查询词典 look the same

That is to say won't sell stride too big step, but each pace is stridden can a few very big effects let a person of the same trade look so that see.

就是说不会卖迈太大的步伐，但是每一步迈出去会有一些很大的效果让同行看得见。

Look here, my dear boy,these theatrical trollops are all made the same way.

你瞧，亲爱的，这些戏子都是一路货色。

Then this unharmonious moment forces us to look at our position in this tension which takes on beauty and effects on our imaginary at the same time.

这种不协调迫使我们重新看待我们自己在关于&以何为美&的命题中所处的立场，以及我们对此的想象在这一过程中所起到的影响。

At the same time, we look to have as few 'gamey' mechanics as possible and aim to adhere as close as possible to design philosophy and game limitations set down by Paradox and BL-Logic themselves for the original game.

同时，我们希望尽可能少的'gamey' mechanics，旨在尽可能的贴近设计哲学和游戏的限制，这些限制是由Paradox和BL-Logic为原版游戏所写下的。

Don't look upon us the same just due to we are classmates.

别因为我和他是同学而把我们看作一类人。

If not ,I would like to look you quiet at the same place .

我想让你同样爱我，如果不能，我会在原地默默看着你，在你说你同样爱我之前我不会走开。

You look like the same tidal annihilated me.

你的眼光象潮水一样的覆没我。

Nick Heidfeld: Well, from a drivers' point of view I enjoy going quicker in the corners, definitely, but as Michael said, you have to look at safety at the same time, and probably we are a bit quicker in some apexes but there's not a huge difference, it's not like we are 15/20kph quicker, so you don't feel a huge difference.

妮子：嗯，从车手的角度来说，我很喜欢这样高速过弯，但确实，就像迈克儿说的，我们同时还是要注意安全的问题，可能我们在弯顶快了一点，但其实并没有很大的不同，完全不同于我们加速15或20码。

You know, it's just that both those belts look exactly the same to me.

你知道，这两条被你们比来比去的腰带，在我看来几乎是一模一样的。

You know, it's just that both those belts look exactly the same to me.

你知道的只是这些腰带在我看来没什么区别

We have no common name for a mime of Sophron or Xenarchus and a Socratic Conversation; and we should still be without one even if the imitation in the two instances were in trimeters or elegiacs or some other kind of verse--though it is the way with people to tack on 'poet' to the name of a metre, and talk of elegiac-poets and epic-poets, thinking that they call them poets not by reason of the imitative nature of their work, but indiscriminately by reason of the metre they write in.

索夫农 、森那库斯和苏格拉底式的对话采用的模仿没有一个公共的名称；三音步诗、挽歌体或其他类型的诗的模仿也没有——人们把&诗人&这一名词和格律名称结合到一起，称之为挽歌体诗人或者史诗诗人，他们被称为诗人，似乎只是因为遵守格律写作，而非他们作品的模仿本质。

The relationship between communicative competence and grammar teaching should be that of the ends and the means.

交际能力和语法的关系应该是目标与途径的关系。