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The story of the Antwerp Atheneum is the latest example of a paradox: how should liberal, tolerant Europeans protect their values, even as they protect the rights of less liberal minorities in their midst?

安特卫普艺术学院的情况是反映以下矛盾的最近一个例子：自由、容忍的欧洲人该如何保护其价值观，特别是他们保护的是与自己生活在一起却不那么自由的少数派权利？

All the beatitudes came into his heart and life in the midst of those very conditions.

保罗虽受尽监禁、痛苦、损失、患难，但在这一切中间，他却得到了祝福。

It looked as if this was the way these forms came to be transferred to our furniture, to tables,chairs, and bedsteads —— because they once stood in their midst.

它们的形态似乎是这样转变成为家具，成为桌子，椅子，床架的，——因为这些家具原先曾经站在它们之间。

In the shadow of Heshbon the fugitives stand helpless, for a fire has gone out from Heshbon, a blaze from the midst of Sihon; it burns the foreheads of Moab, the skulls of the noisy boasters.

躲避的人无力站在希实本的影下。因为有火从希实本发出，有火焰出于西宏的城，烧尽摩押的角和哄嚷人的头顶。

In the shadow of Heshbon the fugitives stand helpless, for a fire has gone out from Heshbon, a blaze from the midst of Sihon; it burns the foreheads of Moab, the skulls of the noisy boasters.

躲避的人无力站在希实本的影下；因为有火从希实本发出，有火焰出于西宏的城，烧尽摩押的角和鬨嚷人的头顶。

In the shadow of Heshbon the fugitives stand helpless, for a fire has gone out from Heshbon, a blaze from the midst of Sihon; it burns the foreheads of Moab, the skulls of the noisy boasters.

躲避的人、无力站在希实本的影下。因为有火从希实本发出、有火焰出於西宏的城、烧尽摩押的角、和哄嚷人的头顶。

In the shadow of Heshbon the fugitives stand helpless, for a fire has gone out from Heshbon, a blaze from the midst of Sihon; it burns the foreheads of Moab, the skulls of the noisy boasters.

躲避的人无力站在希实本的影下。因为有火从希实本发出，有火焰出于西宏的城，烧尽摩押的角和哄囔人的头顶。

They had a merry time over the bonbons and mottoes, and were in the midst of a quiet game of Buzz, with two or three other young people who had strayed in, when Hannah appeared.

他们边吃糖果，边谈论糖纸上的格言，过得很愉快，正当他们与另外两、三个刚溜达进来的年轻人安静地玩文字游戏时，汉娜来了。

On that day You need not be ashamed of all your deeds, your rebellious actions against me; For then will I remove from your midst the proud braggarts, And you shall no longer exalt yourself on my holy mountain.

在那一天，你决不再因你反抗我的一切作为而羞惭，因为那时我必由你中间驱逐你那些骄矜自夸的人，使你不再在我的圣山上自夸

Say to Eleazar, the son of Aaron the priest, that he shall take up the censers out of the midst of the blaze, for they are holy; and you scatter the burning coals abroad.

民16：37你吩咐祭司亚伦的儿子以利亚撒、从火中捡起那些香炉来、把火撒在别处、因为那些香炉是圣的。

We have no common name for a mime of Sophron or Xenarchus and a Socratic Conversation; and we should still be without one even if the imitation in the two instances were in trimeters or elegiacs or some other kind of verse--though it is the way with people to tack on 'poet' to the name of a metre, and talk of elegiac-poets and epic-poets, thinking that they call them poets not by reason of the imitative nature of their work, but indiscriminately by reason of the metre they write in.

索夫农 、森那库斯和苏格拉底式的对话采用的模仿没有一个公共的名称；三音步诗、挽歌体或其他类型的诗的模仿也没有——人们把&诗人&这一名词和格律名称结合到一起，称之为挽歌体诗人或者史诗诗人，他们被称为诗人，似乎只是因为遵守格律写作，而非他们作品的模仿本质。

The relationship between communicative competence and grammar teaching should be that of the ends and the means.

交际能力和语法的关系应该是目标与途径的关系。