查询词典 major theme

There is usually a 3rd -key added in the opening of the second theme, and sometimes a new theme is composed. Then, the subordinate key is reached before the end of exposition. 5 Silence of one whole bar is frequently utilized, which not only brings profound expressive significance, but also is important to the architectonics of these sonatas. 6 The harmonization in the variation, which is the method of applying different keys to the same melody, is handled in those Andante movements. By this way, the same melody appears in variable colors of harmony, which can not only avoid dull repetition, but also keep the lyrical nature and the completeness of melody. 7 Chromatic method is applied in the periods of development, and chromatic深层线条becomes the provident feature in some periods of development. 8 Atlas motive is put to use in c minor and A major sonatas, and a lot of "sigh" tones and c sharp minor are both preferred in those three sonatas. 9 The emotional factor of "wanderer" is the roots of thoughts for the intense conflict of music.

他通常在副部的开始加入一个三度的调性，有时再加入一个新主题，最后在呈示部结束之前到达属调； 5、较多地运用整小节的休止，使其不仅具有深刻的表情意义，而且在结构乐曲中起到了不可或缺的作用； 6、舒伯特在慢板乐章中运用同一旋律异调配置的和声变奏方式来构成音乐的段落，使同一个旋律在不同的和声色彩里闪现，既避免了单调的重复，又保持了旋律的抒情性和完整性； 7、展开的段落中习惯运用半音化的发展手法，半音阶式的深层线条成为某些展开段落的显著特点； 8、c小调和A大调奏鸣曲中都运用了"阿特拉斯"动机，三首奏鸣曲中运用了大量叹息的音调，并倾向于~#c小调的运用； 9、"流浪者"的情感因素是音乐强烈冲突的深刻思想根源。

In the recapitulation, Borodin begins this second theme in E , an enharmonic major 3rd above B , thereby creating a logical counterpoise to the theme's statement in the exposition a minor 3rd above B and extending the interplay between major and minor 3rd to a structural level.

在再现部，鲍罗丁以 E 音， B 音上方的一个不和谐的大三度，开始了这个第二主题，从而营造出与呈示部主题陈述， B 音上方小三度的一个逻辑上的平衡，然后将大小三度的交替延伸到结构性的层面。

In this article,authors introduce major decorative art of Hong Kong Disneyland Fantasyland construction project,mainly including the construction of decorative plaster, theme paint ,scenic paint and color concrete.

介绍了香港迪士尼梦幻乐园工程中的重点装饰艺术工艺，主要包括装饰砂浆、主题油漆、场景油漆、加颜色混凝土的施工技术。

The duty of the drame and the music which was give by the subject was accomplished by three elements used in this dissertation as following:the musical theme"La Roi S'amuse"(from the opera"Rigoletto")was the center clue;the forming precess of the three main characters (Rigoletto、Duke and Gilda)was the major may to interprete the drama subject; meanwhile, their own Arias were used to rebuild the musical figures; and the chorus between each of them was the main means to put forward the plot of the drama.

本论文以歌剧《黎戈莱托》的主题"诅咒"作为主轴线，以歌剧中三个主人公(黎戈莱托、曼图阿公爵、黎戈莱托的女儿吉尔达)在歌剧中各自音乐形象的塑造过程作为对歌剧主题诠译的主要手段，同时又以他们各自在歌剧中的咏叹调作为塑造音乐形象的主要方式，以他们相互之间的合唱作为歌剧情节向前发展的重要方式，从而完成歌剧主题所赋予的戏剧任务和音乐任务。

The study of the habitability of a city is a major theoretical concern within the bigger theme of sustainable urban development, and it becomes more tangible at the level of urban living.

因此，我们可以认为，可持续城市发展就是当代城市发展的主题。自从1987年布伦特兰报告中首次使用"可持续发展"这一概念"，可持续城市发展"已成为当今最为广泛的城市目标。

From May 4th Movement of 1919 to the 1920s, sex love narrations in Chinese novels were rather an enlightenment and liberation in that particular era with four characteristics. Firstly, sexual desire was endowed with rationality with regard to liberation of human nature and mutual love. Secondly, with an epochal concern for a stronger and superior race, greater attention was paid to sexual parties concerned, mainly physically. Thirdly, new ethics on sex were promoted in that personal freedom on sex love was emphasized and sex love became an important way of self-fulfillment. Therefore, independence of sex love was advocated and the scope of sex love was also widened. Fourthly, the sex consciousness of this period had the mixed features of the past and the contemporary. Sex love narrations in the 1930s and 1940s showed a further exploration on the theme of human nature. First of all, sex was restored to a kind of desire. ShenCongwen probed the importance of harmonious sex love to a sound personality and Shi Zhecunrevealed that sexual inhibition could lead to the distortion, even frenzy of human nature. Bothexplored the influence and functions of sexual desire as human nature upon human personality,giving prominence to the irresistibleness of sexual desire and the significance of sexual desire asa motive. Then, human bodies driven by sexual desire were described and given greater attentionto. Next, ethics on sex were deconstructed either by Shen Congwen who opposed man-madeethics with law of nature and the School of New Sensation who replaced traditional ethics on sexwith exchange rules in consumption, or by Shi Zhecun who spared no efforts in representing thecomplete failure of social rules, including ethics on sex, due to the impact from sexual desire.The direct effect was a paleness of the ethical binding force on sex. Last, sex consciousness inthe works of female writers emerged. In the early works of Ding Ling, the sexual desire of thefemale is no longer a ramification of emotion but an independent one. In addition, in the sex lovenarrations of other female writers, such as Mei Niang, strong self-consciousness on the socialstatus of the female is also reflected. Sex love narrations in the late 1970s and early 1980s wereactually a re-enlightenment in the spirit of humanism, whose major features include humanisticlegitimation of sex love within the boundary of ethics, a blend of sex love narrations withnational concepts and national myths as well as the aesthetic, poetic descriptions of humanbodies etc. In the middle and late 1980s, sex love narrations entered a stage of exploration forpluralism. First, by restoration of sexual desire, writers of this era restored human nature, thevery original state of human being. Different emphasis and tendencies could be seen in differentwriters: looking at sex love dialectically and trying to describe its creative as well as destructivecharacteristics; connecting sex love with violence and trying to reveal the evil side of humannature through it; emphasizing the creativeness of sex love especially in the heritage of"wildness".

从"五四"到20世纪20年代，中国小说的性爱叙事是一种处在时代夹缝中的启蒙和解放，其所表现出来的特点，一是正面赋予性欲望以合理性，这种合理性是在人性解放和爱情前提下获得的；二是在强种育种的时代焦虑影响下小说性爱叙事表现出对物质身体的关注，其焦点主要在体格方面；三是树立起新的性伦理道德观念，表现为强调在性爱问题上的个人选择自由，性爱成为个人自我实现的重要方式，从而赋予人在性爱问题上的独立性，同时还扩大了性爱表现的领域；四，这个时期小说性爱叙事中所表现出的性意识还具有新旧杂糅的特点。30、40年代小说性爱叙事表现出对人性主题的深化与丌拓，首先是把性还原为欲望本身来探索，沈从文从和谐性爱对健全人性的决定作用、施蛰存从性压抑会导致人性扭曲甚至疯狂的角度探讨作为人类本质性欲望的性对人性产生的影响和作用，突出了性欲力量的不可抗拒和作为人类行为的重要动力等方面的内容；其次在叙事中表现出对欲望化了的身体的描绘与关注；第三是解构了性的伦理道德，无论是沈从文以自然法则来反对人为的道德设置还是新感觉派用消费交换原则替代传统性伦理道德，或是施蛰存极力表现包括性伦理规范在内的社会法则在性欲力量冲击下溃不成军，其直接的效果都是使性伦理道德对人的约束力量显得苍白虚弱；第四，出现了由女性作家表现的女性性意识，在丁玲的早期作品中女性的性欲望不再是作为感情的衍生物而是独立的欲望存在，而在梅娘等其他女作家的小说性爱叙事中则表现出对女性社会地位的强烈自觉意识。70年代末80年代初期小说的性爱叙事实际上是在人道主义语境下的再次启蒙，其主要特征一是性爱在人道主义前提下获得合法性，但要求性爱不超出伦理规定的范围；再就是将性爱叙事同国家观念和民族神话相融合；此外还有对身体的描写审美化诗意化等。80年代中后期，小说性爱叙事进入了多元化探索的阶段，作家通过还原性欲望来还原人性、还原人类的本真状态，不同作家笔下表现为不同的侧重和倾向——以辨证的方式看待性爱，写出其具有的创造性力量和毁灭性特征；将性爱与暴力相联系并通过其来表现人性的黑暗；强调性爱的创造性作用，尤其在民族"血性"的传承方面。

In accordance with the goal of promoting cultural exchange and mutual development, the International Mayors Communications Center has always been seeking for cross culture communication and harmonious development among international cities. On the advent of 2009 Global Mayors Forum, IMCC has had the opportunity to invite Ms. Kochiro Matsuura, Director-General of UNESCO to be the distinguished guest and major speaker for the coming Forum and nearly 1000 guests including officials of the United Nations Organizations; leaders and experts of International urban organizations; global urban administrators; urban operators (entrepreneurs related to urban development, construction, management, service, etc); representative of research institutes and experts on urban operation; leaders of financial institutions in investment and financing; representative of urban operation service institutions; representative of research institutes and experts on urban cultures and representative of global mainstream media , will be involved in the forum, whose theme is High Growth Cities: Meeting the Challenges for Sustainability

秉承融通文化、共谋发展宗旨的IMCC 一直致力于谋求国际城市间的文化共通与和谐发展，"2009全球市长论坛"隆重召开之际， IMCC有幸邀请到联合国教科文组织秘书长Kochiro Matsuura女士出席并发表主题演讲，届时，包括联合国官员、全球城市组织领袖、专家、全球城市经营者(市长及城市相关部门管理者)、城市运营商(城市开发、建设、管理、服务等相关企业家)、城市运营研究机构与专家、投融资等金融机构领导人、城市运营服务机构、城市文化研究机构与专家、全球主流媒体等在内的近千名嘉宾将出席本次主题为"高速发展的城市-迎接可持续发展的挑战"论坛。

He produced striking instrumental effects in his treatment of the cello melody of the G-major second theme ─ with its syncopated accompaniment for violas and clarinets over the pizzicato of the double basses ─ and in the clarinet solo and the dialogue of clarinet and oboe in the middle section of the slow movement.

他导致了触击的有助作用在G 主要第二个题材的大提琴曲调的他的治疗？以它的节略的陪同为violas 和clarinets 在双低音的pizzicato？并且在clarinet 独奏和clarinet 对话和oboe 在缓慢的运动的中间部分。

China Situation Comedy theme through China Situation Comedy formation of several major elements of the main aspects to analyze.

浅谈中国的情景喜剧摘要本文以中国情景喜剧为主题，通过中国情景喜剧的几大形成要素为主要方面来分析。

"Vampire" film theme has been the major Western subject matter, this film from the past in the proportion of the Vampire can be seen, even by Hong Kong films to attract a vampire theme, and many stories are related and vampire in very hot九品Network TV's "City of Dawn" series is the story about a vampire, and now, about to usher in the works of his first shot of the four, it is learned that Part IV has the title as the "dawn "Pago Jensen will take part in the filming.

吸血鬼》题材一直都是西方电影中的主要题材，这从过去的电影中吸血鬼所占的比重就可见一斑，就连香港电影都深受吸血鬼题材的吸引，许多故事情节都是和吸血鬼有关的，在九品网络电视非常火热的《曙光之城》系列就是讲的吸血鬼的故事，现在，这个作品马上就要迎来他第4部的拍摄，据悉，第四部的片名已经定为《破晓》，届时将有帕延森参与拍摄。

Singer Leona Lewis and former Led Zeppelin guitarist Jimmy Page emerged as the bus transformed into a grass-covered carnival float, and the pair combined for a rendition of "Whole Lotta Love".

歌手leona刘易斯和前率领的飞艇的吉他手吉米页出现巴士转化为基层所涵盖的嘉年华花车，和一双合并为一移交&整个lotta爱&。

This is Kate, and that's Erin.

这是凯特，那个是爱朗。