查询词典 make nothing of

The first thing to see, looking away over the water, was a kind of dull line -- that was the woods on t'other side; you couldn't make nothing else out; then a pale place in the sky; then more paleness spreading around; then the river softened up away off, and warn't black any more, but gray; you could see little dark spots drifting along ever so far away -- trading scows, and such things; and long black streaks -- rafts; sometimes you could hear a sweep screaking; or jumbled up voices, it was so still, and sounds come so far; and by and by you could see a streak on the water which you know by the look of the streak that there's a snag there in a swift current which breaks on it and makes that streak look that way; and you see the mist curl up off of the water, and the east reddens up, and the river, and you make out a log-cabin in the edge of the woods, away on the bank on t'other side of the river, being a woodyard, likely, and piled by them cheats so you can throw a dog through it anywheres; then the nice breeze springs up, and comes fanning you from over there, so cool and fresh and sweet to smell on account of the woods and the flowers; but sometimes not that way, because they've left dead fish laying around, gars and such, and they do get pretty rank; and next you've got the full day, and everything smiling in the sun, and the song-birds just going it!

往 水面上望去，首先看到的是灰蒙蒙的一条线——那是河对岸的树林子——别的便什么也看不清——接着是天空中有一点儿鱼肚白；然后鱼肚白多了些，逐渐朝四周散开去；接下来，远处河水的颜色淡了些，不是那么黑了，而是灰灰的了。更远处，可以看到小小的黑点子在漂过来——那是些载货的驳船之类。还有黑黑的一长条——那是木筏子。有时能听到长桨吱吱地响，或者一些杂音。四周这么寂静，声音又来自很远的远方。过了一会儿，你看到一道水纹。凭了水纹的模样，你知道那里有一块礁石，急流朝着它冲过去，流水飞溅，成了这个模样。你看到，雾气袅袅上升，离开水面，东方红了起来，河面红了起来。你可以看到对岸河边树林子边上一处原木搭成的小屋，那可能是一个木材场，在那里堆着的一堆堆木材，中间却是空的，容得狗钻来钻去，为了能叫人家上当①。然后微风轻拂，从河上一阵阵吹来，那么凉凉的，那么清新，闻起来那么甜美，这是全凭了那些树林子和那些鲜花的缘故。可有时候也并非全是如此美妙。

Marius could make nothing out of it, as Jondrette stood between the picture and him; he only saw a coarse daub, and a sort of principal personage colored with the harsh crudity of foreign canvasses and screen paintings."What is that?"

马吕斯一点也瞧不清楚，因为容德雷特正站在画和他之间，他只隐约望见一种用拙劣手法涂抹出来的东西，上面有一个主要的人物形象，色彩生硬刺目，类似那种在市集上叫卖的图片或屏风上的绘画。

Marius could make nothing out of it, as Jondrette stood between the picture and him; he only saw a coarse daub, and a sort of principal personage colored with the harsh crudity of foreign canvasses and screen paintings.

马吕斯一点也瞧不清楚，因为容德雷特正站在画和他之间，他只隐约望见一种用拙劣手法涂抹出来的东西，上面有一个主要的人物形象，色彩生硬刺目，类似那种在市集上叫卖的图片或屏风上的绘画。

F: OK, since you said I'm ruthless, I'm cruel and I make trouble out of nothing, I'll show you my ruthlessness, my cruelness and the trouble I make out of nothing!

女：好，既然你说我无情我残酷我无理取闹我就无情给你看残酷给你看无理取闹给你看！

Does this not make a mockery of God—to say nothing of any sort of true relationship between us?

这岂不是在嘲笑神吗？这样在我们之间又怎可能有任何一种真正的关系呢？

Instead it's a perfect example of 'imitation luxury car,' with a usual result: The shiny metal-look trim seems nothing more than cheap, the patterned plastic that could be imitating wood isn't, and the different textures and shades of plastic make nothing more than a pusillanimous pastiche.

闪亮的金属外观装饰看上去只会感觉廉价，印有图案的塑料也不像木质内饰，不同纹理和色彩的塑料内饰搭配起来并不出色。

My Condition began now to be, tho' not less miserable as my Way of living, yet much easier to my Mind; and my Thoughts being directed, by a constant reading the Scripture, and praying to God, to things of a higher Nature: I ad a great deal of Comfort within, which till now I knew nothing of; also, as my Health and Strength returned, I bestirr'd my self to furnish my self with every thing that I anted, and make my Way of living as regular as I could.

在这样治病的同时，我拿起《圣经》开始读起来。因为烟叶的体味把我的头脑弄得昏昏沉沉的，根本无法认真阅读，就随便打开书，映入我眼睛的第一个句子是：&你在患难的时候呼求我，我就必拯救你，而你要颂赞我。&①这些话对我的处境再合适不过了，读了后给我留下深刻的印象，并且，随着时间的过去，印象越来越深，铭记不忘。

It's no wonder that only people with rich aesthetic appreciation experiences have a physiological or psychological demand for tachisme, because in their eyes, what they expect most is a kind of pleasant sensation on aesthetic appreciation. They have seen too many delicate paintings, so their eyes are very particular and slashing. Especially, they can't bear ordinary paintings without mien. It has become impossible for those quotidian and easy descriptions about the reality without sound and colors to catch their eyes, to say nothing of touching their heartstrings. In their eyes, a good artwork "shall not get separated from the thought course of the reality to make an immediate response to various experiences and feelings in the life, and express them in a surprising manner with a breath-taking vigor, even make a crazy demonstration."

朱健甫：这也难怪，只有有着丰富的审美经验者，他才会对抽象绘画有一种生理和心理的需求，因为在他们眼睛里最为期盼的是一种审美快感，他们看了太多的精美绘画，因而眼睛是十分挑剔与苛刻的，尤其不能容忍平凡，没有声色的存在，对于那些司空见惯的对现实简单的描述，已不能打动他们的眼球，更无法触动他们的心灵，在他们看来，好的艺术品：&既不能脱离现实的思维进程，将生活中的种种经验与感受即刻的作出反应，并将它以出乎意料的方式表达出来，用一种摄人心魄的气势，做甚至是癫狂的展示。&

In the middle of these Cogitations, Apprehensions and Reflections, it came into my Thought one Day, that all this might be a meer Chimera of my own; and that this Foot might be the Print of my own Foot, when I came on Shore from my Boat: This chear'd me up a little too, and I began to perswade my self it was all a Delusion; that it was nothing else but my own Foot, and why might not I come that way from the Boat, as well as I was going that way to the Boat; again, I consider'd also that I could by no Means tell for certain where I had trod, and where I had not; and that if at last this was only the Print of my own Foot, I had play'd the Part of those Fools, who strive to make stories of Spectres, and Apparitions; and then are frighted at them more than any body.

天命难测，使人生显得多么光怪陆离，变化无穷啊！在不同的环境下，人的感情又怎样变幻无常啊！我们今天所爱的，往往是我们明天所恨的；我们今天所追求的，往往是我们明天所逃避的；我们今天所希翼的，往往是我们明天所害怕的，甚至会吓得胆战心惊。现在，我自己就是一个生动的例子。以前，我觉得，我最大的痛苦是被人类社会所抛弃，孤身一人，被汪洋大海所包围，与人世隔绝，被贬黜而过着寂寞的生活。仿佛上天认定我不足与人类为伍，不足与其他人交往似的。我当时觉得，假如我能见到一个人，对我来说不亚于死而复生，那将是上帝所能赐给我的最大的幸福，这种幸福仅次于上帝饶恕我在人间所犯的罪孽，让我登上天堂。而现在呢，只要疑心可能会看到人，我就会不寒而栗；只要见到人影，看到人在岛上留下的脚印无声无息地躺在那里，我就恨不得地上有个洞让我钻下去。

In the middle of these Cogitations, Apprehensions and Reflections, it came into my Thought one Day, that all this might be a meer Chimera of my own; and that this Foot might be the Print of my own Foot, when I came on Shore from my Boat: This chear'd me up a little too, and I began to perswade my self it was all a Delusion; that it was nothing else but my own Foot, and why might not I come that way from the Boat, as well as I was going that way to the Boat; again, I consider'd also that I could by no Means tell for certain where I had trod, and where I had not; and that if at last this was only the Print of my own Foot, I had play'd the Part of those Fools, who strive to make stories of Spectres, and Apparitions; and then are frighted at them more than any body.

我就这样一会儿胡猜乱想，一会儿疑神疑鬼，一会儿又反省冥思。忽然有一天，我觉得这一切也许全是我自己的幻觉。那只脚印可能是我下船上岸时自己留在沙滩上的。这个想法使我稍稍高兴了一些，并竭力使自己相信，那确实是自己的幻觉，那只不过是自己留下的脚印而已。因为，我既然可以从那儿上船，当然也可以从那儿下船上岸。更何况，我自己也无法确定哪儿我走过，哪儿我没走过。如果最终忽略别的事情。我仍十分关心我的羊群，它们随时可以充分满足我的需要，使我不必浪费火药和子弹，也省得费力气去追捕野山羊。我当然不愿放弃自己驯养山羊所提供的便利，免得以后再从头开始驯养。

This paper discusses design and realizable methods of remote test output interface from logical design angle.

本文从逻辑设计的角度讨论遥测输出接口的设计及实现方法。

This also 星体投射plies to buildings, structures and geological features.

这也适用于建筑物和地质特征。