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If you can drive 90km/hr through 2 feet of snow, during a raging blizzard without flinching, you may live in Canada.

如果你毫无畏惧地在狂风暴雪中以每小时90公里的速度驶过2英尺厚的雪，你可能是生活在加拿大。

If you can drive 110 KMH through 2 feet of snow during a raging blizzard, without flinching, you live in Ontario .

如果你能迎着暴风雪在半米多深的雪地里开车110公里每小时，并且毫不畏惧，那你是住在安大略省。

The shoe of fontal city kind the enterprise is in the majority with medium and small businesses, if where of strong brand surround loot market competes with old brand in blocking up, it is its live the problem that develops strategic place attention, the article passes an analysis to think, the shoe of fontal city kind the development that the enterprise should pay attention to a brand, will achieve the progress of the enterprise through modelling a brand.

泉州的鞋类企业以中小企业居多，如何在强势品牌的围堵中和大品牌竞争抢夺市场，是其生存发展战略所关注的新问题，本文通过分析认为，泉州的鞋类企业应注重品牌的发展，通过塑造品牌来实现企业的发展。

The majority of us lead quiet ,unheraided lives as we pass through this world, There will most likely be noi ticker tape parades for us no menuments create in ouer honor ,But that dose not lessen our possible impack, for there are scores of people waiting for someone who will live a hipper life merely because we took thew time to share what we have to give too often we underestimete the power of a toch asmile ,a kind world all of while the potentiel to turn a life around

我们大多数人在过这个世界的时候，过着一种平静而默默无闻的生活，很有可能我们没有受到热烈的欢迎，没有一我们的荣誉建造的纪念碑，但是着并不会减少我的可能产生的影响，因为许多人等着象我们一样的人陪伴，有人仅仅因为得到了我们因该给予的饿付出而将过上更幸福的生活。

After hears the yellow Jinlong commander in chief's order, already succeeded the hook to live this planetoid the starships, after passed through the very short time, had achieved with the planetoid the similar speed, likely the human rode in the acceleration the airship to be same, starts the anchor chain which back and forth vibrated this time already to pull taut, and started to maintain stably, all starship pilot, already not in the worry planetoid surface more than 1200 degrees high temperatures, the thick fog group which as well as raided intermittently, after received the order then the rapid start automatic hinge machine, to this planetoid superficial fast advancement, in order to set aside the enough debarkation space for the second interspace group,This time by far looks, the entire starry sky scene, looks like a big spider to lead only to creep along innumerably small spider such, has filled the mysterious visual effect, lets the human feel incomparably shocks!

在听到黄金龙总指挥官的命令后，已经成功钩住这颗小行星的星际飞行器们，在经过很短的时间后，就与小行星达到了同样的速度，就像人乘坐加速中的飞船一样，开始来回抖动的锚链此时已经绷紧，并开始保持稳定，所有星际飞行器的驾驶员，已经不在顾虑小行星表面1200多度的高温，以及阵阵袭来的浓雾团，接到命令后便迅速启动自动铰链机，向这颗小行星的表面快速推进，以便给第二星际小组腾出足够的登陆空间来，此时远远望去，整个星空场面，就像一只大蜘蛛带领着无数只正在爬动中的小蜘蛛那样，充满了神奇的视觉效果，让人感到无比震撼！

You can ask questions and instigate discussion through Krsna Katha TV's live chat facility.

你们可以通过 TV 聊天的便利提出问题和讨论讲课的内容。

But another process is going on—people have come together who have lived through the Cultural Revolution, studied it, and can tell from the inside what it was like to live in a radically different, liberatory society—and this is in the mix with the theoretical work of Raymond Lotta, proceeding from Bob Avakian's new synthesis, drawing from historical summation to point to how we can do better next time.

但是，另一个进程是怎么回事，人走到一起谁透过文革居住，学习它，可以知道里面是什么，就像生活在一个完全不同的，liberatory社会，这在与组合是理论工作的雷蒙德洛塔从鲍勃基安的新合成出发，从历史的总结即将指向我们怎么做才能做得更好。

The power circuit passes through the live pressure, the rectification, after the filter, after three end integration manostat 7805 output stable 5V DC voltage, takes program timer's main power source.

电源电路经变压，整流，滤波后经三端集成稳压器7805输出稳定的5V直流电压，作为程序控制器的主电源。

This paper therefore examines the development of "the folklore Pai-Chang of Peking opera aria in Tainan city" through literature review depth-interview oral history and participant observation The concept frame is culture organism as the vertical axle and elements of a folklore activity as the transverse axle There are several significant findings about the general picture of this subject: During the late period of Japanese colonial era Tainan local people who played Peguan music learned Peking opera aria and tried to bring Peking opera aria into the folklore Pai-Chang which was one kind performance and traditional custom of Peguan music Some people who came from other places and played Peking opera aria had also known or learned "Pai-Chang" with touching Tainan local amateurs "Pai-Chang" used to be performed by amateurs for worship of god or goddess or for seasoning and wedding celebration without rewards Amateurs volunteered to perform "Pai-Chang" only for their duty temples and fraternity of Peking opera aria The majority of the audience is people who perform or like "Pai-Chang" or who live nearby There is a fixed pattern of the performance including the repertoire and the arrangement of the band The main meaning of this performace is to pray God's blessings therefore the procedure of "Ban-Hsian" is the most essential and ahead of Peking opera aria singing With time goes by the number of the amateurs has dropped; yet the demand for the worship ceremony remains; hence some of the amateurs have been trained to become professional performers Besides although the idea and the meaning of "Pai-Chang" remains the pattern of the performance has become simplified and rigid which is because of the performers' number decreasing and market adapting Nowadays the whole ecosystem of the folklore Pai-Chang of Peking opera aria in Tainan city keep changing which is mainly influenced by the transition of the society(such as the time and space of the industrial and commercial society being compressed and most people's pursuing of specialization and utilitarianism etc ) According to the findings in this paper the phenomenon can be regarded as the subject matter both of Peking opera and folklore studies For the studies of the Taiwanese culture however the subject not only enriches the subject matters of the Taiwanese culture(signifies the localization of Peking opera and a new pattern of Taiwanese folklore) but also reflects the characters of diversification integration adaptation and compromise of Taiwanese culture which used to be influenced by different regimes and the historical contexts Facing such a multicultural context this paper thus suggests researchers should show an open-minded attitude toward the complex of the Taiwanese culture studies and then important phenomenon would not be ignored or misunderstood

代表了什麼意义？对於上述疑惑，查既有研究成果，不消没有论述者，具体提即「京调排场」现象的可说没有，基於此，有必要对台南市及其周边之民俗性京调排场，不管是语汇来由或者其现象本身，做一番研究。本研究透过文献、访谈、口述史、参与观察等方法，以文化有机体之纵的发展概念为经，以民俗表演之横切面各主客要素为纬，试图先对此文化现象调查并推论出一概貌：台南市民俗性京调排场的形成，是在京调传入台南，台南本地北管子弟改习或兼习京调后，结合北管音乐文化所固有的排场表演型态及民俗演出传统，融合而成，形成时间至迟在日治晚期。而一些不同时期的外来京调人士(如原本生长於其他地区、后移住台湾的票友，和中国大陆琴师等等)，也曾透过与当地子弟的接触，而习得或知晓「排场」语汇以及本地京调排场习俗者。此项音乐民俗表演在过往多由业余子弟於神诞或民众婚俗做寿时，对其有义务或交陪的庙宇及子弟间做酬酢性的演出，不收报酬；聆赏者多是京调同好与邻近民众，也有少数路过者；演出模式包括节目安排、乐队编制皆有一定；表演意涵上以「扮仙」祈求神明赐福人间最为重要，因此排仙必不可少，且一定先於京调演唱。随著时间推移，京调排场表演活动的各要素都有变动，惟变迁速度不一，大体而言，业余表演者锐减，人们对酬神娱神节目的需求仍在，因此一些过往的业余表演者遂逐渐转型为职业表演者。此外，虽然表演意涵不变，但在职业表演人员少、又要适应市场的情况下，表演模式亦逐渐流於简化、僵化。目前京调排场整体生态仍在转变的过程中，而这种变化应与工商社会时间空间的被压缩、事事追求专业化与尼Q化等因素有关。再者，据此概貌，在结论部分厘清其意义、定位以及其对台湾文化研究之启示。台南市及其周边之民俗性京调排场现象，可视为京剧研究与民俗研究的一环，然而对於台湾文化研究，除了其题材本身标志了京剧的本土化与台湾民俗活动之新类型，进一步扩充整体台湾文化研究的内容外，更重要的是现象背后所反映的台湾文化的多元融合与妥协适应取向。台湾的海岛地理位置与长期被不同文化背景政权所殖民的历史，其文化自然容易随社会环境改变而弹性适应变迁，呈现多元纷呈、多重覆叠的特色，因此展望未来，从事台湾文化研究应秉除单一观点，保持一定程度之开放与客观胸襟，方不忽视或误识更多重要的文化现象。

Through my photography "Adventure and Punctum in Taipei: Meandering between Reality and Illusion", I hope the readers will pick up their senses to feel a city where they live everyday again.

此外，藉由「奇遇E刺点E台北——摆荡在真实和虚幻之间」系列作品，让观者对於自己每天所处的生活环境的城市风景，在心灵中掀起一波波的涟漪与悸动。

This one mode pays close attention to network credence foundation of the businessman very much.

这一模式非常关注商人的网络信用基础。

Cell morphology of bacterial ghost of Pasteurella multocida was observed by scanning electron microscopy and inactivation ratio was estimated by CFU analysi.

扫描电镜观察多杀性巴氏杆菌细菌幽灵和菌落形成单位评价遗传灭活率。