查询词典 live axle

Its major products include rigid axle, steering axle, tem axle tridem axles used for varies of wheeled vehicles.

公司主要产品包括各种轮式车辆用刚性桥、转向桥、贯通桥和三联桥。

Firstly, this paper discusses the development actuality of the research on double-front axle steering system and power-train of automobile. Based on the structure of the design experiences from others, the kinematics formula of double-front axle steering system is fetched, and the mathematical model of optimization design of double rocking arms mechanism and steering trapezium mechanism is established by space geometry method. Considering the difference between the real steering angle from wheels and the ideal steering angle from the ideal formula as the objective function, the optimization design method of double-front axle steering system is presented.

本文首先论述了国内外对汽车双前桥转向系统和动力传动系统研究的发展状况，在总结前人研究设计经验的基础上推导出汽车双前桥转向系统运动学关系，运用空间几何法建立了双前桥双摇臂机构及转向梯形机构优化的数学模型，以转向轮实际转角值与理想公式求出的理想转角值之间的误差达到最小为目标函数，提出了双前桥转向系统参数的优化设计方法。

Its major products include rigid axle, steering axle, tandem axle and tridem axles used for varies of wheeled vehicles.

公司主要产品包括各种轮式车辆用刚性桥、转向桥、贯通桥和三联桥。

If you want to live at will, you can only live commonly; if you want to live resplendently, you can only live paintfully;if you want to live long, you can only live simply........

你要活得随意，你就只能活得平凡；你要活得辉煌，你就只能活得痛苦；你要活得长久，你就只能活得简单

Do you still remember,how we used to be Feeling together, believe in whatever My love has said to me Both of us were dreamers Young love in the sun Felt like my Saviour, my spirit I gave you We'd only just begun Hasta, my young girl Always be mine Viva forever, I'll be waiting Everlasting, like the sun Live Forever, for the moment Ever searching for the word Yes I still remember, every whispered word The touch of your skin, giving life from within Like a love song that I'd heard Slipping through your fingers, like the sands of time Promises made, every memory saved Has reflections in my mind Hasta, my young girl Always be mine Viva forever,I'll be waiting Everlasting, like the sun Live Forever, for the moment Ever searching for the word But we're alone now, was it just a dream Feelings untold, they will never be sold And the secret's safe with me Hasta my young girl, Always be mine Viva forever, I'll be waiting Everlasting, like the sun Live Forever,for the moment Ever searching for the word Viva forever, I'll be waiting Everlasting, like the sun Live Forever,for the moment Ever searching for the word Viva forever, I'll be waiting Everlasting, like the sun Live Forever,for the moment Ever searching for the word Viva forever, I'll be waiting Everlasting, like the sun Live Forever,for the moment Ever searching for the word

你仍然记得吗，我们过去一直是的方式一起感觉，相信任何的我的爱已经对我说我们两个都是做梦的人年轻的爱在太阳下感觉像我的救星，我的精神我给予了你我们才开始 Hasta，我的年轻女孩总是我的万岁的欢呼永远地，我将等候永恒的，像太阳永远地住，对于片刻曾经搜索对于字是的我仍然记得，每一耳语字你的皮肤的触觉，提供生活从在喜欢情歌我有听到滑倒过你的手指，像时间的沙子承诺制造，解救的每记忆有我的思想的反映 Hasta，我的年轻女孩总是我的万岁的欢呼永远地，我将等候永恒的，像太阳永远地住，对于片刻曾经搜索对于字但是我们现在很孤独，它只是一个梦感觉不告诉，他们将会无法被卖而且秘密的保险箱由于我 Hasta 我的年轻女孩，总是我的万岁的欢呼永远地，我将等候永恒的，像太阳永远地住，对于片刻曾经搜索对于字万岁的欢呼永远地，我将等候永恒的，像太阳永远地住，对于片刻曾经搜索对于字万岁的欢呼永远地，我将等候永恒的，像太阳永远地住，对于片刻曾经搜索对于字万岁的欢呼永远地，我将等候永恒的，像太阳永远地住，对于片刻曾经搜索对于字

The process of burning .live coals; tossd a live cigarette out the window; got a shock from a live wire; live ore is unmined ore; a live bomb; a live ball is one in play.

燃烧着的煤；把一根燃烧的香烟扔出窗外；被有电的电线打了一下；天然矿石就是没有开采的矿石；装有炸药的炸弹；活球就是正在打的球。

To charge with dynamite .The process of burning .live coals; tossd a live cigarette out the window; got a shock from a live wire; live ore is unmined ore; a live bomb; a live ball is one in play.

燃烧着的煤；把一根燃烧的香烟扔出窗外；被有电的电线打了一下；天然矿石就是没有开采的矿石；装有炸药的炸弹；活球就是正在打的球。

Live coals; tossd a live cigarette out the window; got a shock from a live wire; live ore is unmined ore; a live bomb; a live ball is one in play.

燃烧着的煤；把一根燃烧的香烟扔出窗外；被有电的电线打了一下；天然矿石就是没有开采的矿石；装有炸药的炸弹；活球就是正在打的球。

This paper therefore examines the development of "the folklore Pai-Chang of Peking opera aria in Tainan city" through literature review depth-interview oral history and participant observation The concept frame is culture organism as the vertical axle and elements of a folklore activity as the transverse axle There are several significant findings about the general picture of this subject: During the late period of Japanese colonial era Tainan local people who played Peguan music learned Peking opera aria and tried to bring Peking opera aria into the folklore Pai-Chang which was one kind performance and traditional custom of Peguan music Some people who came from other places and played Peking opera aria had also known or learned "Pai-Chang" with touching Tainan local amateurs "Pai-Chang" used to be performed by amateurs for worship of god or goddess or for seasoning and wedding celebration without rewards Amateurs volunteered to perform "Pai-Chang" only for their duty temples and fraternity of Peking opera aria The majority of the audience is people who perform or like "Pai-Chang" or who live nearby There is a fixed pattern of the performance including the repertoire and the arrangement of the band The main meaning of this performace is to pray God's blessings therefore the procedure of "Ban-Hsian" is the most essential and ahead of Peking opera aria singing With time goes by the number of the amateurs has dropped; yet the demand for the worship ceremony remains; hence some of the amateurs have been trained to become professional performers Besides although the idea and the meaning of "Pai-Chang" remains the pattern of the performance has become simplified and rigid which is because of the performers' number decreasing and market adapting Nowadays the whole ecosystem of the folklore Pai-Chang of Peking opera aria in Tainan city keep changing which is mainly influenced by the transition of the society(such as the time and space of the industrial and commercial society being compressed and most people's pursuing of specialization and utilitarianism etc ) According to the findings in this paper the phenomenon can be regarded as the subject matter both of Peking opera and folklore studies For the studies of the Taiwanese culture however the subject not only enriches the subject matters of the Taiwanese culture(signifies the localization of Peking opera and a new pattern of Taiwanese folklore) but also reflects the characters of diversification integration adaptation and compromise of Taiwanese culture which used to be influenced by different regimes and the historical contexts Facing such a multicultural context this paper thus suggests researchers should show an open-minded attitude toward the complex of the Taiwanese culture studies and then important phenomenon would not be ignored or misunderstood

代表了什麼意义？对於上述疑惑，查既有研究成果，不消没有论述者，具体提即「京调排场」现象的可说没有，基於此，有必要对台南市及其周边之民俗性京调排场，不管是语汇来由或者其现象本身，做一番研究。本研究透过文献、访谈、口述史、参与观察等方法，以文化有机体之纵的发展概念为经，以民俗表演之横切面各主客要素为纬，试图先对此文化现象调查并推论出一概貌：台南市民俗性京调排场的形成，是在京调传入台南，台南本地北管子弟改习或兼习京调后，结合北管音乐文化所固有的排场表演型态及民俗演出传统，融合而成，形成时间至迟在日治晚期。而一些不同时期的外来京调人士(如原本生长於其他地区、后移住台湾的票友，和中国大陆琴师等等)，也曾透过与当地子弟的接触，而习得或知晓「排场」语汇以及本地京调排场习俗者。此项音乐民俗表演在过往多由业余子弟於神诞或民众婚俗做寿时，对其有义务或交陪的庙宇及子弟间做酬酢性的演出，不收报酬；聆赏者多是京调同好与邻近民众，也有少数路过者；演出模式包括节目安排、乐队编制皆有一定；表演意涵上以「扮仙」祈求神明赐福人间最为重要，因此排仙必不可少，且一定先於京调演唱。随著时间推移，京调排场表演活动的各要素都有变动，惟变迁速度不一，大体而言，业余表演者锐减，人们对酬神娱神节目的需求仍在，因此一些过往的业余表演者遂逐渐转型为职业表演者。此外，虽然表演意涵不变，但在职业表演人员少、又要适应市场的情况下，表演模式亦逐渐流於简化、僵化。目前京调排场整体生态仍在转变的过程中，而这种变化应与工商社会时间空间的被压缩、事事追求专业化与尼Q化等因素有关。再者，据此概貌，在结论部分厘清其意义、定位以及其对台湾文化研究之启示。台南市及其周边之民俗性京调排场现象，可视为京剧研究与民俗研究的一环，然而对於台湾文化研究，除了其题材本身标志了京剧的本土化与台湾民俗活动之新类型，进一步扩充整体台湾文化研究的内容外，更重要的是现象背后所反映的台湾文化的多元融合与妥协适应取向。台湾的海岛地理位置与长期被不同文化背景政权所殖民的历史，其文化自然容易随社会环境改变而弹性适应变迁，呈现多元纷呈、多重覆叠的特色，因此展望未来，从事台湾文化研究应秉除单一观点，保持一定程度之开放与客观胸襟，方不忽视或误识更多重要的文化现象。

There are two Basic types of axle: dead axles and live axle.

车桥有两种基本形式：非断开式和断开式。

The work of this paper is as follows: 1. Looking back the progressing history of the linear motor, introducing the features of the elevator driven by linear induction motor, radicating the topic of this paper "the digital frequency variable control of the elevator bi-side direct driven by linear induction motor". The research of this paper covers the conventional VVVF control, space vector based VVVF control, vector control and DTC.

本文主要开展了以下几个方面的工作： 1 回顾了直线电机发展历史，电机的驱动技术演变，特别是针对直线电机的驱动，简要介绍了直线感应电机驱动电梯的优点和不同结构类型，对传统的v／f控制，基于空间矢量法的v／f控制，矢量控制，和基于电压空间矢量的直接转矩控制进行了比较，确立了本课题的研究主题：直线感应电机双边直推式驱动电梯的全数字变频控制。

The article combines with the treatment of a superficial civil air defense work to introduce how the grouting method to improve the performance of the backfill soil.

文章从治理漂浮人防工事的角度提出了注浆技术在改善回填土性质方面的应用，并详细阐述了注浆技术的施工流程。