查询词典 middle C

A movable clef that puts middle C on one of the lines of a staff.

把中央c音加在五线谱各行上的一个可以移动的谱号。

A clef that puts the G above middle C on the second line of a staff .

在五线谱的第二行的中央C音上加上G音的谱号。

A clef that puts middle C on the third line of a staff .

把中央c 音加在五线谱各行上的一个可以移动的谱号。

A clef that puts middle C on the third of a .

在的第三行加上中央c 音的谱号。

A clef that puts middle C on the bottom line of the staff .

把中央c 音放在底线上的谱号。

In 1726, he also visited Parma and Milan, where Johann Joachim Quantz heard him and commented: Farinelli had a penetrating, full, rich, bright and well-modulated soprano voice, with a range at that time from the A below middle C to the D two octaves above middle C....

在1726年他也访问了Parma和Milan，在Milan碰到Joachim Quanty，他在听过Farinelli歌声后评论道「Farinelli有穿透、饱满、丰富、嘹亮与转音良好的高音，当时其音域可以从中央C下面的A音开始，一直往上跨越了两个八度音阶到D音。

Xi The playing range of French Horn is:- From C one octave below middle C to C one octave above middle C.

xi 法国号的音域宽广，从中央C低八度的C到比中央C高八度的C。

This is showing you that whenever you play keys that are below Middle C, you will play with your left hand and whenever you play keys that are above Middle C, you will play with your right hand.

绿色染上的和绿三角所指的，是说无论何时你弹奏钢琴，如果在中位"C"以下，就用你的右手，在中位"C"以上，就用你的左手。

This is showing you that whenever you play keys that are below Middle C, you will play with your left hand and whenever you play keys that are above Middle C, you will play with your right hand.

绿色染上的和绿三角所指的，是说无论何时你弹奏钢琴，如果在中位&C&以下，就用你的右手，在中位&C&以上，就用你的左手。

The next development in musical notation were "heighted neumes", in which neumes were carefully placed at different heights in relation to each other. This allowed the neumes to roughly indicate the size of a given interval as well as the direction. This quickly led to one or two lines, each representing a particular note, being place on the music with all the neumes relating back to them. At first these lines had no particular meaning and instead had a letter placed at the beginning indicating which note was represented. However, slowly the lines indicating middle C, and the F a fifth below, became most common. Having at first been merely scratched on the parchment, the lines now were drawn in two different colorded ink: usually red for F, and yellow or green for C.

音乐记谱法的再一次新发展是heighted neumes，这种记谱法标识出音符之间的音高关系，这样就使得纽姆谱可以粗略并直接地标记出指定音程的增减，这样的标识方法导致了谱上一线或者二线的出现，每条线代表一个特定的音符，这个音符与纽姆谱中所有的音符的音程关系都能被标识出来，最初这些线并没有什么特殊的含义，反而会有一个字母被放在开始的位置表明代表哪个音符，渐渐的，线代表中央C或者比C低五度的F 变得最常用，这些一开始只不过在羊皮纸上刮出的线，开始用两种不同的颜色书写，红色代表F，黄线或者绿线代表C，以上的这些便是我们所知道的音乐记谱法发展的开端。

The split between the two groups can hardly be papered over.

这两个团体间的分歧难以掩饰。

This approach not only encourages a greater number of responses, but minimizes the likelihood of stale groupthink.

这种做法不仅鼓励了更多的反应，而且减少跟风的可能性。