查询词典 life-boat

Part two Part two Okay lets do this here again in front of all of your friends I need a little room but dont go Cant be too far youre the star of my show And you dont need a mike to move the crowd Dont need a spotlight you smile, They wanna see the love we sold out I bet when its over, they go wow They know what it is, what it is Hard to end up with a couple of kids When they say, and the winner is They gonna be calling our card for the love again Give them what they want Show them how to love They want something new They want love part two They see action and lights They want that in their life They want love like us coz its new They want the love part two, part two The winners you this year,again A round of applause from all of them They try to memorise your lines I know you by heart, coz youre mine You dont need a crowd to do the show Dont even need the script coz you know That even when the lights go out The show must go on So I Give them what they want Show them how to love They want something new They want love part two They see action and lights They want that in their life They want love like us coz its new They want the love part two Its like a replay love Cut off that he she say love Turn up that make me stay love Its all that i want Somebody show your love Somebody out there want your love They stay through all of part one I know what they want, what they want Give them what they want Show them how to love They want something new They want love part two They see action and lights They want that in their life They want love like us coz its new They want the love part two What they want Show them how to love They want something new They want love part two They see action and lights They want that in their life They want love like us coz its new They want the love part two They want the love part two They want the love part two Baby,They want the love part two They want the love part two Love part two They want the love part two They want the love part two

第二部分第二部分这样好让这里的所有朋友面前再次我需要一个小房间但是dont去也不容过于youre我的一颗明星和你不需要一麦克风移动人群 dont需要聚光灯你微笑，他们希望看到我们的爱售罄我敢打赌，当它结束了，他们走哇他们知道它是什么，它是什么很难最终形成了两个孩子当他们说，获奖者是他们gonna是要求我们的爱再次卡给他们他们想要的东西告诉他们如何爱他们希望新的东西他们希望爱第二部分他们看到行动和灯光他们希望在他们的生活他们希望像我们这样的堂妹爱新他们希望爱第二部分，第二部分优胜者你今年再次来自所有这些全面的掌声他们试图记住您的线路我知道你的心，我的堂妹youre 你不需要人群做节目 Dont甚至需要脚本堂妹你知道这甚至当灯熄灭该比赛必须继续进行因此，我给他们他们想要的东西告诉他们如何爱他们希望新的东西他们希望爱第二部分他们看到行动和灯光他们希望在他们的生活他们希望像我们这样的堂妹爱新他们希望爱第二部分它像一个重放的爱切断她说，他爱打开了，使我留下的爱它的一切，我希望有人展示你的爱有人在那里要你的爱他们通过各种逗留第一部分我知道他们想要什么，他们想要的东西给他们他们想要的东西告诉他们如何爱他们希望新的东西他们希望爱第二部分他们看到行动和灯光他们希望在他们的生活他们希望像我们这样的堂妹爱新他们希望爱第二部分他们想要的东西告诉他们如何爱他们希望新的东西他们希望爱第二部分他们看到行动和灯光他们希望在他们的生活他们希望像我们这样的堂妹爱新他们希望爱第二部分他们希望爱第二部分他们希望爱第二部分婴儿，他们希望爱第二部分他们希望爱第二部分爱第二部分他们希望爱第二部分他们希望爱第二部分

That Biergaici uses we to complain that unfair time of life has planned self life , has made his life work on succeeder 's orbit , has achieved thereby his preeminent life .

比尔盖茨用我们埋怨生活不公平的时间规划了自己的人生，使他的人生在成功者的轨道上运行，从而成就了他卓越的人生。

This paper introduces the concept of life awareness from the perspective of a conscious man, emphasizing the three dimensions of life awareness -time and space; death in the process of life; transcendency in life.

面对现代人在享受日益丰富的物质财富的同时，却迷失于生命的价值和生活意义的追求的现实，文章从作为有意识的人生命存在的角度提出了生命意识这一概念，并重点论述了生命意识的三个维度--生命载体角度的时空意识，生命过程角度的死亡意识，生命实践角度的超越意识

Diqiang culture originated in the culture of nomadic tribes, it emphasized the significance of life and the unimportance of death. This attitude of happy life makes them face the arriving of life and death, and enjoys the pleasure of life and death.

氐羌文化源于一种游牧民族的文化，强调生为重死为轻，这种乐生意识使他们可以很坦然地去面对生死的来临，去享受生与死带来的欢欣。

The opening-up vision angle of this paper is to embark on the track of mentality and life of LiZhi at first, then pose the treacherous character of LiZhi"s, which is the intrinsic gene ,the traditions of be in business ,all sorts of belief in the group of LiZhi"s and was born in the OuanZhou -which is border on the sea, the above cause make LiZhi have the habit of not being bind up by the orthodox of the Confucianism. In his anchorless experience, we play emphasise on the four city桻uanZhou, Beijing, NangJing and HuangAn of the HuBei province, which have an important effect upon LiZhi"s life, then thread the place (homeplace and the place where he act as an offical) the character JiaoHong and the brothers of the Gen ,the incident(the dispute between of GenDingXiang and LiZhi together, by which we can lay out the full life of LiZhi and the process of his heresy idealistic ,we can draw a conclusion that LiZhi"s suicide is a deep consideration, that the pertinacious will of the pursuit for the truth and the fearless of the fighting spirit are the history achievements of LiZhis life .

全文论述的展开视角是先从李贽的心理轨迹和人生轨迹着手，揭示出李贽叛逆性格的内在因子、经商家世的传统和家族信仰多样化的优势以及地处泉州这个开放地域的大环境影响使他过早地就栽下了不为正统儒学束缚的根基：在他的一生漂泊经历中，又重点截取泉州、北京、南京及湖北黄安四个对李贽一生有重大影响的地理位置，通过综合地点、人物、事件的铺叙，立体面地展示李贽的活动内容及其&异端&思想成型扩张轨迹；李贽的最后自刎是其经过理智选择后所做出的最佳告别人世方式，其追求真理的顽强意志和大无畏的战斗精神即是他的人生价值之所在。

Ch'ien Mu inquiries Confucianism in belief level and grasps the Confucian life view of "eudaemonia", and then holds the nuclear conception of Confucian life view——"Humanity" and "Tao". It is on the foundation of Confucian value system that he forms a philosophy of life which not only defines his life choice, but also strengthens the core of his aesthetic theory.

他以儒家人生观中的核心概念——&仁&和&道&为理论内核，构筑了一套以儒家价值体系为根脉的人生观，这种人生观不仅导引了他个人的生命选择，同时也成为他美学思想的理论来源。

We should carve out life bravely, taste the life factually, take on the life naturally and gracefully and beautify the life fairily.

勇敢地开拓生活，真实地体验生活，雍容地接纳生活，艺术地美化生活。

I will always remr theexhilarating feeling in my life that i got to decide to skip kinder garten, that i got to decide to change to computersciencemajor, that i got to decide to leave academia for , that i got todecide to go to china, that i got to decide to go to google,andmost recently, that i got to decide to start my own business.being able to decide means you get to live the life that you want to.life is too short to live the life others do or others want you.being in control feels great.

我常常记起我生命中那些令人振奋的时刻--在幼儿园决定跳级，决定转到计算机科学专业，决定离开学术界选择，决定回中国，决定选择google，乃至最近选择创办我的新公司。有能力进行选择意味着你会过上自己想要的生活。生命太短暂了，你不能过别人想要你过的生活。

Our customer is a crowd fill deep love to the life,can welcome indomitably facing the life in setback difficultly on;Will have full self-confident, the full enthusiasm ,for relentlessly courageously strives for success ideally deeply loves the life, and puts on is regarding as individual disposition and the life style expression male and the female.

我们的客户是一群对生活充满热爱，面对生活中的挫折能够不屈不挠迎难而上；具有充分的自信、饱满的热情、为理想坚持不懈地奋勇拼搏热爱生活、并将穿着视为个人性格和生活风格的表达的男性和女性。

You see, if the body of human beings without something of essence of life-----it just is called God----,which can innerly dictates its operation, it is just the material of non-life that can be provided to people for study in field of science and if you study from the angle of art appreciation------just as the works of art exhibited after the bodies having been processed in German---- the material has shown a special value, and here what I specially emphasize on is the body without life is still the indication of civilization and culture of human bengs, but it is like a pile of clothings, and its spirit has already left from under the clothings as the most important and essent existence, and what the appearance of body without life can only bring us the symbols hidden under the body.

你看，人体如果没有生命本质-----这就是神----的东西在其体内指挥其运转时，它们只是科学领域内可以供人研究的物质而在艺术欣赏角度-----正如德国的那些对于尸体加工之后作为艺术品展出的作品----看来，那些物质又具有了一种特殊的价值的存在，而特别强调的是，没有生命的人体仍然是一种人的文化文明的表现，只不过那只是象一堆衣服，其灵魂已经作为这堆衣服下作为人最重要最本质的存在而离开了，而由这无生命的人体的表象所能带给我们的仅是这人体所蕴藏着的符号，最多给我们观察到他们的人们以提示：那曾经是一个被代号**所称呼的人的存在，而他们不再能言语，他们也就没有文化文明了。

We have no common name for a mime of Sophron or Xenarchus and a Socratic Conversation; and we should still be without one even if the imitation in the two instances were in trimeters or elegiacs or some other kind of verse--though it is the way with people to tack on 'poet' to the name of a metre, and talk of elegiac-poets and epic-poets, thinking that they call them poets not by reason of the imitative nature of their work, but indiscriminately by reason of the metre they write in.

索夫农 、森那库斯和苏格拉底式的对话采用的模仿没有一个公共的名称；三音步诗、挽歌体或其他类型的诗的模仿也没有——人们把&诗人&这一名词和格律名称结合到一起，称之为挽歌体诗人或者史诗诗人，他们被称为诗人，似乎只是因为遵守格律写作，而非他们作品的模仿本质。

The relationship between communicative competence and grammar teaching should be that of the ends and the means.

交际能力和语法的关系应该是目标与途径的关系。