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Because traditional finance subject utmostly canonize the rational selected mode and methodology which keep the form of the financial interest need of the enterprise and its stockholders and the network of their financial relationship out of its analytic area, so liking the mainstream economics, traditional finance subject can not offer trustworthy explains to many financial affairs and can not prescribe the right policy prescription to the important financial problems, either. As a result of the logistic and realistic errors in the traditional mode, it will have an important and practical meaning to bring the new system principle into the analytic area of the financial subject and to develop the financial theory. The main points of this dissertation are as follows: The financial affairs of an enterprise are not the inner actions of the individual firm, but the function of the financial network of stockholders, so we should use the limit of the affairs not the inner property or inner driving force to interpret the financial affairs of an enterprise, we should use the method of circuital analysis not of individual analysis to investigate the financial affairs of an enterprise; The financial affairs of an enterprise is a social behavior, it is involved in the social structure and is restricted by the social structure, so we should care for the social characters, social responsibilities and social effects of the financial affairs of an enterprise; The financial network of stockholders is composed of five phases as follows: the finance of external stockholders, the finance of the operator, the finance of function, the finance of subsection and the finance of the stuff, in which the finance of the operator is dominant; The operational intensity and efficiency of the financial network of stockholders are influenced by technical factor as well as institutional factor, in which institutional factor is the fundamental character of financial affairs. Ultimately the substance of the financial affairs is the arrangement and operation for the financial system by stockholders; The relationship between enterprise and its stockholders is cooperative and conflicting. The important mechanism to solve the financial conflict between stockholders is the construction of the financial system, including the formal and informal system construction. Information and faith are the important mechanism to coordinate the financial conflict between stockholders, so we should pay much attention to the research of formal and informal system.

本文的主要观点是：企业财务行为不是企业个体内部的行为，而是利益相关者财务网络行为，因此应当用对行为的结构限制而不是企业个体的内在属性或内在驱力来解释企业的财务行为，用网络分析的方法而不是个体分析的方法研究企业财务行为；企业财务行为是一种社会行为，它嵌入于社会结构之中，受企业财务所处的社会结构的限定，因此应当关注企业财务行为的社会性质、社会责任和社会后果；利益相关者财务网络内含外部利益相关者财务、经营者财务、职能财务、分部财务和员工财务五个层次，其中经营者财务在其中占据主导地位；利益相关者财务网络的运作强度与运作效率既受技术性因素的影响，又受制度性因素的影响，其中制度性是财务的根本属性，企业财务的实质说到底还是面向利益相关者的一种财务制度性的安排与运作；企业与利益相关者之间以及利益相关者相互之间的财务关系具有合作性与冲突性，化解利益相关者财务冲突的重要机制是财务性的制度建设，包括正式制度建设与非正式制度建设，信息和信任是协调利益相关者财务冲突的重要机制，因此应当高度关注财务的正式和非正式制度的研究。

The main body revolves around the fictionalization of the text, humanization and liveliness in portraying characters, the formless narrative, the formal of spiritual subject and the meaning of Dong Xi"s works to the contemporary fiction creating, exploring the characteristic of complete fiction in the artistic ontology, concentrating his attention on life content in portraying characters, the narrative pattern of the formless, the formal pursuit in spiritual subject, and its distinctiveness comparing to other "Late Generation""s works, what artistic elements he uses and how his texts that the whole human share are organized by using these artistic elements.

正文主要围绕小说文本的虚构化，人物塑造的人本化、生命化，形而下的叙事，形而上的精神主题和东西的小说艺术对当代小说创作的意义五个问题，探讨了东西小说在小说艺术本体论上的全虚构特性；在人物形象塑造上的生命含量的倾注；在叙事层面上的形而下形态；在作品精神主题上的形而上诉求以及东西的小说文本在晚生代作家中的独特性、它采用了哪些艺术元素以及如何把这些艺术元素组织成一种全人类所"共享"的文本等问题。

The duty of the drame and the music which was give by the subject was accomplished by three elements used in this dissertation as following:the musical theme"La Roi S'amuse"(from the opera"Rigoletto")was the center clue;the forming precess of the three main characters (Rigoletto、Duke and Gilda)was the major may to interprete the drama subject; meanwhile, their own Arias were used to rebuild the musical figures; and the chorus between each of them was the main means to put forward the plot of the drama.

本论文以歌剧《黎戈莱托》的主题"诅咒"作为主轴线，以歌剧中三个主人公(黎戈莱托、曼图阿公爵、黎戈莱托的女儿吉尔达)在歌剧中各自音乐形象的塑造过程作为对歌剧主题诠译的主要手段，同时又以他们各自在歌剧中的咏叹调作为塑造音乐形象的主要方式，以他们相互之间的合唱作为歌剧情节向前发展的重要方式，从而完成歌剧主题所赋予的戏剧任务和音乐任务。

Therefore it is necessary to research the mechanism of greensand used for high compacted molding methods thoroughly.This subject is one section of the National Natural Science Foundation subject ""Ivestigation on Predicting Method and Mechanism of Springback for High Compacted Sand Molds"", followed of the other completed one named ""Research on Microdeformation of Molding Sand"". A serious of experiments has been done on the reequipped three axial machine under certain technological conditions, and the mechanics, material science, rheologic science. It is systematically studied that the influences on the springback of sand mold were caused by the main influence factors: pressure, compacted rate and the content of soil. Through the analyzed experiments' data, the experienced stress-strain relationship concerning the main influence factors were obtained;under different technical parameter, the springback and spingback's potential energy are compared, the differences and indifferences between them are found out, and the springback's mechanism is discussed;according to the tests' data of YangGuoping coming from Tinghua University, experienced formula of molding sand's springback displacement is induced, the displacement and springback are compared, the margin of error's reasons are analyzed, and they are tested and verified mutually.

本课题为国家自然科学基金项目"高紧实度砂型预测方法及回弹机理的探讨"的一部分，是已结题的国家自然科学基金项目"铸造型砂微变形的研究"的后继，运用力学、材料学及流变学理论，利用改装的三轴仪，在一定的工艺条件下，作了大量系列实验，系统的研究了压实比压、紧实率和膨润土含量对砂型回弹的影响；对实验数据进行了分析和处理，得出了型砂关于压实比压、紧实率和膨润土含量的本构关系的经验公式；把各工艺参数下的型砂产生的回弹量与回弹势能进行比较，找出两者存在的异同点，并对回弹机理进行了探讨；通过清华大学杨国平的实验数据，推导出型砂回弹位移场的经验公式，并与实验测出的回弹量进行比较，分析误差造成的原因，并互相进行了验证。

The paper consists of four chapters:In chaper 1, we introduce the background and signficance, research and actuality on oscillation of functional partial differential equations; we present research subject in this paper;In chaper 2, we discuss oscillatory property of systems of parabolic differential equations with delays and obtain necessary and sufficient conditions for the oscillation of their solutions; we show the difference between oscillatory property of systems of parabolic differential equations with delays and that of systems of partial differential equtions without delays; we explain the main results with examples;In chapter 3, we discuss oscillatory property of systems of functional parabolic differential equations of neutral type; we obtain some sufficient conditions for the oscillation or full oscillation of their solutions under some conditions; we explain the main results with examples;In chapter 4, we discuss oscillatory property of systems of functional hyperbolic differential equations of neutral type; we obtain sufficient conditions for the oscillation or full oscillation of their solutions under some conditions; we explain the main results with examples.

全文共分四章：第一章简要介绍了泛函偏微分方程的振动的背景和意义、对其研究的简单历史和现状，给出了本文的主要研究对象；第二章讨论了一类时滞抛物方程组解的振动性质，获得了判断其所有解振动的一个易于验证的充要条件；指出了这类具有时滞偏差变元的抛物方程组解的振动性质和不具有时滞偏差变元的抛物方程组解的振动性质的差异；并举例对主要结果进行阐明；第三章讨论了一类中立型抛物方程组解的振动性质，获得了在给定的条件下其所有解振动或全振动的若干充分条件；并举例对主要结果进行阐明；第四章讨论了一类中立型双曲方程组解的振动性质，获得了在给定的条件下其所有解振动或全振动的若干充分条件；并举例对主要结果进行阐明。

Finally, the main job is looked back main job and ILBS's advantage and foreground of development are summarized in the paper. The two problems are pointed in the paper that will be improved. The first problem is that currently only we consider every node is single computer. The second problem is that the technology is relation with development of several mainstream's subject in which user submitting job will be classified by many dimension or arithmetic of every step is evaluated. The two development of cluster are together with the mainstream's subject.

最后，全面回顾了论文的主要工作，ILBS优点和发展前景；同时也指出ILBS系统中有两个待完善的地方，一是资源获取模块中，当前只考虑了节点为单机的情况，二是用户提交的问题从多个维度进行分类、以及各环节算法的评价等方面的技术与当前的几个主流学科发展息息相关，集群在这些方面的进步离不开与它相关的学科的发展。

According to the logos of Socrates, Plato, Aristotle, and Hegel and the advanced teaching theory of Humboldt, Newman, Eliot, Huxley, Hutchins, and Kerr, along with the transformation logic of entrepreneurship education from perceptual stage of cognition to knowability and from knowability to rationality, the"essential research points"of the logos of entrepreneurship education are as the followings:"spiritualism paradigm"of subject arousal as inner core,"epistemology structure"of subject cultivation as intermediary, and"ethological requirement"of subject realization as object. These three elements constitute the main stream of logos of entrepreneurship education.

根据苏格拉底、柏拉图、亚里士多德、黑格尔的理念论和洪堡、纽曼、艾略特、赫胥黎、赫钦斯、克尔的高等教育理念，沿着感性的创业教育→知性的创业教育→理性的创业教育的逻辑，本研究将创业教育理念体系的&研究纲领&设定为：以激发主体性的&精神学范式&为内核，以主体性培养的&知识论结构&为中介，以主体性实现的&行为学要求&为目标，它们共同构成创业教育理念体系的主干。

This paper therefore examines the development of "the folklore Pai-Chang of Peking opera aria in Tainan city" through literature review depth-interview oral history and participant observation The concept frame is culture organism as the vertical axle and elements of a folklore activity as the transverse axle There are several significant findings about the general picture of this subject: During the late period of Japanese colonial era Tainan local people who played Peguan music learned Peking opera aria and tried to bring Peking opera aria into the folklore Pai-Chang which was one kind performance and traditional custom of Peguan music Some people who came from other places and played Peking opera aria had also known or learned "Pai-Chang" with touching Tainan local amateurs "Pai-Chang" used to be performed by amateurs for worship of god or goddess or for seasoning and wedding celebration without rewards Amateurs volunteered to perform "Pai-Chang" only for their duty temples and fraternity of Peking opera aria The majority of the audience is people who perform or like "Pai-Chang" or who live nearby There is a fixed pattern of the performance including the repertoire and the arrangement of the band The main meaning of this performace is to pray God's blessings therefore the procedure of "Ban-Hsian" is the most essential and ahead of Peking opera aria singing With time goes by the number of the amateurs has dropped; yet the demand for the worship ceremony remains; hence some of the amateurs have been trained to become professional performers Besides although the idea and the meaning of "Pai-Chang" remains the pattern of the performance has become simplified and rigid which is because of the performers' number decreasing and market adapting Nowadays the whole ecosystem of the folklore Pai-Chang of Peking opera aria in Tainan city keep changing which is mainly influenced by the transition of the society(such as the time and space of the industrial and commercial society being compressed and most people's pursuing of specialization and utilitarianism etc ) According to the findings in this paper the phenomenon can be regarded as the subject matter both of Peking opera and folklore studies For the studies of the Taiwanese culture however the subject not only enriches the subject matters of the Taiwanese culture(signifies the localization of Peking opera and a new pattern of Taiwanese folklore) but also reflects the characters of diversification integration adaptation and compromise of Taiwanese culture which used to be influenced by different regimes and the historical contexts Facing such a multicultural context this paper thus suggests researchers should show an open-minded attitude toward the complex of the Taiwanese culture studies and then important phenomenon would not be ignored or misunderstood

代表了什麼意义？对於上述疑惑，查既有研究成果，不消没有论述者，具体提即「京调排场」现象的可说没有，基於此，有必要对台南市及其周边之民俗性京调排场，不管是语汇来由或者其现象本身，做一番研究。本研究透过文献、访谈、口述史、参与观察等方法，以文化有机体之纵的发展概念为经，以民俗表演之横切面各主客要素为纬，试图先对此文化现象调查并推论出一概貌：台南市民俗性京调排场的形成，是在京调传入台南，台南本地北管子弟改习或兼习京调后，结合北管音乐文化所固有的排场表演型态及民俗演出传统，融合而成，形成时间至迟在日治晚期。而一些不同时期的外来京调人士(如原本生长於其他地区、后移住台湾的票友，和中国大陆琴师等等)，也曾透过与当地子弟的接触，而习得或知晓「排场」语汇以及本地京调排场习俗者。此项音乐民俗表演在过往多由业余子弟於神诞或民众婚俗做寿时，对其有义务或交陪的庙宇及子弟间做酬酢性的演出，不收报酬；聆赏者多是京调同好与邻近民众，也有少数路过者；演出模式包括节目安排、乐队编制皆有一定；表演意涵上以「扮仙」祈求神明赐福人间最为重要，因此排仙必不可少，且一定先於京调演唱。随著时间推移，京调排场表演活动的各要素都有变动，惟变迁速度不一，大体而言，业余表演者锐减，人们对酬神娱神节目的需求仍在，因此一些过往的业余表演者遂逐渐转型为职业表演者。此外，虽然表演意涵不变，但在职业表演人员少、又要适应市场的情况下，表演模式亦逐渐流於简化、僵化。目前京调排场整体生态仍在转变的过程中，而这种变化应与工商社会时间空间的被压缩、事事追求专业化与尼Q化等因素有关。再者，据此概貌，在结论部分厘清其意义、定位以及其对台湾文化研究之启示。台南市及其周边之民俗性京调排场现象，可视为京剧研究与民俗研究的一环，然而对於台湾文化研究，除了其题材本身标志了京剧的本土化与台湾民俗活动之新类型，进一步扩充整体台湾文化研究的内容外，更重要的是现象背后所反映的台湾文化的多元融合与妥协适应取向。台湾的海岛地理位置与长期被不同文化背景政权所殖民的历史，其文化自然容易随社会环境改变而弹性适应变迁，呈现多元纷呈、多重覆叠的特色，因此展望未来，从事台湾文化研究应秉除单一观点，保持一定程度之开放与客观胸襟，方不忽视或误识更多重要的文化现象。

This the main task of special subject seminar is, the seventeen great mind that development study carries out a party and Hu Jintao's secretary-general work in countrywide politics and law the serious talk on informal discussion of old judge of conference delegate and whole nation, big inquisitor, it is important that development study carries out Zhou Yongkang, Comrade Meng Jianzhu to learn the seventeen great mind that carries out a party and Hu Jintao's secretary-general in system of countrywide politics and law the serious talk on seminar of speaking special subject, discuss the major problem that studies judicatory clerical work, promote judicatory administration system " large study, big discuss " mobile development is begun, stimulative judicatory clerical work reforms progress. Came 23 days on June 17, central politics and law appoint the seventeen great mind that held study of system of countrywide politics and law to carry out a party and Hu Jintao's secretary-general are important seminar of speaking special subject.

梗概： 这次专题研讨班的主要任务是，深入学习贯彻党的十七大精神和胡锦涛总书记在全国政法工作会议代表和全国大法官、大检察官座谈会上的重要讲话，深入学习贯彻周永康、孟建柱同志在全国政法系统学习贯彻党的十七大精神和胡锦涛总书记重要讲话专题研讨班上的重要讲话，讨论探究司法行政工作的重大新问题，推动司法行政系统&大学习、大讨论&活动深入开展，促进司法行政工作改革发展。6月17日至23日，中心政法委举办了全国政法系统学习贯彻党的十七大精神和胡锦涛总书记重要讲话专题研讨班。

Part two: Main body, expounds the development of the new period fiction"s introduction from, reference to and fusion with western modernistic fiction, of the breakthrough of the original aesthetic norms and of conducting the "modernity" of the new research of fictional style. The development is as follows: beginning from exploring the artistic forms and skills, it self-examines the history, searches for the meaning of life, and calls for the realization of certain "personality", i.e. spiritual freedom; then, adopts the spirits of modernistic literature, searches for and sublates our national traditional culture; cares for the modern people"s specific mental states and makes inquiries for the meaning of life; then, revolutionizes the textual narration, reveals the doubt about the man"s subject exposed in the theme of works, describes directly the problems of the man"s subject itself, inquires the reality and possibility of the subject"s being, and uncovers the complexity of the modernistic central proposition: man"s anxiety and his essence.

本论部分，论述新时期中国文坛对西方现代主义借鉴、吸纳、融合，突破原有的审美规范，进行小说文体新实验的发展历程——即从艺术形式、艺术技巧的探索开始起步，反思历史、探索&人&的意义；在对民族传统文化的寻找与扬弃中，重建民族的&文化&主体，以走向现代世界；关注现代人的精神状况，揭示社会的贫乏、专横、庸俗、虚伪和窒息的一面，寻求生命的意义与价值；通过文本的叙述革命，揭示作品对人这一主体的怀疑，在小说中直接描写&人&本身所存在的问题，以及人自身本质的复杂性；对城市化、世俗化生活的窥望与期冀，对其作品中多元化的欲望进行透视，揭示当今社会中人的现代主义的虚无与后现代式的焦虑，指出其书写的局限与精神提升；论析女性作家&个人化&躯体写作的意义、特色以及女性作家个人化写作的精神困境。

Breath, muscle contraction of the buttocks; arch body, as far as possible to hold his head, right leg straight towards the ceiling (peg-leg knee in order to avoid muscle tension).

呼气，收缩臀部肌肉；拱起身体，尽量抬起头来，右腿伸直朝向天花板（膝微屈，以避免肌肉紧张）。

The cost of moving grain food products was unchanged from May, but year over year are up 8%.

粮食产品的运输费用与5月份相比没有变化，但却比去年同期高8％。