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We study and compare several weights that enable provision of various QoS guarantees in an input-queueing switch with no speedup by using a variation of stable marriage matching algorithm, also a modification is proposed.

在输入缓冲交换结构中实现QoS保证具有重要的实际意义,同时也颇具挑战性,我们重点研究了输入缓冲结构中加速因子为1时,提供带宽预留和时延保证的几种调度算法,对稳定婚配算法中选取不同权值时提供的QoS性能进行了比较,并提出了改进方法。

RESULTS: A well-resolved and reproducible 2-DE pattern of PBMC was obtained from patients with HBV associated HCC or LC. For HCC, the mean number of protein spots was 1186 ± 43, with an average matching rate of 91.6%, and for LC, the mean number of protein spots was 1013 ± 41, with an average matching rate of 90.2%.

结果:得到了分辨率较高、重复性较好的HBV相关性HCC及LC患者PBMC双向凝胶电泳图谱, HBV相关性HCC及LC患者PBMC凝胶的平均蛋白质点数分别为1186±43及1013±41;组内的平均匹配率分别为91.6%, 90.2%。

Results The well-resolved, reproducible 2-DE patterns of PBMC in patients with HCC and healthy adults sere obtained. For HCC, the average spots of 2-DE maps were 1206±48, and the average matching rate as 90.8%. For normal adults, the average spots were 1123±37, and the average matching rate was 92.6%.

结果:得到了分辨率较高、重复性较好的HCC及正常人PBMC双向凝胶电泳图谱,平均蛋白质点数分别为1206±48及1123±37;组内的平均匹配率分别为90.8%及92.6%。

I'll describe a shot from the Exterior Brookfield sequence of an exterior of a row apartment on fire with an explosion blasting out the third story windows. The shot was composited on an Inferno by Bob Wiatr. We started with a live plate of the street scene. Our first task was to remove a foreground chainlink fence and camera crew. We recreated the fg matching the flashing ambulance lights. To create a snowy, misty look we used a number of logic ops of the bg with a mist plate which was basically the bg heavily blurred and multiplied back onto itself, graduating to create a sense of dimensionality. Glows were added around lights and flames using Sapphire plug-ins and light beams were added to streetlights. Four or five layers of 3d particle snow created in Maya were combined with practical elements varying in size and focus depending on distance from the camera.A miniature explosion element was incorporated into the comp, also with added glows, interactivity with the building, and rotoscoping of foreground objects. The entire comp was then time warped for editorial matching with the subsequent cut.

我可以描述一个Exterior Bookfield的几个镜头,那是一排的公寓着火,在三楼窗户引起爆炸,这个镜头是Bob Wiatr用Inferno合成的,我们用一个现场的街道镜头开始,我们的第一个任务是删除一个在前景中的链条状的篱笆和摄像人员,我们重新制作了前景以期与前景中的闪烁的救护车灯匹配,为了制作一个下雪的雾蒙蒙的效果,我们用了大量的logic ops,用了一个雾层,这个层基本上就是把背景尽量模糊然后再把它重新加到背景上面,渐变式的制作出一个层次感,自发光用Sapphire插件加在灯光和火焰的周围,而光线被加到路灯上,在maya中制作的四到五层的三维的粒子雪用来和不同大小的真实的素材混合在一起,焦距则依赖镜头的景深,同时在楼房爆炸的地方加入了一个缩小了的爆炸素材,以及爆炸的辉光效果,和重新放置的前景物体,整个的镜头接着匹配时间用来做最后的剪辑制作。

In order to calculate the matching degree of a shape to target image, shape free texture subspace reconstruction error was adopted as matching criterion.

为确定形状对纹理的匹配程度,本文提出了基于形状无关纹理子空间重构残差的匹配度评定标准。

To take one especially spectacular example: A traditional paisley pattern was embroidered on the sleeves of a coat, then it trailed off down the leg of the matching trousers before reappearing on the lapels of a suit and the shoulders of a sweater (which also featured a leopard-print collar). Here's another illustration: Sheeshedar, the mirrored Indian fabric you've seen in markets since time immemorial (or at least since hippies crossed the landmass from Asia to America), was used to make a pair of trousers—and matching shoes. Then it was teamed up with a poncho that could have been sliced from shaggy white yak wool. Just perfect for the backstage area of a Led Zeppelin reunion concert, but curiously incongruous for a McQueen fashion moment. Perhaps that was the problem with this show.

最明显的表现部分就是:古波斯国的传统涡纹花呢被设计师运用细腻精致的刺绣织造手法,展露在外套的袖口、西装长裤的小腿肚、西装外套的翻领、以及毛衣的双肩部份,(还有美洲豹皮纹也被添加在领口处);同时,镜面反射般的立体明暗光泽也被McQueen加强在成套的裤装/鞋款上,那种神秘的异国光泽,年代攸远似乎已不可考,但早期曾在嬉皮年代被一些摇滚乐手从印度辗转传至美洲和英国;不过可惜像是南美风格的白色堥牛毛poncho披风,却被评为,似乎适合Led Zeppelin演唱会后台的歌迷们穿著、而极不搭调在McQueen的fashion how现场。

For the aerial digital frame imagery with large overlap, we propose an automatic transferring point scheme composed of image matching in image-space-free network adjustment-image matching in object-space.

针对大重叠度航空数码影像提出了一种像方匹配-自由网平差-物方匹配的自动转点方法。

The algorithm is implemented by a three-stage iterative process. At the first stage, an iterative block matching algorithm is applied to generate more accurate initial disparity vectors, and at the second stage, an iterative polygon matching algorithm is employed to optimize the initial disparity vectors obtained at the first stage to minimize the error of certain triangulations. Finally at the third stage, the unreliable nodes are deleted.

该方法是一个三步迭代过程:首先利用迭代块匹配算法得到较精确的匹配结果;然后利用迭代多边形匹配算法对得到的匹配结果进行优化,使得一些三角形的预测误差最小;最后删除掉视差不可靠的节点。

Firstly, because the triangle constrained matching propagation begins with the initial corresponding triangulations formed by a few seed points in the stereo pairs, this dissertation studies the affects of different numbers and different distributions of seed points on the image matching results through experimental analysis, and proposes a seed point selection strategy for different image texture conditions, an automatic selection algorithm is also designed that gives good distribution quality for a defined number of seed points.

首先,针对匹配传播过程中的种子点选取问题,通过实验分析研究了不同数量与分布的种子点所构成的初始三角网对匹配结果的影响,进而提出了不同影像条件下的种子点选取策略和一种自动提取一定数量、满足一定分布均匀度的种子点自动选取算法;其次,研究了海量数据情况下同名三角网的快速构建、数据组织存储与局部动态更新的方法;在此基础上,本文提出了随机传播、基于三角形拓扑关系的邻近传播和顾及纹理特征的自适应传播等三种传播策略,分别介绍了其详细的实现算法,并通过实验分析对这几种传播策略进行了比较,实验结果证明自适应传播方法在匹配的可靠性上最优。

A multi-level dual"saw-tooth"stripe gray light patterns are designed to add artificial texture into scene and a normalized SSSD matching algorithm is presented to revise spacetime stereo to accomplish the matching of images for the untextured weld environment.

本文设计了一种锯齿式多级对偶灰度光源序列向场景中添加纹理,并提出了归一化SSSD匹配算法,对时空立体视觉技术进行改进,解决了焊接无纹理环境的立体匹配问题。

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I didn't watch TV last night, because it .

昨晚我没有看电视,因为电视机坏了。

Since this year, in a lot of villages of Beijing, TV of elevator liquid crystal was removed.

今年以来,在北京的很多小区里,电梯液晶电视被撤了下来。

I'm running my simile to an extreme.

我比喻得过头了。