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madrigals相关的网络例句

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THE lives of 16th-century composers of unaccompanied madrigals do not by and large make promising subjects for lurid films and operas.

总的说来,16世纪无伴奏合唱乐作曲家们的生活不是猎奇电影及戏剧的题材。

In Oxford , it is traditional for May Morning revellers to gather below the Great Tower of Magdalen College at 6.00am to listen to the college choir sing traditional madrigals as a conclusion to the previous night's celebrations.

在牛津 ,它是传统的日上午狂欢者聚集在大楼下面的大马格达伦学院在上午6点00,听取学院合唱团唱牧歌作为一个传统的庆祝活动结束的前一天晚上的。

The English madrigals were a cappella, predominantly light in style, and generally began as either copies or direct translations of Italian models.

英国牧歌是一种无伴奏主调明快的风格,普遍认为它始于对意大利牧歌模式的模仿或者直接运用。

THE lives of 16th-century composers of unaccompanied madrigals do not by and large make promising subjects for lurid films and operas.

总的说来,与夺目的电影和歌剧业相比,&16世纪无伴奏合唱乐&作曲家们的活计形不成有前途的行当。

The Madrigals have a long relationship with the land andbelieve that a deep appreciation of the vineyards can be tasted in their wines.

玛珏歌儿人长期与土地打交道,因此他们所酿之酒也饱含了这份对葡萄园的深厚感情。

Music The practice, popular in the 15th and 16th centuries, of significantly reworking an already established composition, especially the incorporation into the Mass of material borrowed from other works, such as motets or madrigals.

模拟表演:在15和16世纪盛行的对已有名的作品所做的重大的加工工作,尤指经文歌和牧歌等从其它作品借入的弥撒材料加以混合 v.tr。

By shallow rivers, to whose falls Melodious birds sing madrigals.

随着浅浅溪水的哗哗流响,鸟儿欢乐歌唱,婉啭悠扬。

The practice,popular in the15th and16th centuries,of significantly reworking an already established composition,especially the incorporation into the Mass of material borrowed from other works,such as motets or madrigals.

模拟表演在15和16世纪盛行的对已有名的作品所做的重大的加工工作,尤指经文歌和牧歌等从其它作品借入的弥撒材料加以混合

Madrigals( a setting for two or more voices of a secular text, often in Italian) are still sung from the roof of the tower of Magdalen College, with thousands gathering on Magdalen Bridge to listen.

中世纪抒情牧歌(种有两个或两个以上声部的大众作品,通常用意大利语来歌唱)然从麦格达林学院的钟楼顶传来,成千上万的人都集聚在麦格达林大桥上倾听。

Although English composers did imbue their madrigals and their vernacular sacred pieces with"madrigalisms"and other musical gestures and events expressive of their texts,they did not allow the quest for expressivity and affective depth to threaten their traditional values of structural clarity,integrity,and balance.

尽管英国作曲家用抒情和其他音乐手法以及叙事来渲染他们的圣歌,他们也不允许对表现力以及情感深度的探索威胁到他们传统的明净正直以及平衡的结构价值。有的地方比较专业的东西在下不太明白哈,只有曲译一些,毕竟我不是学音乐专业的,翻译难免偏差哈

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