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This dissertation, based on social psychology, literature psychology, and depth psychology, and combined with aesthetics of psychology, literature humanics, focuses on explaining the causes of the creation of William Faulkner's fiction, its implied meaning and its inner mechanism in the sense of psychology, on discussing the mode of creation in the sense of aesthetics and on opening out the secret of his highly successful creation, so that a new point of view can be adopted to better understand Faulkner and his fiction.

本文从社会心理学、文学心理学和精神分析学入手，结合心理美学、文学人类学和文艺发生学，对福克纳小说创作的发生、其隐含形式和内在机制进行心理上的跟踪，对其创作模式进行美学上的探讨，对其作品取得巨大成功的堂奥进行文化上的揭示，从而为更好地理解福克纳、更准确地解读其文本提供一个新的视角和参照。

This dissertation, based on social psychology, literature psychology, and depth psychology, and combined with aesthetics of psychology, literature humanics, focuses on explaining the causes of the creation of William Faulkners fiction, its implied meaning and its inner mechanism in the sense of psychology, on discussing the mode of creation in the sense of aesthetics and on opening out the secret of his highly successful creation, so that a new point of view can be adopted to better understand Faulkner and his fiction.

本文从社会心理学、文学心理学和精神分析学入手，结合心理美学、文学人类学和文艺发生学，对福克纳小说创作的发生、其隐含形式和内在机制进行心理上的跟踪，对其创作模式进行美学上的探讨，对其作品取得巨大成功的堂奥进行文化上的揭示，从而为更好地理解福克纳、更准确地解读其文本提供一个新的视角和参照。

The aim of this research is to understand the historical background in Kohminka movement and its process of the related policy. From the record of literature during Kohminka Period, the despondence and attitude about Kohminka policy will be explored in literature and that will show the authentic relationship more between them. Furthermore, the truth of history will be constructed on objective and subjective aspects.

摘要 本研究的目的，旨在了解皇民化运动的历史背景及其政策的施行过程，从文学作品对於皇民化时期的纪录，了解当时文学作品对皇民化政策的回应及态度，并探究皇民化政策与文学作品之间的辩证关系，以客观面与主观面建构历史的真相。

The term "intertextuality" was first coined by Julia Kristeva in 1967, based on Bakhtin"s theory of "dialogism" and "polyphony, hi a narrow sense, it indicates that literature is created from literature.

"互文性"这一术语最早是由法国文学批评家和女权主义者朱丽娅·克丽斯蒂娃根据巴赫金的"对话性"和"复调"理论推演而来的。

As an important branch in the world literature, the Chinese diaspora literature will experience up and down development.

新移民文学作为一种飞散的文学，在这些问题上有着突出的文化表征。

This paper analyses the tension between the self-discipline and disci- pline of the Chinese literature at the meeting of centuries,and reveals the contradic- tion motion between them in hope of offering some helpful inward references to the Chinese contemporary literature.

世纪之交的中国文学始终在多重矛盾的共同扭缠下不断改塑着自身的表现形态和运行轨迹，其中自律性与他律性之间的张力是不容忽视的。

The poem phrase painting participate the formation of the park thing elephant view;Poem phrase painting to the body of park artistic conception now;The poem phrase painting openned widely content and outside of park artistic conception to postpone;Manifestation the region the scenery can't mean of person, thing or cordiality;The poem phrase, horizontal tablet, scrolls...etc. in the park literature delineate to exaggerate artistic conception;Poem phrase, horizontal tablet, scrolls, painting in the timespace idea the top the park art of artistic conception and park literature of mutually and dissimilitude;The park art establish the material entity of material painting to compare with poem phrase, on the form view more elephant,on the establish of artistic conception more of thorough;The expression of artistic conception of the park art painting to compare with poem phrase, on the timespace more direct, thorough.

诗词绘画参与园林物象景观的形成；诗词绘画对园林意境的体现；诗词绘画拓宽了园林意境的内涵和外延；显示当地景物所不能表示的人、物或情意；园林文学中的诗词、匾额、对联等勾勒渲染意境；在时空观念上园林艺术的意境和园林文学中诗词、匾额、对联、绘画的相通和相异；园林艺术的创设素材的物质实体性较诗词绘画在表观上更具象、在意境的创设上更加的深入；在时空上园林艺术意境的表达较诗词绘画更直接、深入。

This article chooses the most prevailing authors as object from France, Britain, Germany, and Russia, including Jean-Jacques Rousseau, the Sentimentalism in Britain, William Wordsworth, Thomas Hardy,"The Yellow Book" Writers＆Ernest Dowson, Johann Wolfgang von Goethe, the Romanticism in Germany, Theodor Storm, Rudolph lindau, Ivan Sergeyevich Turgenev. In order to expound content arising and influence from European literature, this article demonstrates Yu Da-fu's preference to them, the factual relationship between Yu Da-fu and their productions, the choosing and accepting for their creativity style, the representation of sentiment in his creativity, and the guidance to his aesthetics and creativity from European authors and creations……Meanwhile, it is indicated that Yu Da-fu's sentiment is not simply duplication of European literature, but had its unique characters.

对郁达夫创作的感伤风格构成影响的欧洲作家有很多，本文着重选取最为明显的四国——法国、英国、德国与俄国的一些代表性作家作为论述对象，包括卢梭、英国感伤主义、华兹华斯、哈代、"黄面志"作家群及道森、歌德、德国浪漫派、施笃姆、林道、屠格涅夫，论证了郁达夫对他们的偏爱，郁达夫与他们的作品之间发生的事实联系，郁达夫对他们的创作风格的选择和接受，郁达夫的感伤风格在创作中的表现，欧洲作家作品如何指引郁达夫的审美与创作……由此得出本文的主要结论：郁达夫创作的感伤风格深受欧洲文学的影响。

This paper, through the analysis of The Dream Of Red Mansion from the linguistic angle,draws three inspirations from it:1,literature is the art of language and language is the fundament of literature;2,language must be the carrier of active imagination and vivid dcscription and a variety of expression which is thc basic princip1c of art;and 3,language which is impetuous in reality has to find its home,its destination...

《红楼梦》的艺术特色并不乏例证，从语言的角度对《红楼梦》的分析中，得到了三个启示，一是文学是语言的艺术，语言是文学艺术的生命，二是语言必须是想象飞腾，刻镂有形的载体，语言表达形式的多样性和丰富性是成为艺术源泉的基本要求，三是语言在现实的表现是浮燥，必须在不朽的名著中寻找归宿和真谛。

The famous classical literature Dream of the red chamber is one of the most distinguished novels in the history of Chinese literature.

古典文学名著《红楼梦》是中国文学史上难得一见的奇书，也是世界文学宝库中的稀世瑰宝。

Finally, according to market conditions and market products this article paper analyzes the trends in the development of camera technology, and designs a color night vision camera.

最后根据市场情况和市面上产品的情况分析了摄像机技术的发展趋势，并设计了一款彩色夜视摄像机。

Only person height weeds and the fierce looks stone idles were there.

只有半人深的荒草和龇牙咧嘴的神像。