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majolica相关的网络例句

查询词典 majolica

与 majolica 相关的网络例句 [注:此内容来源于网络,仅供参考]

It has not been possible, in fact, to offer an all-embracing and complete survey of the subject covering Italian majolica as a whole, from the Middle Ages onwards; the present enquiry basically grew, therefore, from our focussing on a small but choice group of works available in the collections of the Faenza Museum.

事实上,对意大利制陶术的包罗万有的认识,包括中世纪及以后的年代,往往是不可能的。因此,我们着力挑选了为数不多,但有代表性的精选的一组样品。它们来自法恩扎国际陶瓷博物馆。

"Faience: Tin-glazed earthenware made in France, Germany, Spain, and Scandinavia, similar to Faenza majolica, for which it was named."

彩陶:法国、德国、西班牙和斯堪的那维亚国家生产的锡釉陶器,类似法恩札陶器,此词就是源自Faenza。

"Faience: Tin- glaze d earthenware made in France, Germany, Spain, and Scandinavia, similar to Faenza majolica, for which it was named."

彩陶:法国、德国、西班牙和斯堪的那维亚国家生产的锡釉陶器,类似法恩札陶器,此词就是源自Faenza。

There is also armour, majolica, medieval and Renaissance objets d'art and scores of Old Master paintings including outstanding works by Rembrandt, Velasquez, Hals and Titian.

还有盔甲,珐琅器,中世纪和文艺复兴时期艺术品以及十多幅18世纪前的欧洲油画,包括伦布兰特,维拉斯凯兹,哈尔斯和提香的名作。

In them are sculptures, paintedleather, majolica, Limoges enamels, stained glass and elaborately carved wood panels.

房间里满是雕塑,饰以彩绘的皮制品,马略尔卡的陶器,里摩日的珐琅彩瓷器,彩色的玻璃和巧夺天工的木雕板。

And thus we could continue among the charming verses of love and the gallant epithets with which the majolica beloved of the Age of Humanism is adorned.

在这里,我们可以续写这些美妙的诗文和华丽的称号,通过陶器回想那个人文主义复苏的年代。

However, this exhibition, which consists of twenty-five works, offers little more than a fleeting glance at what the majolica artists have absorbed and transmitted from the world of music, from its courtly aspects to its more popular expressions.

然而,这个由二十五件作品组成的展出,不仅是对艺术家作品的走马观花。他们从音乐世界的典雅或通俗的表达中吸取了灵感。

She was at Matsumoto Kiyoshi shopping for Majolica Majorca stuffs.

这就是 林心如:当然我们看到她时,她不是穿着这般的服装。

Considering the lesson of Sir Ernst Gombrich, its most illustrious host, its ceramic has represented a happy synthesis between past and future: not a case of imitation, but of emulation of the art of the ancient makers of majolica.

Ernst Gombrich先生是其中最杰出的主办者,他的陶瓷作品代表着历史与未来的完美融合:不是单纯的临摹,而是对majolica远古作品的效仿。

It will be seen, however, that majolica can give significant indications regarding the use and disuse of certain instruments over the centuries as well as being a depositary for the conservation, uncontaminated by time, of images narrating past realities; we will see, for example, how during the Renaissance the lute and the vielle were widespread, as was the organ, whether portative or positive; we no longer encounter these in baroque majolica and it is above all the violin which we find in majolica of the Eighteenth Century.

人们会注意到,通过对陶器的观察,我们可以知道在那几个世纪的年代中,人们喜欢用哪些乐器,不喜欢用哪些乐器。陶器上还画有关于过去人们生活的写照,这些图画虽经岁月却依然清晰。例如,我们可以看到,在文艺复兴时期,鲁特琴和vielle (或叫 lira da braccio)非常流行,而可携带的或固定的风琴也很流行。在十七世纪的陶器中,我们就看不到这种情况了。而在十八世纪的陶器中,我们只能看到小提琴了。

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