查询词典 look on

At translation we usually meet two kinds of circumstance, 1 kind is at the Chinese language carry on description to a certain thing of time, for the sake of usage the phrase look gorgeous gaudiness, people usually to the characteristic of the thing or the person carry on height of generalize with abstract.

在翻译时我们经常遇到两种情况，一种是在汉语对某个事物进行描述的时候，为了使用词看起来绚丽华美，人们经常对事物或人物的特征进行高度的概括和抽象。

Look over,wake up,throw about, pick up, turn over, ring up, put on, take off, get back, take out,turn on, turn off, put down,get back

但是当宾语是名词时，则可以放在当中，也可以放在后面。

Animation functionality is based on simple motion tween on timeline concept: use drawing tools to set-up start and end look of objects and Giotto does all the rest.

该软件的动画功能基于简单的介于动作和时间线之间的理念：使用绘图工具设置对象的开始和中止外观，然后让 Giotto 完成其余的操作。

Sometimes whoever seeks abroad may find Thee sitting careless on a granary floor, Thy hair soft-lifted by the winnowing wind; Or on a half-reap'd furrow sound asleep, Drowsed with the fume of poppies, while thy hook Spares the next swath and all its twined flowers: And sometimes like a gleaner thou dost keep Steady thy laden head across a brook; Or by a cider-press, with patient look, Thou watchest the last oozings, hours by hours.

在田野里也可以把你找到，弥有时随意坐在打麦场上，让发丝随着簸谷的风轻飘；有时候，为罂粟花香所沉迷，你倒卧在收割一半的田垄，让镰刀歇在下一畦的花旁；或者。像拾穗人越过小溪，你昂首背着谷袋，投下倒影，或者就在榨果架下坐几点钟，你耐心地瞧着徐徐滴下的酒浆。

Sometimes whoever seeks abroad⑹ may find Thee sitting careless on a granary floor, Thy hair sort-lifted by the winnowing wind; Or on a half-reap'd furrow sound asleep,⑺ Dows'd with the fume of poppies, while thy hook Spares the next swath and all its twined flowers. And sometimes like a gleaner thou dost keep Steady thy laden head across a brook; Or by a cyder-press, with patient look, Thou watchest the last oozings ⑻hours by hours.

在田野里也可以把你找到，你有时随意坐在打谷场上，让发丝随着簸谷的风轻飘；有时候，为罂粟花香所沉迷，你倒卧在收割一半的田垅，让镰刀歇在下一畦的花旁；或者，像拾穗人越过小溪，你昂首背着谷袋，投下倒影，或者就在榨果架下坐几点钟，你耐心瞧着徐徐滴下的酒浆。

Sometimes whoever seeks abroad may findThee sitting careless on a granary floor, Thy hair soft-lifted by the winnowing wind;Or on a half-reap'd furrow sound asleep, Drowsed with the fume of poppies, while thy hookSpares the next swath and all its twined flowers:And sometimes like a gleaner thou dost keep Steady thy laden head across a brook; Or by a cider-press, with patient look,Thou watchest the last oozings, hours by hours.Where are the songs of Spring?

秋颂1雾气洋溢、果实圆熟的秋，你和成熟的太阳成为友伴；你们密谋用累累的珠球，缀满茅屋檐下的葡萄藤蔓；使屋前的老树背负着苹果，让熟味透进果实的心中，使葫芦胀大，鼓起了榛子壳，好塞进甜核；又为了蜜蜂一次一次开放过迟的花朵，使它们以为日子将永远暖和，因为夏季早填满它们的粘巢。2谁不经常看见你伴着谷仓？

I walk through the streets of Buenos Aires and stop for a moment, perhaps mechanically now, to look at the arch of an entrance hall and the grillwork on the gate; I know of Borges from the mail and see his name on a list of professors or in a biographical dictionary.

我在布宜诺斯艾利斯街上闲步，有时候也许机械地停住，看看一个门道的拱门，或者两扇铁门。博尔赫斯的消息通过邮件来到我这里；我在一张科学院的选票上或者一本传记字典上看见他的名字。

Drag him out your window Dragging out the dead Singing I miss you Snakes and ladders flip the lid Out pops the cracker Smacks you in the head Knifes you in the neck Kicks you in the teeth Steel toe caps Takes all your credit cards Get up get the gunge Get the eggs Get the flan in the face The flan in the face The flan in the face Dance you fucker dance you fucker Don't you dare Don't you dare Don't you flan in the face Take it with the love its given Take it with a pinch of salt Take it to the taxman Let me back Let me back I promise to be good Don't look in the mirror at the face you don't recognize Help me, call the doctor, put me inside Put me inside Put me inside Put me inside Put me inside I keep the wolf from the door But he calls me up Calls me on the phone Tells me all the ways that he's gonna mess me up Steal all my children if I don't pay the ransom And I'll never see them again if I squeal to the cops.... Walking like giant cranes And with my X-ray eyes I strip you naked in a tight little world and are you on the list?

把他拖出你的窗户尽量远离死亡用歌声表达我的思念棋盘游戏轻弹盖子流行音乐饼干咬住你的头割断你的脖子踢你的牙齿用带钢帽的脚趾带走你所有的信用卡把那恶心的东西拿走拿着鸡蛋拿掉脸上的馅饼脸上的馅饼脸上的馅饼跳吧笨蛋跳吧笨蛋你不敢你不敢你不敢把馅饼扔到她脸上在爱的同时，一定是赠与一定会有伤痛一定会有失去让我们从头再来，让我们从新开始我保证会努力不要看假象那个你不认识的脸救命，去叫医生放我进去放我进去放我进去放我进去放我进去我把贪婪挡在门外但他打电话给我打电话给我告诉我他一直让我陷入困境偷走了我的孩子们如果我不付赎金将一生无法再见如果我对着屋顶大叫不不不不不不不不不不不不不不不不不不不不不不不不不不不不不不不不不不不不不不不不不不不不不不不不不不不不不不不不不不不不不不不不不不不不不不步伐沉重用我x光的眼睛让她暴露你是否也渺小吝啬？

And I continue to find it fascinating how film noir, a genre born in the 1940s, has such a hammerlock on the future (look at "Dark City" again). I suspect film noir is so fruitful and suggestive that if you bring it on board, half your set and costume decisions have been made for you, and you know what your tone will be.

另外我还是惊讶于生于40年代的这种流派，如此深远地牢牢印在了后继者的骨血里--我觉得如此成果丰硕登峰造极，只要你确定要拍，一半的场景和服装设计就水到渠成，影片基调已定。

Deiphobus then came close up to Idomeneus to avenge Asius, and took aim at him with a spear, but Idomeneus was on the look-out and avoided it, for he was covered by the round shield he always bore- a shield of oxhide and bronze with two arm-rods on the inside.

其时，德伊福波斯，怀着对阿西俄斯之死的悲痛，逼近伊多墨纽斯，投出闪亮的铜枪，但后者紧盯着他的举动，弯身躲过飞来的枪矛，蹲藏在溜圆的战盾后面――此盾是他常用之物，坚实的牛皮，箍着闪光的铜圈，安着两道套把。

In the negative and interrogative forms, of course, this is identical to the non-emphatic forms.

。但是，在否定句或疑问句里，这种带有"do"的方法表达的效果却没有什么强调的意思。

Go down on one's knees;kneel down

屈膝跪下。。。下跪祈祷