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Therefore if thou shalt separate from thyself, that is, from thy understanding, whatever others do or say, and whatever thou hast done or said thyself, and whatever future things trouble thee because they may happen, and whatever in the body which envelops thee or in the breath, which is by nature associated with the body, is attached to thee independent of thy will, and whatever the external circumfluent vortex whirls round, so that the intellectual power exempt from the things of fate can live pure and free by itself, doing what is just and accepting what happens and saying the truth: if thou wilt separate, I say, from this ruling faculty the things which are attached to it by the impressions of sense, and the things of time to come and of time that is past, and wilt make thyself like Empedocles' sphere

因此，如果你是自己，也就是说使你的理智同这些事情分开－即不管别人做或说了什么，不管你自己做或说了什么，不管将来可能发生什么事情使你苦恼，不管在将你包裹的身体中，或者在天生与身体结合在一起的呼吸中，有什么东西违背你的意志而附着于你，不管那外部缠绕的事物旋涡是如何旋转，为了使免除了命运束缚的理智力自身能纯粹和自由地活动，那么去做正当的事，接受发生的事和诵出真理吧，我说，如果你使这种支配能力脱离开那些通过感官印象而附着于它的事物，脱离开那些未来的和过去的事物，你就将使自己像恩培多克勒的球体一样

Indeed, people with sub 150 IQ's should be put to death by needle, as similarly dicklexics be put to death by live firing (preferably by grenade-in-mouth and simultaneous defenestration from highest high-rise).

我们应该建立一个消灭所有SB的机制。

Returnd from Babylon by leave of Kings Thir Lords, whom God dispos'd, the house of God They first re-edifie, and for a while [ 350 ] In mean estate live moderate, till grown In wealth and multitude, factious they grow; But first among the Priests dissension springs, Men who attend the Altar, and should most Endeavour Peace: thir strife pollution brings [ 355 ] Upon the Temple it self: at last they seise The Scepter, and regard not Davids Sons, Then loose it to a stranger, that the true Anointed King Messiah might be born Barr'd of his right; yet at his Birth a Starr [ 360 ] Unseen before in Heav'n proclaims him com, And guides the Eastern Sages, who enquire His place, to offer Incense, Myrrh, and Gold; His place of birth a solemn Angel tells To simple Shepherds, keeping watch by night; [ 365 ] They gladly thither haste, and by a Quire Of squadrond Angels hear his Carol sung.

他们感动了神，得到列王主子的允许，从巴比伦回来重建神殿，暂时在粗陋的屋宇里将就住下，等到人财兴旺时，便党派之争纷起。首先在祭司们中间起了纷争，他们守护祭坛，理应致力于和平，他们却纷争，把圣殿玷污了。最后，他们竟不尊重大卫的子孙，夺取王杖，终落异邦人之手。真正君临的王弥赛亚诞生在王权旁落的时代；但他诞生时天上出现了一颗从未出现的奇星，宣布他的降临，引导东方的圣人前来奉献乳香、没药和黄金；一个庄严的天使告诉夜间看守羊群的纯朴牧人他的诞生地点，他们欣喜若狂地赶到那地方去，听到列队天使合唱的颂歌声。

Directed by famed director of Dora the Explorer and Blues Clues Live Gip Hoppe, the musical features choreography by Jenn Rapp, who is also serving as associate director; the scenic design is by Tony Award winner David Gallo; the costume design is by Broadway costume designer Mirena Rada; the lighting design is by Drama Desk winner Richard G.

这部音乐剧由吉伯·霍伯执导，简·利普担任编舞兼助理导演，戴维·加洛担任布景设计，米莱娜·拉达担任服装设计，理查德·琼斯担任灯光设计，克里斯朵夫·科诺林担任音效设计，麦克尔·科瑞担任卡通造型设计，飞翔特效设计由保罗·鲁宾担任。

Bieti lost its habitat continuously in recently decades associated with the extension of rangelands and farmlands, as well as firewood collection etc. The monkey live mainly in primary fir forest and the mixed conifer forest, to evaluate the status of the monkeys' habitat, we employed GIS and RS software to identify the habitat types with five Landsat TM/ETM+ satellite imagery in winter of 1986, 1992, 1997, 2001 and 2006 years respectively. The work resulted in: 1 the size of summer grazing lands, farmlands, and fir forest was 13 100 hm2, 6 400 hm2, and 30 500 hm2 in 2006 respectively; 2 during the past 20 years (1986-2006), the size of fir forest (including primary fir forest and the mixed conifer forest) decreased by 14.6%(5 200 hm2), summer grazing lands and farmlands increased by 47.2%(4 200 hm2) and 14.3％(800 hm2) respectively; and 3, during the past 20 years, the number of firry forest patches increased by 68.4%, the mean size of firry forest patches decreased by 49.3%(from 15.1 to7.6 hm2), the largest patch index of firry forest decreased 54.9%; the patch richness had no change, but the Shannon's diversity index and the Shannon's evenness index increased by 2.7% respectively.

为了评估该物种的栖息地现状和变化情况，我们通过野外调查工作，应用GIS和RS技术，分别解译了1986年、1992年、1997年、2001年和2006年的Landsat TM/ETM+冬季卫星影像，并对解译结果进行了计算和分析，得到了以下西藏种群栖息地的主要结果：1）现有暗针叶林（包括原始针叶林和针阔混交林）面积是30 500 hm2，夏季牧场面积是13 100 hm2，农田面积是6 400 hm2；2）在过去20年间（1986-2006年），暗针叶林面积减少了14.6％（5 200 hm2），夏季牧场面积增加了47.2％（4 200 hm2），农田面积增加了14.3％（800 hm2）；3）在过去20年间，暗针叶林的斑块数量增加了68.4％，平均斑块面积下降了49.3％（从1986年的15.1 hm2下降到2006年的7.6 hm2），最大的斑块指数下降了54.9％；景观丰富度并没有变化，但Shannon多样性指数和Shannon均匀度指数分别增加了2.7％。

This paper therefore examines the development of "the folklore Pai-Chang of Peking opera aria in Tainan city" through literature review depth-interview oral history and participant observation The concept frame is culture organism as the vertical axle and elements of a folklore activity as the transverse axle There are several significant findings about the general picture of this subject: During the late period of Japanese colonial era Tainan local people who played Peguan music learned Peking opera aria and tried to bring Peking opera aria into the folklore Pai-Chang which was one kind performance and traditional custom of Peguan music Some people who came from other places and played Peking opera aria had also known or learned "Pai-Chang" with touching Tainan local amateurs "Pai-Chang" used to be performed by amateurs for worship of god or goddess or for seasoning and wedding celebration without rewards Amateurs volunteered to perform "Pai-Chang" only for their duty temples and fraternity of Peking opera aria The majority of the audience is people who perform or like "Pai-Chang" or who live nearby There is a fixed pattern of the performance including the repertoire and the arrangement of the band The main meaning of this performace is to pray God's blessings therefore the procedure of "Ban-Hsian" is the most essential and ahead of Peking opera aria singing With time goes by the number of the amateurs has dropped; yet the demand for the worship ceremony remains; hence some of the amateurs have been trained to become professional performers Besides although the idea and the meaning of "Pai-Chang" remains the pattern of the performance has become simplified and rigid which is because of the performers' number decreasing and market adapting Nowadays the whole ecosystem of the folklore Pai-Chang of Peking opera aria in Tainan city keep changing which is mainly influenced by the transition of the society(such as the time and space of the industrial and commercial society being compressed and most people's pursuing of specialization and utilitarianism etc ) According to the findings in this paper the phenomenon can be regarded as the subject matter both of Peking opera and folklore studies For the studies of the Taiwanese culture however the subject not only enriches the subject matters of the Taiwanese culture(signifies the localization of Peking opera and a new pattern of Taiwanese folklore) but also reflects the characters of diversification integration adaptation and compromise of Taiwanese culture which used to be influenced by different regimes and the historical contexts Facing such a multicultural context this paper thus suggests researchers should show an open-minded attitude toward the complex of the Taiwanese culture studies and then important phenomenon would not be ignored or misunderstood

代表了什麼意义？对於上述疑惑，查既有研究成果，不消没有论述者，具体提即「京调排场」现象的可说没有，基於此，有必要对台南市及其周边之民俗性京调排场，不管是语汇来由或者其现象本身，做一番研究。本研究透过文献、访谈、口述史、参与观察等方法，以文化有机体之纵的发展概念为经，以民俗表演之横切面各主客要素为纬，试图先对此文化现象调查并推论出一概貌：台南市民俗性京调排场的形成，是在京调传入台南，台南本地北管子弟改习或兼习京调后，结合北管音乐文化所固有的排场表演型态及民俗演出传统，融合而成，形成时间至迟在日治晚期。而一些不同时期的外来京调人士(如原本生长於其他地区、后移住台湾的票友，和中国大陆琴师等等)，也曾透过与当地子弟的接触，而习得或知晓「排场」语汇以及本地京调排场习俗者。此项音乐民俗表演在过往多由业余子弟於神诞或民众婚俗做寿时，对其有义务或交陪的庙宇及子弟间做酬酢性的演出，不收报酬；聆赏者多是京调同好与邻近民众，也有少数路过者；演出模式包括节目安排、乐队编制皆有一定；表演意涵上以「扮仙」祈求神明赐福人间最为重要，因此排仙必不可少，且一定先於京调演唱。随著时间推移，京调排场表演活动的各要素都有变动，惟变迁速度不一，大体而言，业余表演者锐减，人们对酬神娱神节目的需求仍在，因此一些过往的业余表演者遂逐渐转型为职业表演者。此外，虽然表演意涵不变，但在职业表演人员少、又要适应市场的情况下，表演模式亦逐渐流於简化、僵化。目前京调排场整体生态仍在转变的过程中，而这种变化应与工商社会时间空间的被压缩、事事追求专业化与尼Q化等因素有关。再者，据此概貌，在结论部分厘清其意义、定位以及其对台湾文化研究之启示。台南市及其周边之民俗性京调排场现象，可视为京剧研究与民俗研究的一环，然而对於台湾文化研究，除了其题材本身标志了京剧的本土化与台湾民俗活动之新类型，进一步扩充整体台湾文化研究的内容外，更重要的是现象背后所反映的台湾文化的多元融合与妥协适应取向。台湾的海岛地理位置与长期被不同文化背景政权所殖民的历史，其文化自然容易随社会环境改变而弹性适应变迁，呈现多元纷呈、多重覆叠的特色，因此展望未来，从事台湾文化研究应秉除单一观点，保持一定程度之开放与客观胸襟，方不忽视或误识更多重要的文化现象。

Doubt not but that sin [ 285 ] Will reign among them, as of thee begot; And therefore was Law given them to evince Thir natural pravitie, by stirring up Sin against Law to fight; that when they see Law can discover sin, but not remove, [ 290 ] Save by those shadowie expiations weak, The bloud of Bulls and Goats, they may conclude Some bloud more precious must be paid for Man, Just for unjust, that in such righteousness To them by Faith imputed, they may finde [ 295 ] Justification towards God, and peace Of Conscience, which the Law by Ceremonies Cannot appease, nor Man the moral part Perform, and not performing cannot live.

因此把法律颁发给他们，用以显示他们本质的腐败堕落，鼓动罪恶向法律开战，以便使他们明白法能揭露罪恶而不能取消，虽有像征性的微薄祭物，公牛和山羊的血，也无法赎罪，必须用更贵重的血用公正来为不公正来为人类付出代价。就是说通过信仰归还他们正义，在神前有正确的认识和平安的良心；法律不能用仪式来抚慰良心，人也不能靠实行法律的道德部分而活，法律道德不能实行就不能活。

For the structure stress condition, the dead load is born mainly by continuous rigid-frame, and the live load is born by both the arch rib and the main beam, the force separately bora by the arch rib and the main beam is influenced by the whole rigidity of beam and arch, and by areas of flexible hanger rod, the structure perforce is no longer same with the common beam and arch, and the inner force analysis progress is more complex to the common bridge system, especially, the multi-direction stress analysis to the combination area of pier、 arch and beam is very difficult, for such reasons, so it is very necessary and important to have stress performance analysis in the combination area of pier、 arch and beam.

从结构受力情况来看，梁体自重主要由连续刚构承受，活载由拱肋与主梁二者共同承受，各自承受力的大小受梁、拱相互整体刚度、柔性吊杆面积的大小影响，结构性能已不同于一般的拱与梁，结构内力分析的过程较一般桥梁体系较为复杂，特别是墩、拱、梁结合处的多向受力状况的分析难度更大，所以对该桥式结构，墩、拱、梁结合部的结构受力特性进行进一步地理论分析测验研究也就显得十分必要和迫切了。

Most of the historical information on necromancy is so heavily steeped in the christain religion that such "staples" of the craft like The Black Arts by Richard Cavendish and The Grand Grimoire by AE Waite, the Malleus Maleficarum and anything by Eliphas Levi, while fun reading as a teenager, are no longer a viable nor accurate view of necromancy in today's world where many belief pantheons overlap to create the multi-cultural society we live in. The world is a big, diverse place no longer bounded by the harsh constraints that produced these types of fear-inspired texts.

大部分的历史资料，对necromancy是如此沉重沉浸在基督教宗教说，这样的&主食&的工艺品，如黑色艺术，由Richard卡文迪什和宏伟格利摩尔由美国运通waite ，槌马勒夫卡拉姆，而且什么问题，由eliphas利维，而阅读的乐趣作为一名少年，不再是一个可行的，也没有准确的看法necromancy在今天的世界上，有许多信仰pantheons重叠，创造多元文化的社会，我们住的这个世界是一个很大的，多样化的地方，不再有界，由严苛的限制，制作这些类型的恐惧创作灵感的文本内容一致。

Overwhelmed by her parents relationship; by the existing conflict between her wishes and the society she has to live in; by love; by lack of love; by the disconnections…One dawn, she returns from a party to Villa Mercedes, driving at almost 60 m/h, with her boy friend Federico, two friends, and lots of alcohol in their veins.

父母的关系，梦想与现实社会的冲突，情感的隔断与爱情的缺席，让她无所适从……一天清晨，刚刚是破晓时分，芭芭拉从一个派对回来，和她的男朋友费德瑞克及另外两个朋友驱车赶往梅塞德斯别墅，她以一小时六十英里的速度狂飙于风中，血液里流淌着亢奋的酒精。

Finally, according to market conditions and market products this article paper analyzes the trends in the development of camera technology, and designs a color night vision camera.

最后根据市场情况和市面上产品的情况分析了摄像机技术的发展趋势，并设计了一款彩色夜视摄像机。

Only person height weeds and the fierce looks stone idles were there.

只有半人深的荒草和龇牙咧嘴的神像。