查询词典 liner

"The name's Bond, James Bond" is not only the secret agent's calling card, but now Britain's most memorable movie one-liner of all time.

"我是邦德，詹姆士邦德"不仅仅是这位秘密特工的自我介绍，它成为英国电影最让人印象深刻的招牌对白。

Then, a one-liner from Jackson.

接下来是Jackson说的一句俏皮话。

Each of the reasons has a one-liner explaining the idea of it, so when all of them combined, they look like some a code of conduct or even ten commandments.

每一个理由又会另写一行来进行解释，所以当所有的理由都排列好时，感觉非常像一组行为准则，甚至是戒律。

The advice the ghost offers alludes to Nixon's infamous one-liner②:"I want you to stonewall it."

画中的魂灵所提出的建议影射尼克松那句不光彩的话："I want you to stonewall it"。

Marlene Dietrichs one-liner in Shanghai Express became a kitsch classic:"It took more than one man to change my name to Shanghai Lili."

玛莲·德烈奇在《上海快车》中的俏皮话成为了一句庸俗的经典："不止一个男人让我的名字变成了'上海莉莉。"

Although Wang's command of English is far more limited than his command of a devastating 95-mph sinker, his one-liner cracked up a roomful of reporters.

虽然小民对於英文的掌控能力远逊於他对於那95英哩的变态深卡球的掌控能力，他说的玩笑话让全场的记者哄堂而笑。

He seriously dumped me through a one-liner. FML

原来他真的只用一句话就把我甩了。

As the name suggest, a brief description is a short one-liner, whereas the detailed description provides longer, more detailed documentation.

如名称所显示的，简要描述是一种短小精悍的一句话，而详细描述则提供了较为详尽的文档。

Marlene Dietrich's one-liner in Shanghai Express became a kitsch classic:"It took more than one man to change my name to Shanghai Lili."

玛莲·德烈奇在《上海快车》中的俏皮话成为了一句庸俗的经典："不止一个男人让我的名字变成了'上海莉莉'。"

In the age of the TV sitcom , witty New York repartee and the instant one-liner, Western wisdom in the modern sense can mean something more like the dialogue from an American sitcom.

在电视情景剧时代，诙谐的纽约式应答和随机应变的俏皮话，现代感的西方智慧可能更像美国的情景喜剧中的对话。

We have no common name for a mime of Sophron or Xenarchus and a Socratic Conversation; and we should still be without one even if the imitation in the two instances were in trimeters or elegiacs or some other kind of verse--though it is the way with people to tack on 'poet' to the name of a metre, and talk of elegiac-poets and epic-poets, thinking that they call them poets not by reason of the imitative nature of their work, but indiscriminately by reason of the metre they write in.

索夫农 、森那库斯和苏格拉底式的对话采用的模仿没有一个公共的名称；三音步诗、挽歌体或其他类型的诗的模仿也没有——人们把&诗人&这一名词和格律名称结合到一起，称之为挽歌体诗人或者史诗诗人，他们被称为诗人，似乎只是因为遵守格律写作，而非他们作品的模仿本质。

The relationship between communicative competence and grammar teaching should be that of the ends and the means.

交际能力和语法的关系应该是目标与途径的关系。