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mazurka相关的网络例句

查询词典 mazurka

与 mazurka 相关的网络例句 [注:此内容来源于网络,仅供参考]

No. 3, with its glimpses of mazurka, followed by a solemn chorale section that suddenly curtails the piece without the expected return to the opening material ---- evidently a late inspiration, since an early manuSCRIPT fragment of the piece assumes the conventional da capo return.(the other side of the same manuSCRIPT contains the study op. 10 no. 9, suggesting that this nocturne was at least partly composed well before the date of 1833 usually ascribed to it.) chopin is said to have associated the piece with hamlet ---- one of many literary images prompted by his music.

最为典型的例子是op.15no.3,在它中间有着玛祖卡舞曲的惊鸿一瞥,之后是肃穆的赞美诗部分,这一部分突然缩减了这一篇章,而不是象预期的那样回到开始之处,而早期的手稿中这里是采用了传统的da capo返回(这篇手稿的另一面还写有op.10no.9,这表明这部夜曲至少有一部分是在1833年以前创作的)据说肖邦把这个乐章和哈姆雷特——在他的音乐中提及的众多文学映像之一——联系在了一起。

I. Poland IV: Mazurka 01:12

17: ——波兰IV:马祖卡舞曲

In music structure, through the contract of the musical form structure of this work and the typical classical concerto musical form structure, it summarized the inheritance of classicism concerto structure and the personalized innovation of national style of this work, and emerged Chopin"s inheritance in concerto creation and his innovative spirit in this area. In melody, by centering the elaboration on the vocal and colorful melody, it fully displayed Chopin"s unique artistic style and distinct romanticized characteristic in melody creation. In rhythm, with the analysis of the third music movement"s rhythm, we could learn the rhythm of mazurka which penetrated the entire music movement and which had typical Poland national characteristics, the national characteristics of the work, and the primary form of characteristic rhythm. Furthermore, it revealed the national essence and the origin material in Chopin"s works. At last, in harmony, from the aspects of linearity and the sound thought of semitone, the counter-function harmony proceeding in breaking traditions, the harmony technique in function-extended, the charm in detuned chord, the blending of sound rhythm and music situation, it analyzed and summarized the distinct romanticism in harmony arranging in the work.

音乐结构上,通过作品曲式结构与古典协奏曲典型曲式结构的对比,总结作品对古典主义协奏曲结构的沿袭和民族风格的个性化创新,展现了肖邦在协奏曲创作的继承和创新精神;旋律上,主要围绕作品旋律的歌唱性和色彩性进行论述,充分展现肖邦在旋律创作上独特的艺术风格和鲜明的浪漫主义特征;节奏上,通过对第三乐章的节奏分析,展现了贯穿整个乐章的具有典型波兰民族特色的玛祖卡节奏,阐述作品的民族特色,并追溯特征节奏的原形,进一步揭示肖邦创作的民族本质和素材来源;和声上,从半音化的线性和声思维、突破传统的反功能和声进行、功能延伸式的和声手法、音阶化的转调模进手法、离调和弦的色彩魅力等几个方面入手,分析和总结了作品在和声运用上新颖、鲜明的浪漫主义特色。

Mazurka for Piano, Op.

钢琴马祖卡舞曲,作品101之2

Vice-Trilogy with introductory music and coda,, having the ambience of romanticism by using the nocturne form, and the emotion is expressed sincerely. The third owned allegro vivace, f minor, 3/4 time, mazurka rhythm.

带有引子和尾声的复三部曲式,采用夜曲形式,情感表达真挚,极具浪漫主义色彩;第三乐章活泼的快板,f小调,3/4拍子,舞曲节奏。

The Emancipated woman Polka Mazurka.

Op282 解放的女人波尔卡玛祖卡

Mazurka,op.63,no.2mazurka,op.63,no.3waltz,op.34,no.2nocturne,op.72,no.1mazurka,op.7,no.3polonaise-fantaisie,op.61scherzo no.2,op.31

霍罗维茨演奏肖邦作品很少有人能够与之匹敌,其运键堪称完美。

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