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literature and history相关的网络例句

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与 literature and history 相关的网络例句 [注:此内容来源于网络,仅供参考]

To put the cities into literature, or art, is the best way to refuse a life of being routine, fixed or named. It will lead the city to experience difference and ambiguousness. The cities then get a whole different life style outside the name of history, get a new order for the events, and overturn the mythology of crown themselves to honors and dreams.

文学中的城市、艺术中的城市,这是抗拒常规化、被规定、被命名的生活的最好方式,同时把城市导向另外一种经验、导向不确定性、导向差异,在历史命题之外重构另一种异质的生活谱系,重新调整了城市事件的序列并颠覆了城市为自身加冕的荣誉与梦想的神话。

William Faulkner -------------------------------------------------------------------------------- William Faulkner (1897-1962), simultaneously original and assimilative, is regarded as one of the leading American writers in the literary history of the United States, and has become the most frequently and intensely inter前一单元ted writer of modern American literature.

第6单元福克纳------------------------------------------------------福克纳(1897至1962年),同时原来和同化,再度梯度为最顶级的美国作家在文学史的美国和H 作为最经常成群结队间成为前一单元现代美国文学作家泰德。

Jim Webb, the junior senator from Virginia, who defeated the incumbent Republican George Allen in 2006, is or has been: a best-selling author; a screenwriter (Rules of Engagement, and another in the works); an Emmy-winning documentary producer; the author of a large number of articles and book reviews; an Annapolis graduate; a boxer (he lost a legendary and controversial championship match at Annapolis against Oliver North ); an autodidact who grew up a military man's son and indifferent student but on his own became a passionate reader of history; a first lieutenant and Marine rifle platoon commander with Delta Company in Vietnam, where he won the Navy Cross for heroism (the second-highest award in the Navy and the Marines), the Silver Star, two Bronze Stars, and two Purple Hearts; a graduate of Georgetown Law School who then worked on the staff of the House Veterans Affairs Committee; a teacher of English literature at the Naval Academy; and an assistant secretary of defense and then secretary of the Navy during the Reagan administration.

吉姆·韦布曾在2006年挫败现共和党员乔治·艾伦。这位来自弗吉尼亚州的新议员拥有许多头衔:畅销书作者;剧作家(《交战规则》和其他一些作品);艾美奖获奖纪录片出品人;许多文章和书评的作者;安纳波利斯毕业生;拳击手(他曾经在安纳波利斯的一场传奇而充满争议的冠军杯比赛中败给奥利弗·诺兰);本事一个军人家庭的平凡学生却自学自修成长为热情洋溢的历史读者;中尉以及越南战役中海军陆战队第四步兵排指挥官,那场战役里他获得了海军英雄主义十字勋章(海军和海军陆战队第二高等奖章)、银星奖章、两枚青铜奖章和两枚紫心勋章;毕业于乔治城法律学校而后就职于退伍军人事务部参谋机构;海军学院英国文学教师;助理国防部长以及里根在任期间的海军部长。

Robert Louis Stevenson, one of the most undervalued authors in English literature, created in _Kidnapped_ a fast-paced adventure tale; a subtle examination of Scottish history and culture; and a pair of unforgettable characters -- the sensible young Lowland protagonist, David Balfour, and his "wild Hielandman" mentor, Alan Breck Stewart.

25日1999察:罗伯特路易斯斯蒂文森读者,其中最被低估作者英语文学,创造_kidnapped_高速历险故事;微妙审核苏格兰历史和文化;一双令人难忘的人物以及--明智低地年轻主人公,大卫贝尔福、"野生hielandman"指导员,艾伦冠名合演。

The article by de Broglie's life and research, collection and access to a large number of relevant literature as the basis, of the de Broglie wave of material history, theory and the scientific background to and development of this stage of the Theoretical arguments on the related issues.

文章以德布罗意的生平及其研究方向为基本出发点,以搜集和查阅相关文献资料为依据,分析了德布罗意物质波的历史渊源、科学背景及其理论的提出与发展,以及现阶段对这一理论的争论的相关问题的论述。

This paper has researched Christianity spreading in this period. I have collected chorography、 literature files and so on. I have managed history、 religion theories and research means to research Christianity spreading in Inner Mongolia in the Qing evening and Minguo time.

本文着眼于这一时期,通过广泛搜集地方志、文献档案等资料,运用历史学、宗教学的理论与研究方法,对清末民国时期基督宗教的传播情况作一较为全面地论述。

Owing to the image of China from the late Qing dynasty which was passively transformed from "Empery" to "Nation-state", and the consequence of which gave birth to the consciousness of "Enlightenment" and "saving the nation from extinction", we abandoned the traditional circulative theory of history, but accepted the western linear time theory, so the occurrence of the concept of Modern Literature is based on the traditional-modern time imagination and China-western spatial imagination.

中国现代文学观念的发生并不是一个单纯的文学事件,由于晚清以来"中国"形象发生了从"帝国"向"民族国家"的被动转化,这种"空间"认识的变化以及由此产生的启蒙和救亡意识,最终使我们抛弃了传统的循环论而接受了西方的线性时间观。

This paper therefore examines the development of "the folklore Pai-Chang of Peking opera aria in Tainan city" through literature review depth-interview oral history and participant observation The concept frame is culture organism as the vertical axle and elements of a folklore activity as the transverse axle There are several significant findings about the general picture of this subject: During the late period of Japanese colonial era Tainan local people who played Peguan music learned Peking opera aria and tried to bring Peking opera aria into the folklore Pai-Chang which was one kind performance and traditional custom of Peguan music Some people who came from other places and played Peking opera aria had also known or learned "Pai-Chang" with touching Tainan local amateurs "Pai-Chang" used to be performed by amateurs for worship of god or goddess or for seasoning and wedding celebration without rewards Amateurs volunteered to perform "Pai-Chang" only for their duty temples and fraternity of Peking opera aria The majority of the audience is people who perform or like "Pai-Chang" or who live nearby There is a fixed pattern of the performance including the repertoire and the arrangement of the band The main meaning of this performace is to pray God's blessings therefore the procedure of "Ban-Hsian" is the most essential and ahead of Peking opera aria singing With time goes by the number of the amateurs has dropped; yet the demand for the worship ceremony remains; hence some of the amateurs have been trained to become professional performers Besides although the idea and the meaning of "Pai-Chang" remains the pattern of the performance has become simplified and rigid which is because of the performers' number decreasing and market adapting Nowadays the whole ecosystem of the folklore Pai-Chang of Peking opera aria in Tainan city keep changing which is mainly influenced by the transition of the society(such as the time and space of the industrial and commercial society being compressed and most people's pursuing of specialization and utilitarianism etc ) According to the findings in this paper the phenomenon can be regarded as the subject matter both of Peking opera and folklore studies For the studies of the Taiwanese culture however the subject not only enriches the subject matters of the Taiwanese culture(signifies the localization of Peking opera and a new pattern of Taiwanese folklore) but also reflects the characters of diversification integration adaptation and compromise of Taiwanese culture which used to be influenced by different regimes and the historical contexts Facing such a multicultural context this paper thus suggests researchers should show an open-minded attitude toward the complex of the Taiwanese culture studies and then important phenomenon would not be ignored or misunderstood

代表了什麼意义?对於上述疑惑,查既有研究成果,不消没有论述者,具体提即「京调排场」现象的可说没有,基於此,有必要对台南市及其周边之民俗性京调排场,不管是语汇来由或者其现象本身,做一番研究。本研究透过文献、访谈、口述史、参与观察等方法,以文化有机体之纵的发展概念为经,以民俗表演之横切面各主客要素为纬,试图先对此文化现象调查并推论出一概貌:台南市民俗性京调排场的形成,是在京调传入台南,台南本地北管子弟改习或兼习京调后,结合北管音乐文化所固有的排场表演型态及民俗演出传统,融合而成,形成时间至迟在日治晚期。而一些不同时期的外来京调人士(如原本生长於其他地区、后移住台湾的票友,和中国大陆琴师等等),也曾透过与当地子弟的接触,而习得或知晓「排场」语汇以及本地京调排场习俗者。此项音乐民俗表演在过往多由业余子弟於神诞或民众婚俗做寿时,对其有义务或交陪的庙宇及子弟间做酬酢性的演出,不收报酬;聆赏者多是京调同好与邻近民众,也有少数路过者;演出模式包括节目安排、乐队编制皆有一定;表演意涵上以「扮仙」祈求神明赐福人间最为重要,因此排仙必不可少,且一定先於京调演唱。随著时间推移,京调排场表演活动的各要素都有变动,惟变迁速度不一,大体而言,业余表演者锐减,人们对酬神娱神节目的需求仍在,因此一些过往的业余表演者遂逐渐转型为职业表演者。此外,虽然表演意涵不变,但在职业表演人员少、又要适应市场的情况下,表演模式亦逐渐流於简化、僵化。目前京调排场整体生态仍在转变的过程中,而这种变化应与工商社会时间空间的被压缩、事事追求专业化与尼Q化等因素有关。再者,据此概貌,在结论部分厘清其意义、定位以及其对台湾文化研究之启示。台南市及其周边之民俗性京调排场现象,可视为京剧研究与民俗研究的一环,然而对於台湾文化研究,除了其题材本身标志了京剧的本土化与台湾民俗活动之新类型,进一步扩充整体台湾文化研究的内容外,更重要的是现象背后所反映的台湾文化的多元融合与妥协适应取向。台湾的海岛地理位置与长期被不同文化背景政权所殖民的历史,其文化自然容易随社会环境改变而弹性适应变迁,呈现多元纷呈、多重覆叠的特色,因此展望未来,从事台湾文化研究应秉除单一观点,保持一定程度之开放与客观胸襟,方不忽视或误识更多重要的文化现象。

The history of Black Literature is the history of the black fighting for freedom and rights, so it has profound social and historical significance.

任何一种文学形式都与当时的社会政治形势有密切的联系,黑人文学也是如此。

Animation Department adhere to universities and research institutes to achieve the teaching, research, talent, a perfect combination of the results established animation industry, from the early creative planning, medium-term production, post-processing, marketing, product development, in areas such as derivatives has a relatively complete The industrial chain support in this regard thanks to animation department teaching, the other hand, benefited from the cooperation with other colleges and support: First, College of Humanities and Arts have a strong literary team, there can be for manner mining history, culture and local culture to carry out works of literature, script writing, animation and shooting script creation; second, College of the Arts Academy of Fine Arts, the Television Animation Art Institute of professional experts and professors, teachers and students can focus on the requirements of dynamic animation creation diffuse image design, animation production, post-processing and other special effects; third School of Journalism, Art Institute inherent in the industry and market channels, you can promote products in the market for the animation to provide support; Fourth, colleges and Arts and Crafts Arts and Crafts Association, a large number of member companies may be based on mature animation image processing technology toys and other derivative products.

动画系坚持产学研一体化,实现了教学、科研、出人才、出成果完美结合,建立了动漫产业从前期创意策划、中期制作、后期加工、市场推广、衍生产品开发等各方面具有相对完整的产业链条支撑,这一方面得益于动画系的教学成果,另一方面也得益于与其他学院的合作与支持:一是人文学院和艺术学院均有强大的文学创作班底,可以有针对性地挖掘历史文化和地方文化,进行动漫作品文学剧本创作和分镜头脚本创作;二是艺术学院、工艺美术学院、影视艺术学院动画专业的专家教授和师生,可针对动漫创作要求进行动漫形象设计、动画制作、后期特技加工等;三是新闻学院、艺术学院固有的行业和市场渠道,可以为动漫产品的市场推介提供支持;四是工艺美术学院和工艺美术协会众多的会员企业,可以根据成熟的动漫形象加工生产玩具等衍生工艺产品。

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Finally, according to market conditions and market products this article paper analyzes the trends in the development of camera technology, and designs a color night vision camera.

最后根据市场情况和市面上产品的情况分析了摄像机技术的发展趋势,并设计了一款彩色夜视摄像机。

Only person height weeds and the fierce looks stone idles were there.

只有半人深的荒草和龇牙咧嘴的神像。

This dramatic range, steeper than the Himalayas, is the upturned rim of the eastern edge of Tibet, a plateau that has risen to 5 km in response to the slow but un stoppable collision of India with Asia that began about 55 million years ago and which continues unabated today.

这一引人注目的地域范围,比喜马拉雅山更加陡峭,是处于西藏东部边缘的朝上翻的边框地带。响应启始于约5500万年前的、缓慢的但却不可阻挡的印度与亚洲地壳板块碰撞,高原已上升至五千米,这种碰撞持续至今,毫无衰退。