查询词典 life-boat

However, as our world outlook, the outlook on life, the values of the changing of love, we also changed, we see yourself and circumjacent person, you will find many people lose their love, often missed his dreary, thereby, in life has lost the direction.

然而，随着我们的世界观、人生观、价值观的不断改变，我们的爱情观也在随之而改变，我们看一看自己以及周边的人，就会发现很多人错失爱情的同时，往往错失了自己，从而郁郁寡欢，在人生中迷失了方向。

Yes, in this small city life, this is our life.

是的，在这细小的都市里，这就是我们的生活。

For work and life of people here to provide a comfortable city new life.

的工作和生活在这里的人提供一个舒适的城市新生活。

City life is very different from country life.

我的意见和你的不相同。

On the other hand, in city slicker's consciousness deep place, one kind of new hope is even more urgent, that is they while is not willing to give up the urban comfortable convenience life, also hoped that has village countryside that kind of tranquil life, this thought is experience many years forms.

另一方面，在城市人的意识深处，有一种新的渴望愈加迫切，那就是他们在不愿意放弃城市舒适便利的生活的同时，又希望拥有乡村田园的那种宁静的生活，这种思想是经历很多年而形成的。

Aldrin at concentrations higher than 40 μg/L decreased life expectancy at birth of F1 generation of the cladoceran, that at 20 μg/L and 80-640 μg/L decreased net reproduction rate, that at 320 and 640 μg/L shortened generation time, and that at all the concentrations decreased intrinsic rate of population increase. Aldrin at 160-640 μg/L shortened life expectancy at birth and generation time of F2 generation of the cladoceran, that at 160 and 640 μg/L decreased net reproduction rate, but that at all the concentrations except for 40 and 320 μg/L increased intrinsic rate of population increase.

浓度高于40μg/L的艾氏剂使多刺裸腹溞F1代的生命期望显著缩短，20μg/L和80~640μg/L的艾试剂使F1代的净生殖率显著降低，320μg/L和640μg/L的艾氏剂使F1代的世代时间显著缩短，所有浓度的艾试剂均使F1代的种群内禀增长率显著降低。160~640μg/L的艾氏剂使多刺裸腹溞F2代的生命期望和世代时间显著缩短，160μg/L和640μg/L的艾氏剂使F2代的净生殖率显著降低；除40和320μg/L外，所有浓度的艾试剂均显著提高了F2代的种群内禀增长率。

I observ'd, that the two who swam, were yet more than twice as long swimming over the Creek, as the Fellow was, that fled from them: It came now very warmly upon my Thoughts, and indeed irresistibly, that now was my Time to get me a Servant, and perhaps a Companion, or Assistant; and that I was call'd plainly by Providence to save this poor Creature's Life; I immediately run down the Ladders with all possible Expedition, fetches my two Guns, for they were both but at the Foot of the Ladders, as I observ'd above; and getting up again, with the same haste, to the Top of the Hill, I cross'd toward the Sea; and having a very short Cut, and all down Hill, clapp'd my self in the way, between the Pursuers, and the Pursu'd; hallowing aloud to him that fled, who looking back, was at first perhaps as much frighted at me, as at them; but I beckon'd with my Hand to him, to come back; and in the mean time, I slowly advanc'd towards the two that follow'd; then rushing at once upon the foremost, I knock'd him down with the Stock of my Piece I was loath to fire, because 1 would not have the rest hear; though at that distance, it would not have been easily heard, and being out of Sight of the Smoke too, they wou'd not have easily known what to make of it: Having knock'd this Fellow down, the other who pursu'd with him stopp'd, as if he had been frighted; and I advanc'd a-pace towards him; but as I came nearer, I perceiv'd presently, he had a Bow and Arrow, and was fitting it to shoot at me; so I was then necessitated to shoot at him first, which I did, and kill'd him at the first Shoot; the poor Savage who fled, but had stopp'd; though he saw both his Enemies fallen, and kill'd, as he thought; yet was so frighted with the Fire, and Noise of my Piece, that he stood Stock still, and neither came forward or went backward, tho' he seem'd rather enclin'd to fly still, than to come on; I hollow'd again to him, and made Signs to come forward, which he easily understood, and came a little way, then stopp'd again, and then a little further, and stopp'd again, and I cou'd then perceive that he stood trembling, as if he had been taken Prisoner, and had just been to be kill'd, as his two Enemies were; I beckon'd him again to come to me, and gave him all the Signs of Encouragement that I could think of, and he came nearer and nearer, kneeling down every Ten or Twelve steps in token of acknowledgement for my saving his Life: I smil'd at him, and look'd pleasantly, and beckon'd to him to come still nearer; at length he came close to me, and then he kneel'd down again, kiss'd the Ground, and laid his Head upon the Ground, and taking me by the Foot, set my Foot upon his Head; this it seems was in token of swearing to be my Slave for ever; I took him up, and made much of him, and encourag'd him all I could.

这时候，我脑子里突然产生一个强烈的、不可抗拒的欲望：我要找个仆人，现在正是时候；说不定我还能找到一个侣伴，一个帮手哩。这明明是上天召唤我救救这个可怜虫的命呢！我立即跑下梯子，拿起我的两支枪--前面我已提到，这两支枪就放在梯子脚下。然后，又迅速爬上梯子，翻过山顶，向海边跑去。我抄了一条近路，跑下山去，插身在追踪者和逃跑者之间。我向那逃跑的野人大声呼唤。他回头望了望，起初仿佛对我也很害怕，其程度不亚于害怕追赶他的野人。但我用手势召唤他过来，同时慢慢向后面追上来的两个野人迎上去。等他俩走近时，我一下子冲到前面的一个野人跟前，用枪杆子把他打倒在地。我不想开枪，怕枪声让其余的野人听见。其实距离这么远，枪声是很难听到的；即使隐隐约约听到了，他们也看不见硝烟，所以肯定会弄不清是怎么回事。第一个野人被我打倒之后，同他一起追来的那个野人就停住了脚步，仿佛吓住了。于是我又急步向他迎上去。当我快走近他时，见他手里拿起弓箭，准备拉弓向我放箭。我不得不先向他开枪，一枪就把他打死了。那逃跑的野人这时也停住了脚步。这可怜的家伙虽然亲眼见到他的两个敌人都已经倒下，并且在他看来已必死无疑，但却给我的枪声和火光吓坏了。他站在那里，呆若木鸡，既不进也不退，看样子他很想逃跑而不敢走近我。我向他大声招呼，做手势叫他过来。他明白了我的意思，向前走几步停停，又走几步又停停。这时，我看到他站在那里，混身发抖。他以为自己成了我的俘虏，也将像他的两个敌人那样被杀死。我又向他招招手，叫他靠近我，并做出种种手势叫他不要害怕。他这才慢慢向前走，每走一二十步便跪一下，好像是感谢我救了他的命。我向他微笑，作出和蔼可亲的样子，并一再用手招呼他，叫他再靠近一点。最后，他走到我跟前，再次跪下，吻着地面，又把头贴在地上，把我的一只脚放到他的头上，好像在宣誓愿终身做我的奴隶。我把他扶起来，对他十分和气，并千方百计叫他不要害怕。但事情还没有完。

With ink and color paint painter, sculptor with clay, stone and steel sculpture to the image, are designed to express life, society and love of nature in daily life and feelings, to express the passion of art.

画家用笔墨和色彩作画，雕塑家用泥巴、石头及到钢铁雕塑形象，都是为了表达对人生、社会和朝夕相处的大自然的关爱和感受，抒发艺术的激情。

If you don't clear the decks and review all the elements in your life now, you won't be able to begin your new cycle with as much clean energy as you would if you did take the time to delete any elements in your life that are holding you back.

如果你不好好准备行动、重新审视你生活中的每一个要素的话，你就难以带着充足、纯净的能量去开始一个新的阶段，你需要抽出时间，把生活中阻止你前进的要素一一剔除。

Chapter three expatiate the pathos experience of modern Chinese clerisy by depicting their life stories such as scarred memory, marginalized status and extravagated life.

现代感伤的诗学追求是在中国现代性语境中产生的，属于个体与群体存在的审美体验，是现代性的审美体验。

We have no common name for a mime of Sophron or Xenarchus and a Socratic Conversation; and we should still be without one even if the imitation in the two instances were in trimeters or elegiacs or some other kind of verse--though it is the way with people to tack on 'poet' to the name of a metre, and talk of elegiac-poets and epic-poets, thinking that they call them poets not by reason of the imitative nature of their work, but indiscriminately by reason of the metre they write in.

索夫农 、森那库斯和苏格拉底式的对话采用的模仿没有一个公共的名称；三音步诗、挽歌体或其他类型的诗的模仿也没有——人们把&诗人&这一名词和格律名称结合到一起，称之为挽歌体诗人或者史诗诗人，他们被称为诗人，似乎只是因为遵守格律写作，而非他们作品的模仿本质。

The relationship between communicative competence and grammar teaching should be that of the ends and the means.

交际能力和语法的关系应该是目标与途径的关系。