查询词典 live music

This of course, their parents are deeply sorry, but Darin discovered filial piety of music not only to make himself feel comfortable, but also enable mothers beam with smiles; therefore his family's help, not only live after Darin 20-year-old, embarked on a music road .

其父母对此当然深感歉疚，但孝顺的Darin发现了音乐不但能使自己心情舒坦，更能使母亲笑逐颜开；于是在家人的协助下，Darin不但活过了廿岁，更走上了音乐路。

But he a person contract for the havings in the whole music creation process to live son and this kind of all-directions music cultivated manners seem to be precious.

但他一个人包揽整个音乐制作流程中的所有活儿，这种全方位的音乐素养就显得珍贵起来。

The Chieftains have always valued performing live and the claddagh is emblematic to the dedication and the love they have for traditional music, but to understand the history of The Chieftains is to let the music speak for itself...

Chieftains乐队总能够用珍贵的表演来表达他们对传统音乐的热爱和贡献，但是要理解他们的历史，还是让他们的音乐自己来述说吧。

One should not be a slave to "counting" at the expense of musical content; instead one should base one's rubatos and agogic accents on the live pulsation of the music, especially in slower music.

人们将不会辛勤努力地计算在音乐内含上所付出的代价；相反，人们将依据生动节奏的乐曲确定人们的自由节奏和延音重音，特别是在缓慢的乐曲里。

Analogue Electroacoustic Music refers simply to the means of production in the studio or in the performance of Live Electonic Music.

模拟式电声音乐的范围仅限于那些在工作室制作完成的，或者是在现场演出的电子式音乐。

This paper therefore examines the development of "the folklore Pai-Chang of Peking opera aria in Tainan city" through literature review depth-interview oral history and participant observation The concept frame is culture organism as the vertical axle and elements of a folklore activity as the transverse axle There are several significant findings about the general picture of this subject: During the late period of Japanese colonial era Tainan local people who played Peguan music learned Peking opera aria and tried to bring Peking opera aria into the folklore Pai-Chang which was one kind performance and traditional custom of Peguan music Some people who came from other places and played Peking opera aria had also known or learned "Pai-Chang" with touching Tainan local amateurs "Pai-Chang" used to be performed by amateurs for worship of god or goddess or for seasoning and wedding celebration without rewards Amateurs volunteered to perform "Pai-Chang" only for their duty temples and fraternity of Peking opera aria The majority of the audience is people who perform or like "Pai-Chang" or who live nearby There is a fixed pattern of the performance including the repertoire and the arrangement of the band The main meaning of this performace is to pray God's blessings therefore the procedure of "Ban-Hsian" is the most essential and ahead of Peking opera aria singing With time goes by the number of the amateurs has dropped; yet the demand for the worship ceremony remains; hence some of the amateurs have been trained to become professional performers Besides although the idea and the meaning of "Pai-Chang" remains the pattern of the performance has become simplified and rigid which is because of the performers' number decreasing and market adapting Nowadays the whole ecosystem of the folklore Pai-Chang of Peking opera aria in Tainan city keep changing which is mainly influenced by the transition of the society(such as the time and space of the industrial and commercial society being compressed and most people's pursuing of specialization and utilitarianism etc ) According to the findings in this paper the phenomenon can be regarded as the subject matter both of Peking opera and folklore studies For the studies of the Taiwanese culture however the subject not only enriches the subject matters of the Taiwanese culture(signifies the localization of Peking opera and a new pattern of Taiwanese folklore) but also reflects the characters of diversification integration adaptation and compromise of Taiwanese culture which used to be influenced by different regimes and the historical contexts Facing such a multicultural context this paper thus suggests researchers should show an open-minded attitude toward the complex of the Taiwanese culture studies and then important phenomenon would not be ignored or misunderstood

代表了什麼意义？对於上述疑惑，查既有研究成果，不消没有论述者，具体提即「京调排场」现象的可说没有，基於此，有必要对台南市及其周边之民俗性京调排场，不管是语汇来由或者其现象本身，做一番研究。本研究透过文献、访谈、口述史、参与观察等方法，以文化有机体之纵的发展概念为经，以民俗表演之横切面各主客要素为纬，试图先对此文化现象调查并推论出一概貌：台南市民俗性京调排场的形成，是在京调传入台南，台南本地北管子弟改习或兼习京调后，结合北管音乐文化所固有的排场表演型态及民俗演出传统，融合而成，形成时间至迟在日治晚期。而一些不同时期的外来京调人士(如原本生长於其他地区、后移住台湾的票友，和中国大陆琴师等等)，也曾透过与当地子弟的接触，而习得或知晓「排场」语汇以及本地京调排场习俗者。此项音乐民俗表演在过往多由业余子弟於神诞或民众婚俗做寿时，对其有义务或交陪的庙宇及子弟间做酬酢性的演出，不收报酬；聆赏者多是京调同好与邻近民众，也有少数路过者；演出模式包括节目安排、乐队编制皆有一定；表演意涵上以「扮仙」祈求神明赐福人间最为重要，因此排仙必不可少，且一定先於京调演唱。随著时间推移，京调排场表演活动的各要素都有变动，惟变迁速度不一，大体而言，业余表演者锐减，人们对酬神娱神节目的需求仍在，因此一些过往的业余表演者遂逐渐转型为职业表演者。此外，虽然表演意涵不变，但在职业表演人员少、又要适应市场的情况下，表演模式亦逐渐流於简化、僵化。目前京调排场整体生态仍在转变的过程中，而这种变化应与工商社会时间空间的被压缩、事事追求专业化与尼Q化等因素有关。再者，据此概貌，在结论部分厘清其意义、定位以及其对台湾文化研究之启示。台南市及其周边之民俗性京调排场现象，可视为京剧研究与民俗研究的一环，然而对於台湾文化研究，除了其题材本身标志了京剧的本土化与台湾民俗活动之新类型，进一步扩充整体台湾文化研究的内容外，更重要的是现象背后所反映的台湾文化的多元融合与妥协适应取向。台湾的海岛地理位置与长期被不同文化背景政权所殖民的历史，其文化自然容易随社会环境改变而弹性适应变迁，呈现多元纷呈、多重覆叠的特色，因此展望未来，从事台湾文化研究应秉除单一观点，保持一定程度之开放与客观胸襟，方不忽视或误识更多重要的文化现象。

For those aching for some live bluegrass, old-time, and country music, it simply doesn't get any more authentic than The Redbucks. Performing their down-home repertoire of American roots music for over a year, this ensemble of fiddle, banjo, mandolin, guitar, upright bass and sweet, soul-wilting harmonies has made them one of Beijing's most in-demand bands. To celebrate their first album, All that Glitters, The Redbucks will play a CD release show at Yugong Yishan on June 5th, and then embark on a tour across China in July. The Redbucks guarantee a stompin' good ole time!

对于那些渴望蓝草、old-time和乡村音乐现场的人来说，没有什么比The Redbucks更真实了他们表演根植于美国的南方音乐已经超过一年，由小提前、班卓琴、曼陀林、吉他、贝斯形成的甜美的、渗入灵魂的和弦音，使他们成为北京最受欢迎的乐队之一为了庆祝他们的首张专辑《All that Glitters》，The Redbucks将于6月5日在愚公移山上演专辑首发演出，并即将在今年七月开始中国巡演

It's main function is scheduling tv recording and watching live tv, but it can also playback a wide variety of media types across music, videos and photos. The application is made even more useful with a wide range of plugins available, providing features like weather, music jukeboxes, netflix etc

使用者除了能够通过它来对所想要录制的节目进行定时设定，还能够用它来收听广播、查询天气、播放音乐、播放影片、搜寻节目以及观看电视等，这些相当于未来的智能型数字电视的功能，现在都可以透过GB-PVR 来轻松办到。

Hi my name is Mike Myroniuk Im 23 yrs old and am an aspiring musician and a college student in Oakland County MI, I live in Shelby Twp MI and atten Oakland University (I also enclosed a photo of me and some friends which was taken after a music concert I am the guy to the very left) is it possible for you to send me the sheet music scores of 1900's madness # 2 and Danny's Blues...thank you if you need a picture of the town let me know as well Ill try to find a useful pic of the University if you would like, and if its not to much trouble to keep my email a secret just because of the viruses and spam that are currently being sent to me, this email system inst always 100% fool proof

原件译文：嗨，我的名字是 Mike Myroniuk，23岁。一个积极的音乐爱好者和美国MI奥克兰县的大学生。我住在 Shelby Twp MI 的atten Oakland 大学(我还附上了一张在一个音乐会之后我和一些朋友的照片，最左面的那个人是我)。如果可能请将海上钢琴师电影中的1900's madness # 2 (1900的第二支狂烈炫技曲)和 Danny's Blues。。。的曲谱发给我，谢谢。如果你还需要这个城镇的图片请告诉我，我会再去找一些这个大学的图片给你。如果方便请对我的电邮地址保密，因为现在病毒太多而且这电邮系统不能100%的防护自己

I was feeling so grateful that night, thanks to PWH and the media for giving "WanNianFengHuo" a chance of glam , thanks to Will for writing this fantastic song and I wish we will work together again, thanks to my recording label SONYBMG for risking their investment to let me try some alternative music, thanks to the producer-arranger NaiKong for creating this track and giving me freedom to improvise the song, thanks to my vocal teacher for making me singing this song LIVE… Finally I must thank my mum and dad that has been supporting me all the way anytime, anywhere, my brother and sisters, friends that doing music together, and also my loving and respected fans, Pinkies.

当晚，我真的感激，感谢娱协和所有媒体让&万年烽火&有个出头天的机会，感谢黄威尔写了这么棒的歌曲，希望我们可以再有合作的机会，感谢唱片公司SONYBMG让我冒险尝试这么另类的曲风，感谢这首歌的编曲兼制作人乃刚老师编了这么棒的音乐，也让我自由去发挥这首歌，然后要感谢我的声乐老师让我现场表现没有出丑。。。最后一定要感谢一路走来都没有放弃支持我的爸爸妈妈和兄弟姐妹们，一起做音乐的朋友，还有我最敬爱的歌迷们。。。

The split between the two groups can hardly be papered over.

这两个团体间的分歧难以掩饰。

This approach not only encourages a greater number of responses, but minimizes the likelihood of stale groupthink.

这种做法不仅鼓励了更多的反应，而且减少跟风的可能性。