the traditional-modern time imagination and China-western spatial imagination.

中国现代文学观念的发生并不是一个单纯的文学事件，由于晚清以来"中国"形象发生了从"帝国"向"民族国家"的被动转化，这种"空间"认识的变化以及由此产生的启蒙和救亡意识，最终使我们抛弃了传统的循环论而接受了西方的线性时间观。

The object of this article is to show that the experience of the ethnomusicological field works are included in background of change in modern Chinese history and to know the relation of construction of the Chinese ethnomusicology to the development of modern China as we as the relation of the same to the folk society.

本论文力图将这段民族音乐学实地考察的历史，置于中国近现代历史变革的背景中，进而认识中国民族新音乐的建设与现代民族国家进程的关系，以及其与民间社会的关系。

The western invasion bombed the door of modern China's history, as early as the beginning of 19c, the Protestants came to China exerted themselves to change Chinese traditional values and cultural concepts for their Christ evangel communication, so newspapers, as a new pattern of modern medium, became one of the important means used by the Protestants in China.

西方列强侵略的炮火轰开了中国近代史的大门，早在19世纪之初就开始了对华传教活动的西方新教传教士从传播基督福音的目的出发，着力想改变中国人传统的价值观和文化观，作为传播文化的近代新型媒介——报刊——就成为了传教士在华活动的重要方式之一。

From the history of traditional fiber arts, as well as modern fiber art applications, let us be inspired in the use of new materials, new technologies, such as integration into the modern design concepts with respect to fiber art in the interior design to promote to a certain inspiration, and see a fiber art indoor intervention the space environment, the true sense of interior design used for demand and the feasibility.

从历史上传统纤维艺术以及现代纤维艺术的应用，让我们在利用新材料、新技术，融入现代设计理念等方面使纤维艺术在室内设计中得以推广获得一定启发，并看到了纤维艺术介入室内空间环境，真正意义上为室内设计所用的需求和可行性。

It broke up traditional four-part taxonomy of"Jing Shi Zi Ji"and established modern glossology and history by consulting western modern scientific taxonomy, their contribution was that they established a Qian Jia Paradigm under the background of western learning, i.

在现代史学方面，其贡献在于建立了一种西学背景下的乾嘉范式，即：考史但不著史的为学基准；为真理而求真理的治史理念；以小见大、小题大做的作业方式；穷源毕流、竭泽而渔的"清儒家法"；"以事实决事实，决不用后世理论决事实"的致知门径。

It is my viewpoint that ancient Greek civilization is especial from the perspective of both European and Global history, for, in the course of European history, its commercial economy had not found parallels until modern Capitalistic Age in not being restrained by gilds, and in Global history, Greeks were among the few 'commercial nations'in antiquity.

本文认为，古代希腊文明在欧洲和世界历史上都占有特殊的地位，在欧洲历史上，它的不受行会束缚的商业经济一直到近代资本主义时代才找到了类似的形。。。

The thesis probes into Schoenberg' thinkings about music history, music nationalism, music education, music criticism, and music creation, respectively. There are some important viewpoints in Schoenberg's music thought: Firstly, Schoenberg's ideas of music history, he believes relationship of tradition and revolution in art is dialectical in nature, and argues that evolution in music was determined by natural law, obviously influenced by Hegel's philosophical history idea. Secondly, the thesis sums up his viewpoints of music nationalism, such as "lay stress on art music, look down on folk music","lay stress on western European music, look down on non- western European music" by Schoenberg's account about the reasons of the formation of national art, the dominant of national art and nationality in music; in fact, this viewpoint of western cultural centricity is one of his i mportant viewpoints throughout his life; Thirdly, Schoenberg's concept of music education: in his thought a composing teacher should teach the students how to master "the tool of art", train them for their ability of "one major and various kinds of techniques", try his best to nourish the student's personality; Fourthly, Schoenberg set forth some opinions about modern music critics and the method of music criticism: a music critic must be equipped with the quality of a music expert, and render composer's idea to the public by his art imagination, but not his personal opinion,and Schoenberg stress the areas of music criticism on style and idea ; Lastly, Schoenberg's concept of music creation: Expressionism and organism are two important issues in Schoenberg's thinking about music creation.

本文通过对勋伯格各类论文、书信、演讲、专著等文稿的评述，分别探讨了作为音乐思想家的勋柏格的音乐历史观、民族主义音乐观、音乐教育观、音乐批评观与音乐刨作观，并在此基础上总结了折射在勋柏格音乐思想中的几个重要观点：一，勋柏格对于音乐历史的认识：通过德奥音乐界前辈给予他的创作启示，以及勋伯格对自己几个创作阶段的发展历程的总结，阐述了他对于艺术中的传统与革新之间的关系的辩证认识，并通过这些问题总结出音乐的演进与黑格尔倡导的&历史发展必然性&哲学观念之间存在着必然联系；二，勋柏格的民族主义音乐观：通过勋柏格对于形成民族艺术特征的根本原因、民族艺术中的支配现象、民间音乐与艺术音乐之间的比较、音乐刨作中的&民族性&问题的意识等方面问题的剖析与认识，总结了他的&重艺术音乐，轻民间音乐&、&重西欧音乐，轻非西欧音乐&的观点，从而突出了他的精神领域中的根深蒂固的&德奥音乐中心论&，这是一个浸润着浓厚的西欧文化中心论色彩的观点，也是贯串他毕生的音乐思想的重要观点之一；三，勋柏格对音乐教育问题的见解：勋柏格认为作曲教师应该教会学生掌握&艺术的工具&、在教学中努力做到&一专多能&、注重个性培养；四，勋柏格对当代音乐批评家与音乐批评方法提出的要求：音乐批评家必须具备作为一名音乐家的专业修养，要以真实、客观的态度对待音乐批评这门神圣的职业，充分运用内心的艺术联想向公众再现作曲家的意图，而不是将个人见解强加于受众；同时，批评家需要对艺术的过去与未来拥有全面的了解与较准确的预测，在音乐批评的具体范畴中，应将重心角度置于探讨音乐作品的风格与思想之间的关系方面。

This one mode pays close attention to network credence foundation of the businessman very much.

这一模式非常关注商人的网络信用基础。

Cell morphology of bacterial ghost of Pasteurella multocida was observed by scanning electron microscopy and inactivation ratio was estimated by CFU analysi.

扫描电镜观察多杀性巴氏杆菌细菌幽灵和菌落形成单位评价遗传灭活率。