查询词典 love

Faith Evans My heart belongs to you So what could I do To make you feel I'm down with You see me hangin around But you don't know how you make me feel for you, and Each and every day, I try to make some sense of this What you mean to me, I know it could be serious Each and every nite, I dream about just holding you Loving you like this, what is a girl supposed to do I love you I want you You're the one that I live for And I can't take it any more I love you I need you What can I do to make you see You're the only one for me First time I saw your face My heart just erased All the guys I knew before You walked into my life I was the type to never want for nothing Each and every day, I try to make some sense of this What you mean to me, I know it could be serious Each and every nite, I dream about just holding you Loving you like this, what is a girl supposed to do I love you I want you You're the one that I live for And I can't take it any more I love you I need you What can I do to make you see You're the only one for me I love you, I want you, I need you in my life Can't you see what you mean to me Baby come hold me tight I miss you, wanna kiss you Everytime I see your face Baby I'll be waiting for you Each and everyday I love you I want you You're the one that I live for And I can't take it any more I love you I need you What can I do to make you see You're the only one for me You're the only one for me And I know it's meant to be What can I do to make you see My love will carry on So listen to my heart and know You'll find out where my love will go The future lies between us boy Oh babe I love you so I love you I want you You're the one that I live for And I can't take it any more I love you I need you What can I do to make you see You're the only one for me I love you I want you You're the one that I live for And I can't take it any more I love you I need you What can I do to make you see You're the only one for me

我的心属于你如此我可以做什么使你感觉我是下来由于你在附近见到我 hangin 但是你不知道你如何使我同情你，和每个和每个日子，我试着制造一些感觉这你对我意谓的，我知道它可能是严重的每个和每 nite，我梦到仅仅捉住你亲爱的你喜欢这，女孩应该做什么我爱你我想要你你是那一个我活的为而且我再不能轮流它我爱你我需要你我能做使你见到什么你是我的唯一一个第一时间我见到你的脸我的心刚刚抹掉所有的家伙我以前知道你走进入我的生活我是类型从不免费想要每个和每个日子，我试着制造一些感觉这你对我意谓的，我知道它可能是严重的每个和每 nite，我梦到仅仅捉住你亲爱的你喜欢这，女孩应该做什么我爱你我想要你你是那一个我活的为而且我再不能轮流它我爱你我需要你我能做使你见到什么你是我的唯一一个我爱你，我想要你，我在我的生活方面需要你你不能理解你对我意谓的吗被受到的影响宝贝紧紧地捉住我我想念你，想要吻你 Everytime 我见到你的脸我将等候你的宝贝每个和每天的我爱你我想要你你是那一个我活的为而且我再不能轮流它我爱你我需要你我能做使你见到什么你是我的唯一一个你是我的唯一一个而且我知道资讯科技必须当我能做使你见到什么我的爱将会继续如此对我的心听而且知道你将会发现我的爱将会哪里去在我们之间的将来谎言男孩哦小孩我爱你如此我爱你我想要你你是那一个我活的为而且我再不能轮流它我爱你我需要你我能做使你见到什么你是我的唯一一个我爱你我想要你你是那一个我活的为而且我再不能轮流它我爱你我需要你我能做使你见到什么你是我的唯一一个

You Call It Love 歌词 You call it love There are things I need to say About the way I feel When your arms are all around me You call it love Words I'd heard that sound so fine Meaningless each time Till you came and found me See the ground is slowly turning dizzily, easily Feel the way my heart is burning secretly inside of me You call it love All the wishes in my mind Soared into the skies Where reflected in my own eyes You say it's love variations on a theme Love was just a dream Memories of past sighs See your love is always round me Everywhere in the air New sensations now surround me Ocean wide deep inside You call it love All my days past close to you Grey skies turn to blue And the sun shines all around me You call it love It's a phrase that people say Each and every day Real love is hard to find though See the ground is slowly turning dizzily easily Feel the way my heart is burning from your touch secretly You call it love Now I know it's so much more Being close to you Makes this feeling new that you call it love.

你称之为爱情有些事情我必须说出来关于我现在的心情当你的手臂环抱着我你称之为爱情我听到的话是如此动听但每一次都是毫无意义直到你走来找到我看到地面慢慢的变化头晕目眩的，简单容易的我的感觉是我的心在燃烧秘密的在我心里你称之为爱情所有的愿望在我心中飞向天空在我的眼睛里反射出来你称之为爱情主题变奏了爱情只是一个梦想回忆过去的叹息你的爱始终都在在空气的每个角落现在新的感觉包围着我像海洋般深邃宽阔的在我心里你称之为爱情过去所有的开进你的日子灰色的天空变成了蓝色所有的阳光都围绕着我你称之为爱情那是人们常说的一个句子每天每时真正的爱情是很难寻找的看着地面慢慢的转向头晕目眩的，简单容易的，悄悄地觉得我的心在燃烧因为你的触摸你称之为爱情现在我知道了就是如此当靠近你的时候又有了新的感觉你称之为爱情

From May 4th Movement of 1919 to the 1920s, sex love narrations in Chinese novels were rather an enlightenment and liberation in that particular era with four characteristics. Firstly, sexual desire was endowed with rationality with regard to liberation of human nature and mutual love. Secondly, with an epochal concern for a stronger and superior race, greater attention was paid to sexual parties concerned, mainly physically. Thirdly, new ethics on sex were promoted in that personal freedom on sex love was emphasized and sex love became an important way of self-fulfillment. Therefore, independence of sex love was advocated and the scope of sex love was also widened. Fourthly, the sex consciousness of this period had the mixed features of the past and the contemporary. Sex love narrations in the 1930s and 1940s showed a further exploration on the theme of human nature. First of all, sex was restored to a kind of desire. ShenCongwen probed the importance of harmonious sex love to a sound personality and Shi Zhecunrevealed that sexual inhibition could lead to the distortion, even frenzy of human nature. Bothexplored the influence and functions of sexual desire as human nature upon human personality,giving prominence to the irresistibleness of sexual desire and the significance of sexual desire asa motive. Then, human bodies driven by sexual desire were described and given greater attentionto. Next, ethics on sex were deconstructed either by Shen Congwen who opposed man-madeethics with law of nature and the School of New Sensation who replaced traditional ethics on sexwith exchange rules in consumption, or by Shi Zhecun who spared no efforts in representing thecomplete failure of social rules, including ethics on sex, due to the impact from sexual desire.The direct effect was a paleness of the ethical binding force on sex. Last, sex consciousness inthe works of female writers emerged. In the early works of Ding Ling, the sexual desire of thefemale is no longer a ramification of emotion but an independent one. In addition, in the sex lovenarrations of other female writers, such as Mei Niang, strong self-consciousness on the socialstatus of the female is also reflected. Sex love narrations in the late 1970s and early 1980s wereactually a re-enlightenment in the spirit of humanism, whose major features include humanisticlegitimation of sex love within the boundary of ethics, a blend of sex love narrations withnational concepts and national myths as well as the aesthetic, poetic descriptions of humanbodies etc. In the middle and late 1980s, sex love narrations entered a stage of exploration forpluralism. First, by restoration of sexual desire, writers of this era restored human nature, thevery original state of human being. Different emphasis and tendencies could be seen in differentwriters: looking at sex love dialectically and trying to describe its creative as well as destructivecharacteristics; connecting sex love with violence and trying to reveal the evil side of humannature through it; emphasizing the creativeness of sex love especially in the heritage of"wildness".

从"五四"到20世纪20年代，中国小说的性爱叙事是一种处在时代夹缝中的启蒙和解放，其所表现出来的特点，一是正面赋予性欲望以合理性，这种合理性是在人性解放和爱情前提下获得的；二是在强种育种的时代焦虑影响下小说性爱叙事表现出对物质身体的关注，其焦点主要在体格方面；三是树立起新的性伦理道德观念，表现为强调在性爱问题上的个人选择自由，性爱成为个人自我实现的重要方式，从而赋予人在性爱问题上的独立性，同时还扩大了性爱表现的领域；四，这个时期小说性爱叙事中所表现出的性意识还具有新旧杂糅的特点。30、40年代小说性爱叙事表现出对人性主题的深化与丌拓，首先是把性还原为欲望本身来探索，沈从文从和谐性爱对健全人性的决定作用、施蛰存从性压抑会导致人性扭曲甚至疯狂的角度探讨作为人类本质性欲望的性对人性产生的影响和作用，突出了性欲力量的不可抗拒和作为人类行为的重要动力等方面的内容；其次在叙事中表现出对欲望化了的身体的描绘与关注；第三是解构了性的伦理道德，无论是沈从文以自然法则来反对人为的道德设置还是新感觉派用消费交换原则替代传统性伦理道德，或是施蛰存极力表现包括性伦理规范在内的社会法则在性欲力量冲击下溃不成军，其直接的效果都是使性伦理道德对人的约束力量显得苍白虚弱；第四，出现了由女性作家表现的女性性意识，在丁玲的早期作品中女性的性欲望不再是作为感情的衍生物而是独立的欲望存在，而在梅娘等其他女作家的小说性爱叙事中则表现出对女性社会地位的强烈自觉意识。70年代末80年代初期小说的性爱叙事实际上是在人道主义语境下的再次启蒙，其主要特征一是性爱在人道主义前提下获得合法性，但要求性爱不超出伦理规定的范围；再就是将性爱叙事同国家观念和民族神话相融合；此外还有对身体的描写审美化诗意化等。80年代中后期，小说性爱叙事进入了多元化探索的阶段，作家通过还原性欲望来还原人性、还原人类的本真状态，不同作家笔下表现为不同的侧重和倾向——以辨证的方式看待性爱，写出其具有的创造性力量和毁灭性特征；将性爱与暴力相联系并通过其来表现人性的黑暗；强调性爱的创造性作用，尤其在民族"血性"的传承方面。

This ain't a love song 歌手:bon jovi this ain't a love song bon jovi i should have seen it coming when roses died should have seen the end of summer in your eyes i should have listened when you said good night you really meant good bye baby, ain't it funny, how you never ever learn to fall you're really on your knees, when you think you're standing tall but only fools are "know-it-alls" and i played that fool for you i cried and i cried there were nights that died for you baby i tried and i tried to deny that your love drove me crazy, baby if the love that i got for you is gone if the river i cried ain't that long then i'm wrong, yeah i'm wrong, this ain't a love song baby, i thought you and me would stand the test of time like we got away with the perfect crime but we were just a legend in my mind i guess that i was blind remember those nights dancing at the masquerade the clowns wore smiles that wouldn't fade you and i were the renegades, some things never change it made me so mad 'cause i wanted it bad for us baby now it's so sad that whatever we had, ain't worth saving if the love that i got for you is gone if the river i've cried ain't that long then i'm wrong, yes i'm wrong, this ain't a love song if the pain that i'm feeling so strong is the reason that i'm holding on then i'm wrong, yeah i'm wrong - this ain't a love song i cried and i cried there were nights that i died for you baby i tried and i tried to deny that your love drove me crazy baby if the love that i got for you is gone if the river i cried ain't that long then i'm wrong, yeah i'm wrong - this ain't no love song if the pain that i'm feeling so strong is the reason that i'm holding on then i'm wrong, yeah i'm wrong - this ain't a love song by lune the end JTL 很长时间Love Is A Pain (I don't cry)(I don't cry)(I don't cry)(I don't say) As time gose by

你身边的那个人看起来会比我做得更好放你离开的那个冬天，痛苦了好久，但是都没有用了开始我小心地走向你，你用阳光般的微笑接受了我的心那么想见你，落下了泪，但是（I don't cry）现在什么也无法说想说爱你，现在不再是我的你有的时候给我的问候的电话我说现在过得很好这样的话，但舌头无法像以前看到了我变瘦的样子，你也会吃惊放你离开的那个冬天，痛苦了好久，但是都没有用了开始我小心地走向你，你用阳光般的微笑接受了我的心那么想见你，落下了泪，但是（I don't cry）现在什么也无法说想说爱你，但现在不再是我的你如果对我说你回来吧我会再次抱着你如果只想看我一次，我会把空位子留给你说不定那个时候是我们两个再一次没有办法地擦肩而过的命运我这样疼痛，你也会非常疼痛的，那个时候你也说没有办法我的没有用的自尊心非常非常的后悔没有你，度过了很长时间，只一个人没有你，我忍受着，得生活下去，我没有自信那么想见你，落下了泪，但是（I don't cry）现在什么也无法说想说爱你，我想再见到你，但现在好象一切都结束了希望好久以来积攒的记忆，到什么时候都不会在时间里被埋没祝你幸福

Galloping horse fx) [01:27.79]Come on [01:28.22]I wonder if I take you home [01:30.31]Would you still be in love baby [01:32.93] In love baby [01:35.53]I wonder if I take you home [01:37.63]Would you still be in love baby [01:40.34] In love baby [01:42.84]No, no, no, nooo [01:44.43]Don't phunk with my heart [01:46.28] [01:46.64]Girl you had me once you kissed me [01:48.85]My love for you is not iffy [01:50.39]I always want you wit me [01:51.90]I play Bobby and you play Whitney [01:53.83] [01:54.28]If you smoke I smoke too [01:55.98]That's how much I'm in love wit chu [01:57.79]Crazy is what crazy do [01:59.56]Crazy in love I'm a crazy fool [02:01.11]No, no, no, nooo [02:02.62]Don't phunk with my heart [02:04.52] [02:04.99]Why you so in-sa-cure [02:06.90]When you got cash and you're love herre [02:08.73]You always claim that I'm a cheata [02:10.50]Think I'll up and go leave ya [02:12.35]For another senorita [02:14.08]You forgot that I need ja [02:15.91]You must have caught amnesia [02:17.83]That's why you don't believe uh [02:19.86]Wha'- Yeah - Check it out [02:22.27] [repeat 2X] [02:30.07][02:22.93]Don't ja worry about a thing baby [02:33.62][02:26.31]Cause ya know ya got me by a string baby [02:37.06] [02:41.21]Baby girl ya make me feel… [02:44.65]You know you make me feel so real… [02:48.03]I love you more than sex appeal… [02:51.01]Cause ya [02:51.51] [repeat 6X] [03:01.08][02:59.30][02:57.46][02:55.62][02:53.93][02:52.18]That-that-that-that-that-that-that-girl [03:02.94]No, no, no, nooo [03:04.75]Don't phunk with my heart [03:06.67]No, no, no, nooo [03:08.28]Don't phunk with my heart [Chorus - repeat 2X] [03:24.94][03:10.19]I wonder if I take you home [03:27.17][03:12.71]Would you still be in love baby [03:29.76][03:15.19] In love baby [03:32.00][03:17.89]I wonder if I take you home [03:34.44][03:19.83]Would you still be in love baby [03:37.06][03:22.52] In love baby [03:38.76] [repeat 2X] [03:46.75][03:39.62]Don't ja worry about a thing baby [03:50.20][03:42.99]Cause ya know ya got me by a string baby [03:53.92] Instrumental Exits off

走马盘来我带你回家不知你依然在爱男婴爱情婴儿不知我带你回家，你仍是婴儿在爱情爱情婴儿不，不，不，nooo不phunk少女心情我只要你爱我，我吻你，我总想你不是iffy智慧和你玩我我玩波比惠如果你吸烟烟我太那我就是爱智慧珠疯疯疯在这样一个疯狂的傻瓜不爱我，不，不，nooo不phunk在心里，你为什么那么在飒治愈当你的现金和你的爱你总是宣称herreCHEATA的我想我会一起来，走到另一个小姐离开雅你忘了我需要茉莉失忆，你一定要听的，你为什么不相信wha'嗯-嗯-一下它并不担心茉莉亚知道事情原因婴儿雅拉去了一串男婴女婴雅你知道你让我体会真正使我感到我爱你那么多骚事业娅-----------无女，不，不，不nooophunk在心里不，不，不，nooo不phunk在心里不知我带你回家，你仍是婴儿在爱情爱情婴儿不知我带你回家，你仍是婴儿在爱情在婴儿不爱茉莉担心的事情造成婴儿娅娅知道拉去了一串婴儿我是用在线翻译翻的凑或一下吧

I love you, love your long history, the legend of love you, I love you, love you enrich the connotation, love you Construction of the splendid culture, I love you, you love the unique, the unusual love you, I love you, love your Cantabile picturesque, love your strong arts

我爱你，爱你的源远流长，爱你的美丽传说；我爱你，爱你的意蕴丰富，爱你的构建的灿烂文化；我爱你，爱你的独一无二，爱你的与众不同；我爱你，爱你的如歌如画，爱你的浓烈艺术

Suddenly the sky thunder rumbled overhead of rain Who knows my heart Love is like a dream, who are deaf I really shouldn't she enchanted Love a person to love shouldn't I always double containing sacrifice That may not be still force yourself to go on The heart is frowsty more boring supports the cold heart You know I only love you Your attitude I cannot balance I love, I cannot help wanting to ask too deep I really can't match him there Gray sky see yesterday lamp What were you thinking Love vaguely You don't know how to say Live like the wind candles Love a person to love shouldn't I always double containing sacrifice That may not be still force yourself to go on The heart is frowsty more boring supports the cold heart You know I only love you Your attitude I cannot balance I love, I cannot help wanting to ask too deep I really can't match him there You know I only love you Your attitude I cannot balance If you love need two points I think I don't want to wait You know I only love you Your attitude I cannot balance I love, I cannot help wanting to ask too deep I really can't match him there You know I only love you Your attitude I cannot balance If you love need two points I think I don't want to wait

突然，天空雷声隆隆开销雨谁知道我的心爱是一场梦一样，谁是聋子我实在不应该，她陶醉爱一个人爱不应该我总是含有双重牺牲这可能不是还强迫自己继续下去心脏是frowsty更无聊支持冷酷的心你知道，我只是爱你你的态度我不能平衡我爱，我也忍不住想提出过深我真的无法比拟他在那里灰色的天空见昨日灯你是怎么想爱依稀你不知道如何说活得像蜡烛的风爱一个人爱不应该我总是含有双重牺牲这可能不是还强迫自己继续下去心脏是frowsty更无聊支持冷酷的心你知道，我只是爱你你的态度我不能平衡我爱，我也忍不住想问一问太深我真的无法比拟他在那里你知道，我只是爱你你的态度我不能平衡如果你爱的需要两点我想我不想等待你知道，我只是爱你你的态度我不能平衡我爱，我也忍不住想提出过深我真的无法比拟他在那里你知道，我只是爱你你的态度我不能平衡如果你爱的需要两点我想我不想等待

I'm still in love I'm telling you straight up Still in love I can't believe we could break up I'm still in love Can we get, can we get back to it, can we get, can we get back Cause I'm still in love, still in love Girl you got me going crazy, thinking bout you everyday The feelings that I have for you, baby they will never go away Girl I'm still in love, no matter what dem wan sey You got me so caught up, so baby just come my way I'm trying, I'm trying, But I'm lying, I'm lying Cause I'm crying, I'm crying, I'm dying Without you there's nobody, nobody, nobody That moves me like you do I'm still in love I'm telling you straight up Still in love I can't believe we could break up I'm still in love Can we get, can we get back to it, can we get, can we get back Cause I'm still in love, still in love I'm still in love I'm telling you straight up Still in love I can't believe we could break up I'm still in love Can we get, can we get back to it, can we get, can we get back Cause I'm still in love, still in love

我仍然爱我要告诉你的直线上升还在爱我不敢相信我们会分手我仍然爱我们能得到的，我们能回到它，我们能得到的，我们才能回来因为我还在爱情中，还在爱女孩，你让我疯狂，思考你每天一回我的感觉，宝贝，他们永远不会消失女孩，我仍然爱，无论什么湾你给了我这么赶了上来，所以宝宝就走自己的路我尝试，我尝试了，但我说谎，我撒谎因为我哭，我哭了，我快死了没有你，没有人，没有任何人我喜欢你做的动作我仍然爱我要告诉你的直线上升还在爱我不敢相信我们会分手我仍然爱我们能得到的，我们能回到它，我们能得到的，我们才能回来因为我还在爱情中，还在爱我仍然爱我要告诉你的直线上升还在爱我不敢相信我们会分手我仍然爱我们能得到的，我们能回到它，我们能得到的，我们才能回来因为我还在爱情中，还在爱

Well oh gosh I'm not posh me, I wear odd socks I do what I'm doing yeah So everybody's entitled to opinions I open my mouth and sh*t I got millions I'm the middle kid, the riddle kid I make you giggle til you're sick My nose jiggles while I spit Yeah I do have some stories And it's true I want all the glory Go on then, come on support me I'm English try and deport me Love me or hate me it's still an obsession Love me or hate me that is the question If you love me then thank you If you hate me then f**k you x 2 Love me or hate me, love me or hate me So I can't dance and I really can't sing, yeah I can only do one thing and that's be Lady Sovereign x 2 Love me or hate me it's still an obsession Love me or hate me that is the question If you love me then thank you If you hate me then f**k you x 4 Love me or hate me, love me or hate me I can only do one thing and that's be Lady Sovereign x 2

好的oh哎呀我不毫华我，我穿我做的奇怪的袜子什么我做着呀，因此大家的有资格获得观点我张我的嘴，并且sh*t我得到了我是中间孩子的成千上万，谜语孩子我做您嘻嘻笑，您病我的鼻子轻摇，当我吐呀我有有些故事时，并且它是真实的我想要所有荣耀然后继续，来在支持我我是英国尝试并且递解我爱我或恨它是成见仍然爱我的我或恨我是问题，如果您爱我然后感谢您，如果您恨我然后f ** k您x 2 爱我或恨我，爱我或恨我如此我不可能跳舞，并且我不可能真正地唱歌，呀我可以只做一件事，并且那是Sovereign夫人x 2 爱我或恨它是成见仍然爱我的我或恨我是问题，如果您爱我然后感谢您，如果您恨我然后f ** k您x 4 爱我或恨我，爱我或恨我可以只做一件事的我，并且那是Sovereign夫人x 2

From May 4th Movement of 1919 to the 1920s, sex love narrations in Chinese novels were rather an enlightenment and liberation in that particular era with four characteristics. Firstly, sexual desire was endowed with rationality with regard to liberation of human nature and mutual love. Secondly, with an epochal concern for a stronger and superior race, greater attention was paid to sexual parties concerned, mainly physically. Thirdly, new ethics on sex were promoted in that personal freedom on sex love was emphasized and sex love became an important way of self-fulfillment. Therefore, independence of sex love was advocated and the scope of sex love was also widened. Fourthly, the sex consciousness of this period had the mixed features of the past and the contemporary. Sex love narrations in the 1930s and 1940s showed a further exploration on the theme of human nature. First of all, sex was restored to a kind of desire. ShenCongwen probed the importance of harmonious sex love to a sound personality and Shi Zhecunrevealed that sexual inhibition could lead to the distortion, even frenzy of human nature. Bothexplored the influence and functions of sexual desire as human nature upon human personality,giving prominence to the irresistibleness of sexual desire and the significance of sexual desire asa motive. Then, human bodies driven by sexual desire were described and given greater attentionto. Next, ethics on sex were deconstructed either by Shen Congwen who opposed man-madeethics with law of nature and the School of New Sensation who replaced traditional ethics on sexwith exchange rules in consumption, or by Shi Zhecun who spared no efforts in representing thecomplete failure of social rules, including ethics on sex, due to the impact from sexual desire.The direct effect was a paleness of the ethical binding force on sex. Last, sex consciousness inthe works of female writers emerged. In the early works of Ding Ling, the sexual desire of thefemale is no longer a ramification of emotion but an independent one. In addition, in the sex lovenarrations of other female writers, such as Mei Niang, strong self-consciousness on the socialstatus of the female is also reflected. Sex love narrations in the late 1970s and early 1980s wereactually a re-enlightenment in the spirit of humanism, whose major features include humanisticlegitimation of sex love within the boundary of ethics, a blend of sex love narrations withnational concepts and national myths as well as the aesthetic, poetic descriptions of humanbodies etc. In the middle and late 1980s, sex love narrations entered a stage of exploration forpluralism. First, by restoration of sexual desire, writers of this era restored human nature, thevery original state of human being. Different emphasis and tendencies could be seen in differentwriters: looking at sex love dialectically and trying to describe its creative as well as destructivecharacteristics; connecting sex love with violence and trying to reveal the evil side of humannature through it; emphasizing the creativeness of sex love especially in the heritage of"wildness".

从&五四&到20世纪20年代，中国小说的性爱叙事是一种处在时代夹缝中的启蒙和解放，其所表现出来的特点，一是正面赋予性欲望以合理性，这种合理性是在人性解放和爱情前提下获得的；二是在强种育种的时代焦虑影响下小说性爱叙事表现出对物质身体的关注，其焦点主要在体格方面；三是树立起新的性伦理道德观念，表现为强调在性爱问题上的个人选择自由，性爱成为个人自我实现的重要方式，从而赋予人在性爱问题上的独立性，同时还扩大了性爱表现的领域；四，这个时期小说性爱叙事中所表现出的性意识还具有新旧杂糅的特点。30、40年代小说性爱叙事表现出对人性主题的深化与丌拓，首先是把性还原为欲望本身来探索，沈从文从和谐性爱对健全人性的决定作用、施蛰存从性压抑会导致人性扭曲甚至疯狂的角度探讨作为人类本质性欲望的性对人性产生的影响和作用，突出了性欲力量的不可抗拒和作为人类行为的重要动力等方面的内容；其次在叙事中表现出对欲望化了的身体的描绘与关注；第三是解构了性的伦理道德，无论是沈从文以自然法则来反对人为的道德设置还是新感觉派用消费交换原则替代传统性伦理道德，或是施蛰存极力表现包括性伦理规范在内的社会法则在性欲力量冲击下溃不成军，其直接的效果都是使性伦理道德对人的约束力量显得苍白虚弱；第四，出现了由女性作家表现的女性性意识，在丁玲的早期作品中女性的性欲望不再是作为感情的衍生物而是独立的欲望存在，而在梅娘等其他女作家的小说性爱叙事中则表现出对女性社会地位的强烈自觉意识。70年代末80年代初期小说的性爱叙事实际上是在人道主义语境下的再次启蒙，其主要特征一是性爱在人道主义前提下获得合法性，但要求性爱不超出伦理规定的范围；再就是将性爱叙事同国家观念和民族神话相融合；此外还有对身体的描写审美化诗意化等。80年代中后期，小说性爱叙事进入了多元化探索的阶段，作家通过还原性欲望来还原人性、还原人类的本真状态，不同作家笔下表现为不同的侧重和倾向——以辨证的方式看待性爱，写出其具有的创造性力量和毁灭性特征；将性爱与暴力相联系并通过其来表现人性的黑暗；强调性爱的创造性作用，尤其在民族&血性&的传承方面。

The split between the two groups can hardly be papered over.

这两个团体间的分歧难以掩饰。

This approach not only encourages a greater number of responses, but minimizes the likelihood of stale groupthink.

这种做法不仅鼓励了更多的反应，而且减少跟风的可能性。