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literary writings相关的网络例句

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The thinkers of the Lunyu School fully expressed their persistence of individualism and their reconsideration in literary modernity Yet the persistence and escape existed side by side, this mode of behavior and thinking indicated that the self-subject of the modern scholars was illusive and was hard to carry on when the modern scholars were covered by the powerful tradition and deeply controlled by modernity's consciousness of time Chapter Two Reconsidering on the character of modernity with leisure ampleness, resisting the human alienation caused by modern materialism and mechanism with humor, reaffirming the space of self-expression, which formed the humor, the leisure, the modern, and the aesthetic spirit implication of Lunyu School But the modern scholar's powerful inclining to the tradition made Lunyu School's aestheticism draw close to live in seclusion And its aesthetic modernity is also discounted for that reason Chapter Three It is the emotion and the leisure manner owning by the middle aged people that help to bring about Lunyu School's essay's adjusting in main key and moving massively in theme Lunyu School changed the way for "gaining the experience of life"in the twenties'prose It went from highly enthusiastic writings to reserved life-concerning and recite with appreciation in everyday life

第一章 三十年代左翼文学以其"新"、"进步"和"时代性"确立了自己的合理性地位,而时代思潮的转换、文艺与政治的日益密切使五四自由知识分子所坚持的个人主义成了"落伍""颓废"的表征。论语派自由思想者充分表达了对个人主义的执着、对文学现代性的反思,但坚持与逃逸并存的行为与思维模式表明现代士子在忧生伤世的强大传统笼罩下和一往无前的现代性时间意识的深刻控制下,个人主体的难以为继和虚幻性。第二章以闲适的余裕对奔竞躁进、汲汲功利、一往无前的现代性特征进行反思,以幽默对抗现代物质主义机械主义对人灵智的异化,重申自我表现的空间,构成论语派幽默闲适的现代性审美精神内涵。但现代文人对于传统的强大趋同力,则使论语派审美主义向隐逸文化靠拢,其审美现代性由此大打折扣。第三章中年情感与闲适气度直接促成论语派散文基调上的调整及主题的大幅横移,在趣味、游戏、幽默、闲适中改变了二十年代散文"问世"的径路,从意兴湍飞的激扬文字走向了沉潜适世的生命关怀与日常人生的吟味与咀嚼。

Near seven years ago, a short while before his death in 1844, John Sterling committed the care of his literary Character and printed Writings to two friends, Archdeacon Hare and myself.

近7年以前,一个简短而去世之前,他在1844年,约翰英镑犯了他的文学创作和印刷字符照顾两个朋友,副主教野兔和我自己。

Then there is the Sahidic dialect that became, from the earliest times, a neutral dialect used throughout Egypt and eventually gained literary dominance with the extensive writings of St. Shenouda the Archimandrite.

然后,沙希地方言从最早期开始就成为了贯穿整个埃及都使用的一种中立性质的方言,在修道院长圣施诺达的广泛影响下,最终取得了文字上的支配地位。

Taking the writings of Chinese and American literary histories for example, the author tries to employ some basic ideas and devices of narratology to argue about the fictionalization of literary history.

本文运用叙事学中的一些基本理念和方法,以中国现代文学史和美国文学史写作中的某些倾向、特点为例,论证了文学史是一种没有走出"虚构"的叙事文本。

But Gilgamesh, the epic poem from Ancient Mesopotamia that is held to be among the earliest of humanity's "literary" writings, is perfectly accessible to an audience of today.

但是从古老的米索不达米亚流传下来的吉尔伽美什史诗堪比为最早的"文学"作品之一,而且完全可以进入今天观众的心中。

In that time, there were two mains themes in Chinese literary writings.

那时新马华文文学作品有两个主要的主题。

Firstly, by means of the man'-free-and-overall-development theory of the Maxthium , the author analyzes the Personal Literary Creation and confirms its value and significance as follow:the first,the emergence of the Personal Literary Creation means the vanishment of the laberal alienation ,ie,the personal authors' writings are not only the make-a-living means but the spontaneous displays of the human wills;the second, the Personal Literary Creation confirms "everyone' free development is the condition of all the people's progress",the human-liberating ideals of Marxism,and realises the all-round respects and concerns of the literature to human' diversity and peculiarity. Secondly, standing at the point of the contemprory Chinese history, it is right the individually depressed history in China that makes the Personal Literary Creation as the historical nacessarity. The emergence of the Personal Liberory Creation makes up to the limitation of the traditional public and representitive writing, and makes a great progress to diversifying the multi-cultural pattern in 90's of the last century, expanding the literatural domain, and displaying the complicated human natures.

本文首先运用马克思关于人全面自由发展的理论对私人化写作进行分析和观照,肯定其存在的价值和意义:一是私人化写作的到来意味着劳动异化的消除,作家的创作活动成为生命意志的自由表现,由手段上升为目的本身二是吻合了马克思人类解放的理想"每个人的自由发展是一切人自由发展的条件"实现了文学对人的丰富性、多样性、独特性的全面关怀与尊重;其次立足于当代中国的历史语境,它的出现弥补了一直以来公共化、代言式写作独占文坛的局限,在丰富九十年代的多元文化格局,拓展文学探索和表现丰富复杂的人性深度方面是一个很大的进步。

with the focus on the rivalry between idea and writing technique in eileen chang studies,this thesis studies chang's feminist writings so as to probe into the divergence between scholars home and abroad upon the relationship between idea and technique: most scholars in mainland pay much attention to idea and tend to incorporate chang's inferior position of the "second sex" as a supplement into the feminist literary tradition of chinese new literature;besides emphasizing technique,overseas chinese scholars associate technique with idea by interpreting chang's feminist writings as subversive acts to undermine chinese androcentric literary tradition.

着眼于张爱玲研究中的意识与技巧之争,从张爱玲的女性写作切入,探讨海内外学者在意识与技巧关系问题上的差异:大陆学者多是就意识而谈意识,将张爱玲甘于&第二性&弱者的女性立场,以&补充&的姿态&纳入&中国新文学女性文学传统;海外华人学者在重视技巧的同时,将技巧联系意识,借张爱玲的女性写作技巧对中国男性主流文学传统进行破坏和颠覆。

In a sense, Saul Bellow confirmed Russell Jacoby's historical analysis in his The Last Intellectuals with his literary writings.

从某种意义上说,索尔贝娄以文学创作,印证了雅各比在《最后的知识分子》中所作的历史分析。

The fourth chapter explores the interactive relationships between Ping Fang's literarytranslation, literary studies and literary writings to uncover the individuality in his translatorial practices and theoretical thoughts about literary translation, and discusses the academic value of these relationships, practices and translator's subjectivity.

第四章,探讨方平的文学翻译、文学研究和文学创作三者之间的互动关系,揭示方平在翻译艺术上的思考和在翻译实践中表现出的主体性追求,论述由此引发的思考及其学术价值。

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