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ABSTRACT After the ebb-tide of the May 4th Movement, the Chinese modern thoughts and literary circles went from relative unity towards diversity Up to the 1930's, behind the spirit transformation at the end of the twenties, Chinese modern intellectuals began to relocate and redesign their own outlooks on life and literary ideal The Lunyu School, which was led by Zhou Zuoren and Lin Yutang, mostly appeared as leisure humorous essays in some journals, such as Lun Yu, Ren Jian Shi and Yu Zhou Feng which was edited by Lin Yutang It formed an unique landscape at that time This thesis focused on the Lunyu School as the main object of my study I investigate the Lunyu School by putting it into the vertical orbit of changes of the thoughts and literary circles after the May 4th Movement, and by comparing it with the mainstream of Left-wing and other literary schools in the thirties Through the exploration of Lunyu School's political and social thoughts, literary ideas and aspects of prose creation, I pursue the life choice of some free intellectuals in the thirties, and draw psychological outline of an age of intellectuals, which was very complicated and attractive during that specified time and space When we reconsider the rights and wrongs, the merits and demerits, and the gains and losses in theory and creations of Lunyu School intellectuals, any oversimplified study method would be of"no avail but the waste of mind"Unless ample estimation of their own complexity and contradiction is made, furthermore subtly delineates quite a lot of originates which caused these complexity and contradiction, the research will not be valuable In face of the whizzed coming Left-wing movement in literature, Lunyu School acted as a reconsideration in literary modernity such reconsideration is a layer of thinking They introspected intellectuals'essential mind and enlightened reason, querying the impulsive, swift and fierce ideological trend, judging by value in the relations between individuality and society, individuality and era, literature and politics.

五四落潮后，中国现代思想界、文学界由相对统一走向分化，至二十世纪三十年代，现代知识分子经由二十年代末期的精神蜕变，开始重新定位和设计自己的人生观和文学理想。以"京兆布衣"周作人为精神领袖、以林语堂为主帅的论语派，以幽默闲适小品文相号召，在林语堂主编的一系列刊物《论语》、《人间世》、《宇宙风》上聚集，南北呼应，造成了当时文坛的一种独特景观。本论文以论语派为研究对象，将其放在五四以后文学界与思想界变动的纵向轨迹上，放在与三十年代左翼主流话语的颉颃及与其它文学流派的比照中加以考察，通过对论语派政治社会思想、文学观念及散文创作诸方面的探讨，追索三十年代一部分自由知识分子的人生选择，勾划出他们在一个特定时空里复杂又极具魅力的心理轮廓。学术界对论语派中一些主要作家已有较深入的研究，但迄今为止，尚无从整体上对这一文学流派作宏观研究的专著，而陈旧的理论视界又往往阻碍了对论语派的重新评价。

The extruding problems existing in primary and middle school literary education are as follows: practicalism endangers literay education; scientific thoughts dominate literary class; knowledge-centered theory weakens the influence of literature; literary textbooks are confined to "teaching"and "training";"tool complex"prevails in literary interpretation; literary instructors restricted by the system generally show a lack of literary quality.Part Three is a prediction and construction of the future.

中小学文学教育所存在的突出问题是，实用主义思想严重影响着文学教育的生态，科学主义思想在整体上控制着文学教学，主知主义对文学感受力的消解，文学教材囿于&教化&与&训练&模式，文学阐释中存在着深深的&工具情结&，受体制制约的文学教师普遍表现出文学素养的缺失。

Embracing the view that literary writers" well-conceived linguistic manipulation in its own right reifies "literariness of texts deemed literary, and forms an essential part of literary content to be scrutinized in our understanding and interpretation of literary texts, this thesis intends to approach deviations in literary texts from stylistic and thematic dimensions instead of formal dimension only, with an aim to probe into this phenomenon for an appreciation of its total significance in literary texts and its proper translation.

文学作家对语言创造性的运用不但赋予文学文本以不同于非文学文本的&文学性&，也使其与文本内容相结合，成为理解、阐释文学作品不可或缺的部分。

Some of his works are selected in Works of Famous Chinese Painters, Painting and Calligraphy Works of Modern Artists, Opusculum Paintings by Famous Chinese Artists, Paintings of Chinese in Unison, Painting and Calligraphy Works of Central and National Organizations, China's Gold Prize Winning Works, Painting and Calligraphy Works of CCTV, Paintings for the Fighting against SARS, Painting and Calligraphy Works for China ' s Cymbidium Festival, National Painting and Calligraphy Works for the Summer in Qinhuangdao, National Painting and Calligraphy Works Dedicated to the Yellow River, National Painting and Calligraphy Works for 21st Century and so on.

部分作品选入《中国画名家作品集》、《当代艺术家书画集》、《中国书画名家小品画集》、《中华儿女众志成城画集》、《中央国家机关书画家作品集》、《中国美术金彩奖作品集》、《中央电视台书画展作品集》、《翰墨丹青战非典作品集》、《中国兰花节书画作品集》、《秦皇岛之夏全国书画展作品集》、《黄河情全国书画展作品集》《二十一世纪全国书画展作品集》等。2001年举办个人画展。2002年与李春海、赵占东、王玉良、孙志钧等举办联展。2003年举办谷福海百扇诗书画展。2005年举办谷福海、郑绍敏、柴京津书画联展。

In this thesis, elaboration on the phenomenon of deviations in literary texts and instantiation of their translation drawn from actually translated texts are intended to show the multifariousness of deviations in literary texts, to deepen literary translators" understanding of this phenomenon, and to demonstrate the close interrelation of deviations"deviant formal features to the functions they may assume in literary texts, thus pointing out the importance of achieving equivalence in "stylistic markedness" and "literary expressiveness" when translating them.

本论文对文学文本中语言变异现象的形式作了较为详尽的介绍和论述，且有选择性地对其翻译实例进行了分析、评述，以期藉此能有助于译者加深对文学文本中变异现象多样性、复杂性的认识和理解，并在此基础上体会文学语言形式与文学文本整体风格和内容的不可分割性，从而理解在翻译文学文本中语言变异时力求"风格标记性"和"文学表达力"对等的重要性。

From 1976 to 1985,he stuck to Dialectical Materialism as a guideline,reflected on the literary and artistic characteristics of the "Art in its special way grasp the world "," Art has its own independent special targets " and other important proposition to do an in-depth exposition. He also made a brilliant insights about artistic typicalness; From 1985 to 1992, he gradually realized Epistemological Literary Theory couldn't explain all the literary phenomenon, so instead of Human Ontology of Literary Theory,on departure from the Human Ontology to interpret the literary phenomenon,str...essing that " Aesthetic is the life of one of the leading activities "," Art is essentially aesthetic ";Before and after 1992, he re-converted research perspective, explaining aesthetic and artistic on the basis of theValue of Philosophy, saying that the beauty is a form of value.

他从1976年到1985年，以辩证唯物主义认识论为指针，反思文学艺术的特性，对"艺术以其特殊的方式掌握世界"、"艺术有自己独立的特殊对象"等重要命题做了深入的阐发，并就艺术典型提出了精辟的见解；从1985年到1992年，他逐渐意识到认识论文艺学无法解释一切文艺现象，于是转而研究人类本体论文艺学，从人类本体论哲学出发去解释文艺现象，强调"审美是人的生命活动主要方式之一"，"艺术在本质上是审美的"；1992年前后，他再度转换研究视角，从价值论哲学出发去解释审美和艺术，认为美就是一种价值形态。

If we can further clarify recognition on the mainstream literary views by standing on the entrance of the modern literature, we can more exactly, thoroughly examine and summarize literary views by observing the transformation of the mainstream literary views and the mainstream literature The dissertation holds that the most original reason on the unmaturity of the 20th-C Chinese literary modernity is just the utilitarian literary functional view.

如果说在现代文学的入口处，可以对主流文学观念的发生有更清楚的认识，那么通过三十年代以后主流文学观念和主流文学的流变，可以更准确、全面地观察、总结出功利主义的文学观念所带来的弊端。本文认为，功利主义的文学功用观是造成二十世纪中国文学现代性不成熟状态的主要原因。

The eco-feminism redefines and illustrates the literary creation which possesses the quality of eco-feminism through literary creation, thus widens the perspective of literary criticism and the confines of women's literary creation, and rescans and criticizes the whole human culture on this basis.Since the 1990s, there have been considerable works with some obvious features of the eco-feminism in the female literature of Guangxi.

生态女性主义通过文学批评对具有生态女性主义特质的文学创作进行重新理解与阐释、拓宽文学批评的视野、扩展女性文学创作的边界，并将在此基础上对整个人类文化进行重新审视和批判。20世纪90年代以来，广西女性文学已经出现了一批具有明显的生态女性主义色彩的作品，这些作品都在一定程度上印证了生态女性主义所倡导的文学创作思想。

The paper analyses the personal character of JIAN'ANQIZI's works, after giving the definition of "the literary selfconsciousness". The paper thinks that JIAN'ANQIZI's great success in the individualized subject and in persuing literary technology symbolized "the selfconsciousness of literature" in JIAN'AN period. The appearance and activity of YEXIA CIRCLE OF SCHOLARS provided a literary environment and condition for "the literary selfconsciousness".

本文从&文学的自觉&的内涵出发，以建安七子的个性化创作为突破口，提出建安七子在&创作主题的个性化&和&对文学技术的追求&两方面所取得的成就表现了建安时代&文学的自觉&，而邺下文人集团的出现及其活动为&文学的自觉&在这时的出现提供了文学环境和土壤。

"Work" means the literary and/or artistic work offered under the terms of this License including without limitation any production in the literary, scientific and artistic domain, whatever may be the mode or form of its expression including digital form, such as a book, pamphlet and other writing; a lecture, address, sermon or other work of the same nature; a dramatic or dramatico-musical work; a choreographic work or entertainment in dumb show; a musical composition with or without words; a cinematographic work to which are assimilated works expressed by a process analogous to cinematography; a work of drawing, painting, architecture, sculpture, engraving or lithography; a photographic work to which are assimilated works expressed by a process analogous to photography; a work of applied art; an illustration, map, plan, sketch or three-dimensional work relative to geography, topography, architecture or science; a performance; a broadcast; a phonogram; a compilation of data to the extent it is protected as a copyrightable work; or a work performed by a variety or circus performer to the extent it is not otherwise considered a literary or artistic work.

本著作」指依据本授权条款提供的文学及艺术创作，包含但不限於以任何方式或形式表达之文学、科学及艺术范围之制作物，例如：书籍、小手册及其他撰著；演讲、演说、布道及其他类似同性质之著作；戏剧著作或歌剧著作；舞蹈著作或默剧；含歌词或不含歌词之音乐作曲；电影著作及其他藉由与电影摄影技术类似之程序表达之同类著作；素描、绘画、建筑、雕塑、雕刻或版画之著作；摄影著作及其他藉由与摄影技术类似之程序表达之同类著作；应用艺术著作；插图、地图、设计图、素描及地理、地形、建筑或科学相关立体著作；表演；广播；录音物；和可受著作权保护的资料编辑；或不属於文学或艺术创作的各式表演人或马戏团表演人所表演的创作。

Second: The Children's Day 61 of life and not the same as usual.

第二：这次六一儿童节过得和平常的不一样。

Commonly known as Pot Marigold, this flower has been used to safely soothe and heal skin for centuries.

一般来说，叫金盏花，这个花朵，几个世纪以来一直安全的用来舒缓和治疗皮肤。