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On Feburary 12, hou Xiaojiang of royal literature CEO is in " new capital signs up for " publish " network literature is mainstream literature after all " one article, offer a point of view, Belletristic from only then coming is a bogus concept at all eventually, the literature that is agreed with by the reader just is the mainstream.

2月12日，盛大文学CEO侯小强在《新京报》发表《网络文学到底是不是主流文学》一文，提出一个观点，&纯文学从始至终根本就是个伪概念，被读者认同的文学才是主流。&

Depending on this, we concluded the difference of Zeitgeist between mid ages and pre-modern literature on merchant spirit: either the dominant idea of the mid ages poetry is "powerful commerce leads to underdeveloped farming", or the idea that focuses on "mutual benefits" based on court and local policy; but the beginning of pre-modern literature----- the agreement between scholar-bureaucrats and merchants comes from lightheartedness, joy, sentimental expression and lyrical description expressed by middle period of Ming merchant poetry that deeply reflected the citizenly cultural spirits. Contrast to the poetry on merchant of middle literature, this is the ultimate transformation, showed the mostly characteristic of pre-modern literature priorly .

以此为界说，可以归纳出中世、近世涉及商贾诗歌的不同的时代精神：中世时期的诗歌或以&贾雄则农伤&为其主导思想，或主要着眼于朝廷与地方政策的层面张扬&农商兼利&的思想；而近世文学的起点———明中叶涉及商贾的诗歌往往在自由自在、安享快乐及张扬情欲、舒展性灵等方面有士商心灵的契合，在深层次上反映了市民文化精神，相对于中世涉及商贾的诗歌有根本性的转变，较早地显示出近世文学的主要特征。

Wang Meng ever had done affirmative sex to evaluate to network literature, in China modern literature house attended literature of a network to award prize 2005 when the activity, he ever said humorously, The work of as coetaneous as oneself writer, have more sense of responsibility, pretend to be profound even sometimes, and the writing attitude of network literature is loosened quite, comfortable, have the free feeling on a kind of spirit.

王蒙曾对网络文学做过肯定性评价，2005年在中国现代文学馆参加一项网络文学颁奖活动时，他曾幽默地说，与自己同时代作家的作品，具有更多的责任感，有时甚至故作高深，而网络文学的写作姿态比较放松、自在，有一种精神上的自由感。

Therefore, the Speech on the Colloquia of the Literature in Yan'an is an embodiment ofMao Zedong thoughts on literature, also, it is a summarization of the experiences of the revolutionary literature in the country revolutionary base among the boarders of Hunan, Hubei and Jiangxi Provinces, and it is the collective wisdom of the pioneering members of the CPC in their revolutionary literature work.

所以，以《延安文艺座谈会上的讲话》为标志性成果的毛泽东文艺思想，既是毛泽东对湘鄂赣革命根据地中革命文艺经验的总结，也是中国共产党人尤其是早期中国共产党人在革命文艺工作上的集体智慧的结晶。

To notice the problem must treat three important contestation points:the literature inheritance,relations of politics and literature and Realism.Concerning this it is thus clear that the evolution of research methods and academic words,this provide to the angle of view,for the combine of Marxist of Chinese ancient literature theory and Naturalization of Marxist Literature...

在探讨这一问题时，要注意对待文学遗产、政治与文学关系、关于现实主义三个论争要点，从中可见研究方法与学术话语的演进，这就为中国古代文学思想马克思主义化和马克思主义文艺理论中国化相结合，并建立有中国特色的当代文学学体系提供了研究视角。

Contemporary Literature and Culture lacking depth situation is the lack of a deep sense of remorse and repentance, The purpose of this paper is basis on analysising Lu Xun and Ba Jin' sense of remorse and regret, which Enlight the current literature and culture. Our literature culture needs to repent, but should not limited to repentance, we have to over through it, Perhaps, we will make our literature and cultural development board to a new level.

当代文学与文化缺乏深度的现状之一就是缺乏深刻的忏悔和忏悔意识，本文的目的就是要在鲁迅和巴金忏悔和忏悔意识的解析的基础上，对于当下文学和文化的现状予以一定的启示：我们需要、我们的文学与文化在忏悔这方面也应该进一步深入下去，不能局限于忏悔，我们要穿越忏悔，进一步丰富和发展我们文学与文化中的忏悔意识。

The "alternation between the texts"between works of literature and tradition of literature,the The "alternation between the subjects"have meaning generativeness,works of literature and subjects of literature do not have the whole meaning because of themselves,t...

文学作品与文学传统之间的&文本间交互性&，文学主体与文学传统之间的&主体间交互性&具有意义生成性，文学作品或文学主体并不以其自身而拥有全部意义，其意义在很大程度上需要到与文学传统之间的交互关系中去界定。

Literature as a structure of language, as a system of norms, as a social institution, these important theories reveal the modes of existence of literary work of art from the microperspective to the macroperspective systematically. We should understand literature in a system of culture and value, the ontological situs of literature is both autonomous structure of language and heteronomous system of norms, literature is a social institution in a culture-value system.

导入时间之维和&规范&这一价值概念，目的表明，单个文学艺术作品在拥有自身独特的结构方式的同时，又属于某种文学传统，一种文学的&规范系统&，正是这些文学规范或约定俗成的文学惯例，决定了什么是文学作品，并以此构成文学作品存在的&他律性&特征。

But only affected by the complexity of "May 4th Movement" revolution in literature background and Europe and America literature theory,Zheng Zhen Duo has accepted some romantism literature theory at the same time,therefore his realism and the romantism literature thoughts are confounded with his realism is affected by emotion romantic-rization, just a little bit similar as the "sad source realism " in 18 century of Jean Jacques Rousseau.

由于五四文学革命背景的复杂性和欧美文学理论的影响，郑振铎同时又接受了一些浪漫主义文学观，所以其写实主义与浪漫主义的文学思想是混杂在一起的，其写实主义文学观被情感浪漫化，有点类似18世纪滥觞于卢梭的&感伤写实主义&。

In this paper,with the three kinds modernities insight,which called "perceptual modernity","enlightening modernity "and "appreciation of the beauty modernity ",I have entered the main body of Zheng Zhen Duo's literature thoughts during the "May 4th Movement",and the paper has chosen some cultural thoughts affected comparatively deeply phase to the cultural circles for the "May 4th Movement,such as "humanitarianisms"," science","romantism" and "classicism",to observe and inspect what is Zheng Zhen Duo's literature thought in that society trend of his thoughts,and pay attention the impact of sinuous relation over Zheng Zhen Duo literature thought,go a step further between paying attention to them on this basis studying and thinking "May 4th Movement literature phenomenon deeply.

本文从感性现代性、启蒙现代性和审美现代性三种现代性的视角进入五四时期郑振铎文学思想的研究，选取了五四时期对文化界影响比较大的人道主义、科学主义、浪漫主义和古典主义四种社会思潮来观照和考察郑振铎的文学思想，并注意它们之间错综复杂的关系对郑振铎文学思想的影响，在这个基础上进一步研究和思考五四文学现象。

I am accused of being overreligious," she said in her quiet, frank manner,"but that does not prevent me thinking the children very cruel who obstinately commit such suicide.""

客人们在卡罗利娜·埃凯家里，举止就文雅一些，因为卡罗利娜的母亲治家很严厉。

Designed by French fashion house Herm è s, this elegant uniform was manufactured in our home, Hong Kong, and was the first without a hat.

由著名品牌 Herm è s 设计，这件高贵的制服是香港本土制造，是我们第一套不配帽子的制服。