查询词典 love-inspired

I want to love you But how this is That I can love you If I do not see you I want to love you Very pure or almost Like the priests Who do not marry The clotrées sisters Who preserve For a good old man God who hides I want to love you Of course I dream some But how want You that it goes I want to me Mo well Quer of the proverb Who known as "far from Eyes, far from the heart " God that they is false That it is sour That they is express To frighten us I want to me endor well Mir each evening By blotissant me Against anybody With your body In my memory As a grandmamma Who cries her man I want to love you Even until believing In the possible ones Advantages To mix Our two stories Into perpetual Shift I want to force well All these chances Who r' fuse to play In our favour And then to gain The chance to see you Two small days Or two small hours I want to love you But how this is That I can love you If I am not there To wrap you Of my tenderness And to comfort you If that does not go Yes I want well To love you by far The very full heart Of your great vacuum To love you love And of sorrow To love you for nothing Wet eyes I want to love you But to be frank I am not solid If I do not see you I am like blind man Without white cane Ni dog-guide… And without your arm To cross This street That one calls The ocean To cross But to you Y' does not have a large Assez rainbow I want to love you Of course In any event Do I have the choice I am trapped I am lost I turn in round I love you already Even if I feel That I éreinte With you to seek Tended arms In this alarming Labyrinth Too much complicated And too twisted I will love you Even if all that It is without exit It is impossible And I will believe in it As others believe In the Baby Jesus And with the Bible I do not know yet How this is That I will love you If I do not see you But I will love you It is a promise Hear you That I say to you there?!!

我想这是爱你，但我能怎么爱你如果我不爱你我想看到你还是很单纯的，几乎没有人喜欢娶了神父clotrées姐妹保存了老好人上帝躲在我爱你我当然希望有梦想但是不用我说，你怎么想我想好树种的谚语谁谟称为"远离眼睛远离心脏"，他们是上帝，这是假酸溜溜地表示，他们是吓唬我们，我想每个晚上我可逆好空间站的blotissant我对付谁你记忆体作为grandmamma谁喊她文我想爱你直到可能的优势，相信我们的两个故事结构转变成永恒的力量，我想这也是所有那些住宅机会'导火线玩，然后争取对我们有利的机会看到你两个或者两个小天凌晨爱你，但我想这就是我如何能爱你如果我不存在包你温柔地安慰我说，你如果不走的话，我想好爱你的心满满远远贵真空悲哀的爱你爱你爱什么，我想爱你眼睛湿但坦白说，如果我不扎实，我看不到你我一样盲无镍白色手杖狗：：没有你们的引导手臂越过这条街，一个电话，但你越过大洋肽Y'没有大assez彩虹我爱你，当然希望无论如何我做我的选择，我被困我感到失去转向轮即使我爱你我觉得我已经与你éreinte寻求在这一惊人的武器往往迷宫太多、太复杂，我爱你，即使扭曲，这是没有全部撤离是不可能，但我相信别人相信耶稣和圣经的婴儿我还不知道这是怎么说我爱你如果我不爱你，但我会看到你是一个承诺，我对你说你听？！！

From May 4th Movement of 1919 to the 1920s, sex love narrations in Chinese novels were rather an enlightenment and liberation in that particular era with four characteristics. Firstly, sexual desire was endowed with rationality with regard to liberation of human nature and mutual love. Secondly, with an epochal concern for a stronger and superior race, greater attention was paid to sexual parties concerned, mainly physically. Thirdly, new ethics on sex were promoted in that personal freedom on sex love was emphasized and sex love became an important way of self-fulfillment. Therefore, independence of sex love was advocated and the scope of sex love was also widened. Fourthly, the sex consciousness of this period had the mixed features of the past and the contemporary. Sex love narrations in the 1930s and 1940s showed a further exploration on the theme of human nature. First of all, sex was restored to a kind of desire. ShenCongwen probed the importance of harmonious sex love to a sound personality and Shi Zhecunrevealed that sexual inhibition could lead to the distortion, even frenzy of human nature. Bothexplored the influence and functions of sexual desire as human nature upon human personality,giving prominence to the irresistibleness of sexual desire and the significance of sexual desire asa motive. Then, human bodies driven by sexual desire were described and given greater attentionto. Next, ethics on sex were deconstructed either by Shen Congwen who opposed man-madeethics with law of nature and the School of New Sensation who replaced traditional ethics on sexwith exchange rules in consumption, or by Shi Zhecun who spared no efforts in representing thecomplete failure of social rules, including ethics on sex, due to the impact from sexual desire.The direct effect was a paleness of the ethical binding force on sex. Last, sex consciousness inthe works of female writers emerged. In the early works of Ding Ling, the sexual desire of thefemale is no longer a ramification of emotion but an independent one. In addition, in the sex lovenarrations of other female writers, such as Mei Niang, strong self-consciousness on the socialstatus of the female is also reflected. Sex love narrations in the late 1970s and early 1980s wereactually a re-enlightenment in the spirit of humanism, whose major features include humanisticlegitimation of sex love within the boundary of ethics, a blend of sex love narrations withnational concepts and national myths as well as the aesthetic, poetic descriptions of humanbodies etc. In the middle and late 1980s, sex love narrations entered a stage of exploration forpluralism. First, by restoration of sexual desire, writers of this era restored human nature, thevery original state of human being. Different emphasis and tendencies could be seen in differentwriters: looking at sex love dialectically and trying to describe its creative as well as destructivecharacteristics; connecting sex love with violence and trying to reveal the evil side of humannature through it; emphasizing the creativeness of sex love especially in the heritage of"wildness".

从"五四"到20世纪20年代，中国小说的性爱叙事是一种处在时代夹缝中的启蒙和解放，其所表现出来的特点，一是正面赋予性欲望以合理性，这种合理性是在人性解放和爱情前提下获得的；二是在强种育种的时代焦虑影响下小说性爱叙事表现出对物质身体的关注，其焦点主要在体格方面；三是树立起新的性伦理道德观念，表现为强调在性爱问题上的个人选择自由，性爱成为个人自我实现的重要方式，从而赋予人在性爱问题上的独立性，同时还扩大了性爱表现的领域；四，这个时期小说性爱叙事中所表现出的性意识还具有新旧杂糅的特点。30、40年代小说性爱叙事表现出对人性主题的深化与丌拓，首先是把性还原为欲望本身来探索，沈从文从和谐性爱对健全人性的决定作用、施蛰存从性压抑会导致人性扭曲甚至疯狂的角度探讨作为人类本质性欲望的性对人性产生的影响和作用，突出了性欲力量的不可抗拒和作为人类行为的重要动力等方面的内容；其次在叙事中表现出对欲望化了的身体的描绘与关注；第三是解构了性的伦理道德，无论是沈从文以自然法则来反对人为的道德设置还是新感觉派用消费交换原则替代传统性伦理道德，或是施蛰存极力表现包括性伦理规范在内的社会法则在性欲力量冲击下溃不成军，其直接的效果都是使性伦理道德对人的约束力量显得苍白虚弱；第四，出现了由女性作家表现的女性性意识，在丁玲的早期作品中女性的性欲望不再是作为感情的衍生物而是独立的欲望存在，而在梅娘等其他女作家的小说性爱叙事中则表现出对女性社会地位的强烈自觉意识。70年代末80年代初期小说的性爱叙事实际上是在人道主义语境下的再次启蒙，其主要特征一是性爱在人道主义前提下获得合法性，但要求性爱不超出伦理规定的范围；再就是将性爱叙事同国家观念和民族神话相融合；此外还有对身体的描写审美化诗意化等。80年代中后期，小说性爱叙事进入了多元化探索的阶段，作家通过还原性欲望来还原人性、还原人类的本真状态，不同作家笔下表现为不同的侧重和倾向——以辨证的方式看待性爱，写出其具有的创造性力量和毁灭性特征；将性爱与暴力相联系并通过其来表现人性的黑暗；强调性爱的创造性作用，尤其在民族"血性"的传承方面。

Part two Part two Okay lets do this here again in front of all of your friends I need a little room but dont go Cant be too far youre the star of my show And you dont need a mike to move the crowd Dont need a spotlight you smile, They wanna see the love we sold out I bet when its over, they go wow They know what it is, what it is Hard to end up with a couple of kids When they say, and the winner is They gonna be calling our card for the love again Give them what they want Show them how to love They want something new They want love part two They see action and lights They want that in their life They want love like us coz its new They want the love part two, part two The winners you this year,again A round of applause from all of them They try to memorise your lines I know you by heart, coz youre mine You dont need a crowd to do the show Dont even need the script coz you know That even when the lights go out The show must go on So I Give them what they want Show them how to love They want something new They want love part two They see action and lights They want that in their life They want love like us coz its new They want the love part two Its like a replay love Cut off that he she say love Turn up that make me stay love Its all that i want Somebody show your love Somebody out there want your love They stay through all of part one I know what they want, what they want Give them what they want Show them how to love They want something new They want love part two They see action and lights They want that in their life They want love like us coz its new They want the love part two What they want Show them how to love They want something new They want love part two They see action and lights They want that in their life They want love like us coz its new They want the love part two They want the love part two They want the love part two Baby,They want the love part two They want the love part two Love part two They want the love part two They want the love part two

第二部分第二部分这样好让这里的所有朋友面前再次我需要一个小房间但是dont去也不容过于youre我的一颗明星和你不需要一麦克风移动人群 dont需要聚光灯你微笑，他们希望看到我们的爱售罄我敢打赌，当它结束了，他们走哇他们知道它是什么，它是什么很难最终形成了两个孩子当他们说，获奖者是他们gonna是要求我们的爱再次卡给他们他们想要的东西告诉他们如何爱他们希望新的东西他们希望爱第二部分他们看到行动和灯光他们希望在他们的生活他们希望像我们这样的堂妹爱新他们希望爱第二部分，第二部分优胜者你今年再次来自所有这些全面的掌声他们试图记住您的线路我知道你的心，我的堂妹youre 你不需要人群做节目 Dont甚至需要脚本堂妹你知道这甚至当灯熄灭该比赛必须继续进行因此，我给他们他们想要的东西告诉他们如何爱他们希望新的东西他们希望爱第二部分他们看到行动和灯光他们希望在他们的生活他们希望像我们这样的堂妹爱新他们希望爱第二部分它像一个重放的爱切断她说，他爱打开了，使我留下的爱它的一切，我希望有人展示你的爱有人在那里要你的爱他们通过各种逗留第一部分我知道他们想要什么，他们想要的东西给他们他们想要的东西告诉他们如何爱他们希望新的东西他们希望爱第二部分他们看到行动和灯光他们希望在他们的生活他们希望像我们这样的堂妹爱新他们希望爱第二部分他们想要的东西告诉他们如何爱他们希望新的东西他们希望爱第二部分他们看到行动和灯光他们希望在他们的生活他们希望像我们这样的堂妹爱新他们希望爱第二部分他们希望爱第二部分他们希望爱第二部分婴儿，他们希望爱第二部分他们希望爱第二部分爱第二部分他们希望爱第二部分他们希望爱第二部分

All available three-component time series are used to extract the Rayleigh and Love waves. The Signal-to-Noise Ratio at different periods and the azimuth distribution of the inter-station pairs with high SNR are discussed.

通过对三个分量记录的相关运算，获得了Rayleigh波和Love波的经验格林函数，分析了其信噪比随周期的变化和高信噪比台站对的方位分布。

Meng Fei too much trouble to see scenarios, and would take his kids went to play with the game somewhere else and thought they were about to take classes love to run around to keep busy, especially depressed mood, see Yi Xi are now over, he tells her own thoughts, Huafeng Cheung do not know when the kids are standing in the middle Dou Zhe have fun, kicking Plum Star also ran along for the ride, hands clutching a davie home a baby, Yang Lan-Hui from the hands of hold on to Cai Yaping, letting Linger walked over holding Zhi-Qiang Zou, henny and jenny to david, respectively hold the other two kids amused to see two little devils exception difficult, Meng Fei Xi easy pick over, Huafeng Xiang begins with Linger Guo Zhi-Qiang Zou hold the hands of a few kids see so many people afraid of the Ku Chu the sound, immediately followed by the other two are also up crying, see posture is not good to stay at home two david did not cry in the side, the other three is sent to the hands of their parents, until there is no crying coax Douzhe.

孟菲看情景太闹了，就带着孩子们去了别的地方玩起了游戏，想到自己快要接love班东奔西跑不停忙碌着，心情格外郁闷，见易夕也跟了过来，便告诉她自己的心事，华丰翔不知什么时候也站在孩子们中间逗着大家玩乐，惹得李子星也跑过来凑热闹，手里还抱着davie家的一个宝宝，杨晓月从徐兰惠手中抱来蔡雅萍，又让灵儿抱着邹志强走了过来，henny和jenny分别抱来david其他两个孩子逗乐着，看两个小鬼异常吃力，孟菲和易夕接了过来，华丰翔便从灵儿手中抱过邹志强，几个小孩见人太多害怕着哭出了声音，紧接其他两个也跟着哭闹了起来，见架势不妙，就留david家两个没有哭的在身边，其他三都送到各自父母手中哄逗着直到没有了哭声。

The cover of 'Non e Niente'– a debut novel for the Italian author Ilaria Bernardini.· 'Bunny Boo Boo' for a 'bubkin' (baby's cotton bib) for Australian company Third Drawer Down. They are really putting art in to our everyday lives. http://www.thirddrawerdown.com· the business card and duvet design commissions for designer bedlinen company True Love Always.

其他的商业设计案，如义大利的小说 'Non e Niente' 制作封面；澳洲的儿童服饰品牌 Third Drawer Down 设计的作品 'Bunny Boo Boo' ；明信片公司 True Love Always 也是合作对象之一。

Later successful films of Swinton's include "Female Perversions","Love is the Devil", and her most well-known work to date,"Orlando", in which she played a man who lived for more than 400 years and became a woman.

后来，史温顿受欢迎的电影有：《黑色芳心》、《Love is the Devil》，和迄今为止最出名的作品《美丽佳人欧兰朵》。她在剧中扮演一个男人，活了四百多年后最终变成了女人。

It's freezing in Toronto and NY. I landed an awsome I LOVE NY tshirt in which I'm re-vamping into my own style. Princess sleeves and all!

多伦多和纽约非常冷，我买了件& I LOVE NY & T 恤并改造成了自己的风格，公主袖！

Must Love Dogs is not as bad as its touchy-stroky title, but only because of Cusack and Diane Lane being so good together you wish they were doing Double Indemnity instead of tailwaggers' twaddle.

Must Love Dogs并不像它的名字那么糟糕，但这只是因为库萨克和Diane Lane合作出色。

I wanna be with you tonight Don't go away and show me your love You bring me joy You are the cen...

yoshiki的i will be your love 是谁唱的啊，听上去好象是个女。。。

I didn't watch TV last night, because it .

昨晚我没有看电视，因为电视机坏了。

Since this year, in a lot of villages of Beijing, TV of elevator liquid crystal was removed.

今年以来，在北京的很多小区里，电梯液晶电视被撤了下来。