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Hope everybody can well look, in past search index props up free times, to reduce load a few engine installed a webpage to refer quantitative limitation.

希望大家能好好的看，在过去搜索引擎免费的时代，为减轻负载一些引擎设置了网页提交数量限制。

He felt like this is dawn. So he rose up and look out through the french window.

他感觉到接近破晓，所以他起床，从落地窗里望去。

Look like I got frostbite to you?Line up!

觉得我有办法让你凉快点？

Most of these managers have no need to work for a living; they show up at the ballpark because they like to hit home runs. And that's exactly what they do. Their combined financial statements (including those of some smaller operations), shown on page 49, illustrate just how outstanding their performance is. On an historical accounting basis, after-tax earnings of these operations were 57% on average equity capital. Moreover, this return was achieved with no net leverage: Cash equivalents have matched funded debt. When I call off the names of our managers - the Blumkin, Friedman and Heldman families, Chuck Huggins, Stan Lipsey, and Ralph Schey - I feel the same glow that Miller Huggins must have experienced when he announced the lineup of his 1927 New York Yankees. Let's take a look, business by business: o In its first year with Berkshire, Borsheim's met all expectations. Sales rose significantly and are now considerably better than twice what they were four years ago when the company moved to its present location.

大部分的管理人根本就不需要为了讨生活而工作，他们参加球队的原因只是为了要击出全垒打，事实上这正是他们常常有的表现，他们合并的财务报表，显示他们的表现是如此的优异，以历史投资成本做基准，他们现在每年的税后盈余高达平均股东权益的 57%，更甚者，他们并不靠举债，帐上所拥有的现金就足以清偿所有的借款，当我念到这些管理人的名字- the Blumkin， Friedman， Heldman families， Chuck Huggins， Stan Lipsey 与 Ralph Schey ，这感觉就好象是名教练 Miller Huggins 在宣布 1927 纽约洋基队的先发阵容一样。

Suzanne Vega - Tom's Dinner I am sitting in the morning At the diner on the corner I am waiting at the counter For the man to pour the coffee And he fills it only halfway And before I even argue He is looking out the window At somebody coming in "It is always nice to see you" Says the man behind the counter To the woman who has come in She is shaking her umbrella And I look the other way As they are kissing their hellos I'm pretending not to see them And instead I pour the milk And I open up the paper There's a story of an actor Who had died while he was drinking It was no one I had heard of And I'm turning to the horoscope And looking for the funnies When I'm feeling someone watching me And so I raise my head There's a woman on the outside Looking inside. Does she see me?

清晨， 我坐在拐角处的小饭馆在吧台前，等那个男人给我倒咖啡他居然只倒了一半的量---我正想跟他抗议他看向窗外，有人快要进来"见到你总是很高兴"吧台后的男人对进来的女人说女人正抖落伞上的水珠我转头看向另一边他们亲吻对方装着没有注意他们我倒了些牛奶打开报纸有篇关于一个演员的文章在他饮酒时死去不过是某个人物罢了我开始看星象栏目寻找有趣的东西突然感觉有人在注视我于是抬起头外面有个女人正看向里面她看见我了么？

In one of 'Myth' paintings, the huge stones almost occupy fully the whole surface; in contrast, the figures let down, after intense struggle, as if collapsedly, chikenlike, tiny, impotent, unreconciled and depressed, just like giving up battling with the stones. In this series of heroist mode, particularly as against with the picture surfaces in which the giantlike bodies and energy are expressed, the figures in it even look a sense of funniness – wherein we are certain that irony has been engaged in his paintings, and it can be understood as a self-irony that it is not a floppy laziness, while he indeed does not need to tighten his muscles, not to keep a zealous and single gesture for fighting, as if it seems difficult for everything to continue, and in the paintings when the heroes unpack the stones, the artist seems unpack the dream of heroes, letting alone the huge stones burning and overspreading, surrounding us, pressing us and scorching us, even running over the whole picture. It suffocates us with all these heaviness, hardness, and acuity, as registers our weak life like a paper-cut.

尹朝阳的《神话》系列里有一幅，巨大的石头几乎占满了整个画面，相比之下，画中的人经过了激烈的挣扎，松弛了下来，形将瘫软一般，渺小，无能，心有不甘而黯然神伤，俨然已经放弃了与石头的搏斗，在这个英雄主义调式的系列里，尤其是与其中表现了英雄那巨人般的体魄和能量的画面相对，这幅画中的人甚至显出了一种酸楚的滑稽感——这里，我们确知反讽已经介入了他的绘画，并且，可以理解为一种自我反讽，它并非是纨绔式的慵懒，然而，确实不再绷紧他全身的肌肉，不再保持激昂而单一的斗姿，好像一切都已经难以为继，在画中的英雄卸下了石头的同时，艺术家自己也仿佛卸下了英雄梦，任凭那巨大的石头像烈火般燃烧和蔓延，包围我们，紧紧地挤压、烤炙我们，并且溢出整个画面，它以全部的沉重、坚硬和尖锐使我们窒息，反衬出我们脆薄如剪纸般的生命。

Time however, and the Satisfaction I had, that I was in no Danger of being discover'd by these People, began to wear off my Uneasiness about them; and I began to live just in the same compos'd Manner as before; only with this Difference, that I used more Caution, and kept my Eyes more about me than I did before, least I should happen to be seen by any of them; and particularly, I was more cautious of firing my Gun, least any of them being on the Island, should happen to hear of it; and it was therefore a very good Providence to me, that I had furnish'd my self with a tame Breed of Goats, that I needed not hunt any more about the Woods, or shoot at them; and if I did catch any of them after this, it was by Traps, and Snares, as I had done before; so that for two Years after this, I believe I never fir'd my Gun once off, though I never went out without it; and which was more, as I had sav'd three Pistols out of the Ship, I always carry'd them out with me, or at least two of them, sticking them in my Goat-skin Belt; also I furbish'd up one of the great Cutlashes, that I had out of the Ship, and made me a Belt to put it on also; so that I was now a most formidable Fellow to look at, when I went abroad, if you add to the former Description of my self, the Particular of two Pistols, and a great broad Sword, hanging at my Side in a Belt, but without a Scabbard.

可是，尽管如此，时间一久，我对食人生番的担心逐渐消失了，更何况我确信自己没有被他们发现的危险。所以，我又像以前那样泰然自若地过平生活了。所不同的是，我比以前更小心了，比以前更留心观察，唯恐被上岛的野人看见。特别是，我使用枪时更小心谨慎，以免给上岛的野人听到枪声。天幸我早就驯养了一群山羊，现在就再也不必到树林里去打猎了。这就是说，我用不着开枪了。后来，我也捉过一两只野山羊，但用的都是老办法，即用捕机和陷阱捉到的。因此，此后两年中，我记得我没有开过一次枪，虽然每次出门时还总是带着的。此外，我曾从破船上弄到三把手枪，每次出门，我总至少带上两把，挂在腰间的羊皮皮带上。我又把从船上拿下来的一把大腰刀磨快，系了一条带子挂在腰间。这样，我出门时，样子实在令人可怕。除了前面我描述过的那些装束外，又添了两支手枪和一把没有刀鞘的腰刀，挂在腰间的一条皮带上。

In light of the money newspaper that publishs from company of game of much home network, the money that wait signs up for perfect and spatio-temporal, Netease, royal, giant quite bright look, network game still is maintaining fast development momentum, a bit does not suffer the effect of financial crisis, network game is peremptory the port that became Internet.

从多家网络游戏公司公布的财报来看，完美时空、网易、盛大、巨人等的财报相当亮眼，网络游戏仍保持着快速的发展势头，丝毫不受金融危机的影响，网络游戏俨然成了互联网的避风港。

Look " powerful dance with sth in one's hands is round " the dress in, style is not little, but every have only monochromatic, if touch,go up moderner dress prop, it is difficult to want not to bump into unlined upper garment, if ten people are wearing a room same clothes, divide not clear who is, now is 2008, everybody stresses individual character, not be gangdom opens PARTY, who meets those who be willing to wear mix everybody is same.

看看《劲舞团》里的服装，款式不少，可每款只有一色，假如碰上比较时髦的服装道具，想不撞衫都难，要是一个房间十几号人都穿着同样的衣服，都分不清谁是谁，现在是2008年，大家都讲究个性，又不是黑社会开PARTY，谁会愿意穿的和大家都一样。

Sample Script: My garbage disposal has been acting up, and I was wondering if you could take a look at it.

样本：我的垃圾处理器一直都是坏的，我想是否你能来看看，如果是你认为可以修理好的，你能告诉我在如何修理吗？

For a big chunk of credit-card losses; the number of filings (and thus charge-off rates) would be rising again, whether

年美国个人破产法的一个改动使得破产登记急速下降，而后引起了信用卡大规模的亏损。

Eph. 4:23 And that you be renewed in the spirit of your mind

弗四23 而在你们心思的灵里得以更新