查询词典 literary

By orthodox patriarchy literary critics, Hester is undoubtedly a typical brazen bussy.

按照传统的父权制文学批评家patriarchy literary critic的说法，海丝特无疑是一个地道的"妖妇"。

ABSTRACT After the ebb-tide of the May 4th Movement, the Chinese modern thoughts and literary circles went from relative unity towards diversity Up to the 1930's, behind the spirit transformation at the end of the twenties, Chinese modern intellectuals began to relocate and redesign their own outlooks on life and literary ideal The Lunyu School, which was led by Zhou Zuoren and Lin Yutang, mostly appeared as leisure humorous essays in some journals, such as Lun Yu, Ren Jian Shi and Yu Zhou Feng which was edited by Lin Yutang It formed an unique landscape at that time This thesis focused on the Lunyu School as the main object of my study I investigate the Lunyu School by putting it into the vertical orbit of changes of the thoughts and literary circles after the May 4th Movement, and by comparing it with the mainstream of Left-wing and other literary schools in the thirties Through the exploration of Lunyu School's political and social thoughts, literary ideas and aspects of prose creation, I pursue the life choice of some free intellectuals in the thirties, and draw psychological outline of an age of intellectuals, which was very complicated and attractive during that specified time and space When we reconsider the rights and wrongs, the merits and demerits, and the gains and losses in theory and creations of Lunyu School intellectuals, any oversimplified study method would be of"no avail but the waste of mind"Unless ample estimation of their own complexity and contradiction is made, furthermore subtly delineates quite a lot of originates which caused these complexity and contradiction, the research will not be valuable In face of the whizzed coming Left-wing movement in literature, Lunyu School acted as a reconsideration in literary modernity such reconsideration is a layer of thinking They introspected intellectuals'essential mind and enlightened reason, querying the impulsive, swift and fierce ideological trend, judging by value in the relations between individuality and society, individuality and era, literature and politics.

五四落潮后，中国现代思想界、文学界由相对统一走向分化，至二十世纪三十年代，现代知识分子经由二十年代末期的精神蜕变，开始重新定位和设计自己的人生观和文学理想。以"京兆布衣"周作人为精神领袖、以林语堂为主帅的论语派，以幽默闲适小品文相号召，在林语堂主编的一系列刊物《论语》、《人间世》、《宇宙风》上聚集，南北呼应，造成了当时文坛的一种独特景观。本论文以论语派为研究对象，将其放在五四以后文学界与思想界变动的纵向轨迹上，放在与三十年代左翼主流话语的颉颃及与其它文学流派的比照中加以考察，通过对论语派政治社会思想、文学观念及散文创作诸方面的探讨，追索三十年代一部分自由知识分子的人生选择，勾划出他们在一个特定时空里复杂又极具魅力的心理轮廓。学术界对论语派中一些主要作家已有较深入的研究，但迄今为止，尚无从整体上对这一文学流派作宏观研究的专著，而陈旧的理论视界又往往阻碍了对论语派的重新评价。

In this thesis, elaboration on the phenomenon of deviations in literary texts and instantiation of their translation drawn from actually translated texts are intended to show the multifariousness of deviations in literary texts, to deepen literary translators" understanding of this phenomenon, and to demonstrate the close interrelation of deviations"deviant formal features to the functions they may assume in literary texts, thus pointing out the importance of achieving equivalence in "stylistic markedness" and "literary expressiveness" when translating them.

本论文对文学文本中语言变异现象的形式作了较为详尽的介绍和论述，且有选择性地对其翻译实例进行了分析、评述，以期藉此能有助于译者加深对文学文本中变异现象多样性、复杂性的认识和理解，并在此基础上体会文学语言形式与文学文本整体风格和内容的不可分割性，从而理解在翻译文学文本中语言变异时力求"风格标记性"和"文学表达力"对等的重要性。

Of award of pediment of Chinese folk literary " is Chinese literature art the omnibus folk literary award that association of literary home of group union and Chinese folk sponsors jointly, it is the literary top prize between complete countryman."

中国民间文艺"山花奖"是中国文学艺术界联合会和中国民间文艺家协会联合主办的综合性民间文艺奖，是全国民间文艺的最高奖项。

From 1976 to 1985,he stuck to Dialectical Materialism as a guideline,reflected on the literary and artistic characteristics of the "Art in its special way grasp the world "," Art has its own independent special targets " and other important proposition to do an in-depth exposition. He also made a brilliant insights about artistic typicalness; From 1985 to 1992, he gradually realized Epistemological Literary Theory couldn't explain all the literary phenomenon, so instead of Human Ontology of Literary Theory,on departure from the Human Ontology to interpret the literary phenomenon,str...essing that " Aesthetic is the life of one of the leading activities "," Art is essentially aesthetic ";Before and after 1992, he re-converted research perspective, explaining aesthetic and artistic on the basis of theValue of Philosophy, saying that the beauty is a form of value.

他从1976年到1985年，以辩证唯物主义认识论为指针，反思文学艺术的特性，对"艺术以其特殊的方式掌握世界"、"艺术有自己独立的特殊对象"等重要命题做了深入的阐发，并就艺术典型提出了精辟的见解；从1985年到1992年，他逐渐意识到认识论文艺学无法解释一切文艺现象，于是转而研究人类本体论文艺学，从人类本体论哲学出发去解释文艺现象，强调"审美是人的生命活动主要方式之一"，"艺术在本质上是审美的"；1992年前后，他再度转换研究视角，从价值论哲学出发去解释审美和艺术，认为美就是一种价值形态。

Firstly, by means of the man'-free-and-overall-development theory of the Maxthium , the author analyzes the Personal Literary Creation and confirms its value and significance as follow:the first,the emergence of the Personal Literary Creation means the vanishment of the laberal alienation ,ie,the personal authors' writings are not only the make-a-living means but the spontaneous displays of the human wills;the second, the Personal Literary Creation confirms "everyone' free development is the condition of all the people's progress",the human-liberating ideals of Marxism,and realises the all-round respects and concerns of the literature to human' diversity and peculiarity. Secondly, standing at the point of the contemprory Chinese history, it is right the individually depressed history in China that makes the Personal Literary Creation as the historical nacessarity. The emergence of the Personal Liberory Creation makes up to the limitation of the traditional public and representitive writing, and makes a great progress to diversifying the multi-cultural pattern in 90's of the last century, expanding the literatural domain, and displaying the complicated human natures.

本文首先运用马克思关于人全面自由发展的理论对私人化写作进行分析和观照，肯定其存在的价值和意义：一是私人化写作的到来意味着劳动异化的消除，作家的创作活动成为生命意志的自由表现，由手段上升为目的本身二是吻合了马克思人类解放的理想"每个人的自由发展是一切人自由发展的条件"实现了文学对人的丰富性、多样性、独特性的全面关怀与尊重；其次立足于当代中国的历史语境，它的出现弥补了一直以来公共化、代言式写作独占文坛的局限，在丰富九十年代的多元文化格局，拓展文学探索和表现丰富复杂的人性深度方面是一个很大的进步。

The extruding problems existing in primary and middle school literary education are as follows: practicalism endangers literay education; scientific thoughts dominate literary class; knowledge-centered theory weakens the influence of literature; literary textbooks are confined to "teaching"and "training";"tool complex"prevails in literary interpretation; literary instructors restricted by the system generally show a lack of literary quality.Part Three is a prediction and construction of the future.

中小学文学教育所存在的突出问题是，实用主义思想严重影响着文学教育的生态，科学主义思想在整体上控制着文学教学，主知主义对文学感受力的消解，文学教材囿于&教化&与&训练&模式，文学阐释中存在着深深的&工具情结&，受体制制约的文学教师普遍表现出文学素养的缺失。

If we can further clarify recognition on the mainstream literary views by standing on the entrance of the modern literature, we can more exactly, thoroughly examine and summarize literary views by observing the transformation of the mainstream literary views and the mainstream literature The dissertation holds that the most original reason on the unmaturity of the 20th-C Chinese literary modernity is just the utilitarian literary functional view.

如果说在现代文学的入口处，可以对主流文学观念的发生有更清楚的认识，那么通过三十年代以后主流文学观念和主流文学的流变，可以更准确、全面地观察、总结出功利主义的文学观念所带来的弊端。本文认为，功利主义的文学功用观是造成二十世纪中国文学现代性不成熟状态的主要原因。

Beginning in 1967, Bukowski wrote the column "Notes of A Dirty Old Man" for Los Angeles' Open City, an underground newspaper. When Open City was shut down in 1969, the column was picked up by the Los Angeles Free Press along with NOLA Express in New Orleans, Louisiana.. In 1969, Bukowski and his friend Neeli Cherkovski launched their own mimeographed literary magazine, Laugh Literary and Man the Humping Guns.

从1967年开始，布可夫斯基开始为洛杉矶的一家地下报纸《不设防之城》写专栏——专栏名为&老淫棍手记&。1969年，《不设防之城》被关闭，专栏内容被洛杉矶自由出版社和路易斯安那州新奥尔良的《诺拉快报》编选出版。1969年，布可夫斯基和朋友尼利·切科夫斯基创办了他们自己的油印版文学杂志《笑文学和男人隆起的枪》（Laugh Literary and Man the Humping Guns）。

Embracing the view that literary writers" well-conceived linguistic manipulation in its own right reifies "literariness of texts deemed literary, and forms an essential part of literary content to be scrutinized in our understanding and interpretation of literary texts, this thesis intends to approach deviations in literary texts from stylistic and thematic dimensions instead of formal dimension only, with an aim to probe into this phenomenon for an appreciation of its total significance in literary texts and its proper translation.

文学作家对语言创造性的运用不但赋予文学文本以不同于非文学文本的&文学性&，也使其与文本内容相结合，成为理解、阐释文学作品不可或缺的部分。

Lugalbanda was a god and shepherd king of Uruk where he was worshipped for over a thousand years.

Lugalbanda 是神和被崇拜了一千年多 Uruk古埃及喜克索王朝国王。

I am coming just now,' and went on perfuming himself with Hunut, then he came and sat.

我来只是现在，'歼灭战perfuming自己与胡努特，那麼，他来到和SAT 。