查询词典 literature and history

His research production that have already published are: An idealist immaterial rambles, Disturbance and Blatancy, The vanish of ordinary life poetry,Who can talk to:the history characer of Chinese intellectual, Write on the brink,The holy memory,Answer today, ect, and, What is literature itself( Spring Breeze Literature Publishing House), Oscillating on the way( Shan Dong You Yi Publishing Company) is going to be published in the near future.

主要研究领域为当代文学和文化研究兼及散文随笔写作，已出版的主要著作有《一个理想主义者的精神漫游》、《躁动与喧哗》、《日常生活的诗情消解》、《此情谁诉——中国知识分子的历史性格》、《写在边缘》、《神圣回忆》、《回答今天》等十余种，即将出版的有《何谓文学本身》、《一路彷徨》等。

In this dissertation, I will use the combination of macro research and case studies of literature to study "canonization" of texts and the construction of the history of Chinese contemporary literature.

本文采用宏观研究与个案研究相结合的方法对当代文学"经典化"与当代文学史建构作深入研究。

Viewed from the perspective of modern history, this type of fiction was in the specious process firstly, and be given the role as a literary embodiment of enlightenment. It seems that country people were the "other" who was slept by the self-awareness of enlightenment. Villagers were signed as "country". This type of fiction actually incarnated the new culture ideology of May Four clerisy, therefore these enlightenment novels about "country" weren\'t "country literature", but "native literature" which didn\'t make effect of coming into country. However, their burden function and habit to ideology was inherited and extended by country novel.

单从对现代历史发展的镜像反映上看，它似乎最初曾被赋予了"启蒙"的文学载体的角色，好像乡村人是被启蒙的自我意识沉睡的"他者"，村民被符号化为"国民"，这种创作实际上体现的是五四知识分子的新文化意识形态，属于未对乡村发生参与效应的"乡土文学"，但是，它对意识形态的承载功能和习惯为乡村小说所接续并放大。

So in the paper,"space" is a clue of understanding Dong Han, dispart three chapter, in order to tear the literature history label on the body of Dong Han, to understand his persist and success in literature personal integrity and literature idea from his poesy and novel.

所以本文以"空间"作为一条理解韩东的线索，分三章，意在撕掉韩东身上的"文学史"标签，通过对其后来诗歌和小说文本的细读来爬梳其文学中的"空间"意识，发觉"文学史"以外的韩东，挖掘其对文化操守与文学理想的坚持及其成就。

Because of these changeable elements, the novels could not be pure revolutionary works, and they embody the dual characteristics of both the individualism of the May 4th Movement and the proletariat literature, The emergence is a fortuity of a transverse section of history and society, as well as an inevitability in the process of the development of politics and literature in modern China.A.

在由这些变动性要素构建的特定背景下，左翼"革命加恋爱"小说模式必将不会是完全意义上的革命文学，而体现出五四个性主义文学和无产阶级革命文学的双重体征。它的诞生既源于一个特殊社会历史横断面的偶然，同时又是中国现代社会政治演变及文学自身发展总进程的必然。

During the 19th and 20th centuries there were huge achievements on philosophy literature art and music; a variety of activities were also booming at that time Richard Strauss(1864-1949) born at that era when the social phenomena influenced his music learning process combined the classical and romantic music styles and further developed his unique composing style There were 5 chapters in the dissertation The research motivation purposes methodology and the literature review were included in Chapter One Chapter 2 focused on understanding how the history background and personal attitude influenced Richard Strauss' composing style Through the study of the romantic musicians like Franz Schubert1797-1828 Robert Schumann(1810-1856 Johannes Brahms(1833-1897) Hugo Wolf(1860-1903) Gustav Mahler(1860-1911) and etc I attempted to get a complete picture of musical evolution in Chapter 3 In addition Richard's classic compositions were categorized and organized in order to gain a deep understanding of his music From the study and the analysis of Strauss'"Vier letzte Lieder" the features styles the format and the life of the two poets Hermann Hesse1877-1962）and Joseph von Eichendorff(1788-1857 were explored and the relationship between the music of this composition and the poetry were also discussed Chapter 5 summarized the main arguments to give a short account of Strauss' lifetime rich experiences and thinking in his eighties

横跨十九、二十世纪的理察·史特劳斯（Richard Strauss，1864-1949）正是欧洲人文发展空前灿烂的年代，无论在哲学思想、文学、美术以及音乐方面，都有辉煌的成就。在他音乐学习历程中，结合了古典时期及浪漫时期两种音乐风格，发展出独特的作曲风格。本论文分成五章：第一章绪论包括研究动机、研究目的、研究方法及步骤以及文献探讨；第二章则从对理查史特劳斯生平的详实记载中，了解他创作作品的时代背景和心情；第三章则就浪漫时期艺术歌曲作家舒伯特（Franz Schubert1797-1828）、舒曼（Robert Schumann1810-1856）、布拉姆斯（Johannes Brahms1833-1897）、沃尔夫（Hugo Wolf1860-1903）及马勒（Gustav Mahler1860-1911）等，以诗人、旋律、伴奏型态及曲式和声，稍加整理并说明，以便了解艺术歌曲在此时期之演变过程。并将理查史特劳斯艺术歌曲作品分类统整，藉此对他的艺术歌曲能有更深一步的了解。第四章《四首最后的歌》之音乐探究与分析，则探讨此部作品诗人赫塞（Hermann Hesse 1877 - 1962）及艾辛朵夫（Joseph von Eichendorff﹐1788-1857）的生平和作品特色，以及诗的结构与格式，和此部作品音乐与诗的关系。第五章结语说明史特劳斯一生丰富经历与晚年想法，创作出一组宁静感人又深刻的终曲。

By researching about behavior in narration of tribulation, authors observed the experiences of Chinese writers\' inditement, the form of attention to selfs lifes society and the questions of human being, and some basic developmental orientations of the present literature after it entered "New Age". This paper surveyed the experience, supplied by tribulation description, which might shine in literature history as well.

目的是通过对作家写作行为中苦难叙述的研究，观察全球化境况下中国作家的写作经验，对自我、生命、社会、人类问题的文学关注形式，以及当代文学进入"新时期"以后的某种发展基本路向，勘定苦难叙述给我们提供了什么可以彪炳于文学史的文学经验。

1St Week: A general introduction to the nature and contents of the course; an investigation of students' acquired knowledge of literature in general; a brief introduction to African-American literature 2nd and 3rd Weeks: Rediscovering an Invisible Culture (Why Black culture had been unknown and unobserved for several decades; how it came to be rediscovered ) 4th to 6th Weeks: Double Consciousness (the marginal perspective in Language, Oral Culture, Folklore and Religion); Reading representative works by three Black writers of racial consciousness: Douglass, Washington and Bu Bois 7th to 9th Weeks: Minstrelsy (Imitation, Parody and Travesty in Black-White interaction rituals 1830--1920); Reading the novel about the Black life: Uncle Tom's Cabin 10th to 12th Weeks: Social Mobility and Cultural Stigma: The case of Chicago Jazz 1920--1930; Reading poems by Hughes and novels by Wright 13th to 15th Weeks: Oral Tradition and the Quest for Literacy: The crisis of Black writers from Philips Wheatley to Ralph Ellison; Reading the masterpiece of Ellison 16th to 18th Weeks: Contemporary Afro-American Culture: the sixties and seventies (efforts on reconstructing the Black identiy and Black history); Reading novels by Morrison

第1周：介绍课程性质、内容，了解学生相关文学背景，简要概括黑人文学历史第2-3周：再现黑人文化（黑人文化长期被掩盖的事实和原因，重新被发现的原因和过程）第4-6周：双重意识（语言、吟唱文学、民俗民谣、宗教的边缘化），阅读黑人种族意识三代伟大启蒙家道格拉斯、华盛顿、杜波伊斯的代表作第7-9周：吟游文学（黑人与白人的文化互动过程中的模仿、戏仿、曲仿），阅读第一部反映黑人生活的小说《汤姆叔叔的小屋》第10-12周：社会动荡与文化耻辱（芝加哥爵士乐的兴起、流行和影响），阅读休斯和赖特的代表作第13-15周：口头文学传统与争取教育权利的斗争（从惠特利到埃里森的黑人作家危机），阅读拉尔夫·埃里森的代表作第16-18周：六、七十年代以来的美国黑人文化（重建身份和重建历史的努力），阅读莫里森的代表作每位参加该课程学习的学生均须严格出勤，按时完成学读任务，每学期主持两次小型（10分钟）学术报告，第一次针对老师推荐的作家作品做一个专题报告，第二次针对自己的学期研究计划做一个选题前瞻性和可行性报告。

Thus, its knowledge and appraisal is not just a matter of literature, even not mostly a matter of literary aesthetics, but the comprehensive review of literature history, and even particularly the study of the predomination of comprehensive factors over literature, like ideology, political culture, background of time, etc, and the complex relations among them.

因此对"红色经典"的认识与评价就不仅仅是一个文学的问题，甚至主要不是文学审美的问题，而是对文学史的综合考察特别是意识形态、政治文化、时代背景等多种综合因素对文学的规定制约及其复杂关系的探讨。

The history of literature has witnessed a surge of literature works and a variety of literature forms, such as drama, poetry, fiction, and prose.

原文文学在它的发展过程中创造了大量的作品，形成了各种各样的文学题材，如戏剧、诗歌、小说、散文等。

In the negative and interrogative forms, of course, this is identical to the non-emphatic forms.

。但是，在否定句或疑问句里，这种带有"do"的方法表达的效果却没有什么强调的意思。

Go down on one's knees;kneel down

屈膝跪下。。。下跪祈祷