查询词典 lie to

The female gamers actually logged more time online: an average of 29 hours a week, versus 25 for the males, with the top players putting in 57 hours a week on the girl's side, and 51 for the guys. What's more, it looks like women are more likely to lie about how much they really play. The researchers found that the gals tended to lowball how long they spend glued to the screen.

女玩家花的时间更多：女玩家每周平均29小时在线，最高可达57小时，而男玩家平均25小时，最高51小时；还有，研究者发现女玩家多喜欢在她们的实际游戏时间这个问题上撒谎，而且多倾向于低报。

Without it, I shall have to think too much and remember too much. I will have to live with a light that blinds me, until at last I have used up all the lives of Lyonnesse that lie within my gut.

没有它，我要思考的太多，留在记忆中的也太多，我不得不生活在弄瞎我眼睛的光明之中直到最后我肠子里的食物全部消化完。

Human body represents a geomagnetic field and should be oriented towards Earth magnetic axis - head to North or East, and during illness it's good to lie towards South.

人体是一个磁场，并应符合地球磁轴，头朝北或东比较好，而得病的时候最好朝南。

Ms. Liu wipes tear at the same time at the same time say, small army the hope that is this home, for the help small army give up drops net yen, ms. Liu follows the man small army lock up instead in the home, there are an old color television and plane of sport blocking type to play only in the home, small army a bit disinclination, lie on the bed all the day, daydream in the evening those who tell is language of the game on the net, laugh to sleep lightly the parent even sometimes.

刘女士一边抹眼泪一边说道，小军是这个家的希望，为了帮助小军戒掉网瘾，刘女士跟丈夫就把小军反锁在家里，家里只有一台旧彩电和卡式游戏机玩，小军一点都不感爱好，整天躺在床上，晚上做梦讲的都是网上游戏语言，有时甚至大笑把家长惊醒。

First organ in my hands suddenly felt a strange feeling, how people decide whether to hear tonight temper oneself in the world alone on the night of the mountain closest to heaven, here because the phones ring is not too much too good as they wind up an ideal of ice cold Cool through a bustling with foreign 2010 accumulation of internal injuries today although it once, as long as you finished products as long as Jiang wave after wave. I lie on the beach drunk and I see you put a toast to the invitation, the impact of the moon not return three macho manly manin say, Strength of Men today, tomorrow I will soon you clear, and they said I how I control what other people, he said, back.

首先在我手中器官突然感到一种奇怪的感觉，人们如何决定是否去今晚闯一闯独自听到深夜在山上最接近天国，因为这里的电话是否不是环太高太不把他们当作好风出一个理想的冰酷冷通过繁华与国外10年积累的内伤今天一次把它虽然可以，只要产成品长如江后浪推前浪，我躺在沙滩醉我看看你把举杯的邀请，月亮样的影响三不回国macho男子气manin这么说，明天男儿当自强今天我很快您明确的意见，他们说我如何如何，我控制别人怎样么，他说，回去。

When the 14th Dalai Lama (hereinafter called "Da Lie") used holistic human skin, human intestines, human blood, human bones to celebrate his own birthday, his lost his holiness due to his mercilessness.

达赖喇嘛在西藏进行恐怖统治，制作人皮鼓、人头碗，用完整的人皮、人血、人骨头、人肠子作为生日庆典器具的时候，他已经失去了佛性。

She is not in the washroom and then stopping, because it is finally his own point of view that he cares about and not hers, and with this firmly in mind, and a light, confident step, such as you might find in the works of Bulwer-Lytton, he enters the space she occupies so prettily and, taking her by the hand, proceeds to tear off the stiff white hospital gown (but no, we cannot have that kind of pornographic merde in this majestic and high-minded sentence, which will probably end up in the Library of Congress)(that was just something that took place inside his consciousness, as he looked at her, and since we know that consciousness is always consciousness of something, she is not entirely without responsibility in the matter) so, then, taking her by the hand, he falls into the stupendous white puree of her abyss, no, I mean rather that he asks her how long it has been since her last visit, and she says a fortnight, and he shudders, and tells her that with a condition like hers (she is an immensely popular soldier, and her troops win all their battles by pretending to be forests, the enemy discovering, at the last moment, that those trees they have eaten their lunch under have eyes and swords)(which reminds me of the performance, in 1845, of Robert-Houdin, called The Fantastic Orange Tree, wherein Robert-Houdin borrowed a lady's handkerchief, rubbed it between his hands and passed it into the center of an egg, after which he passed the egg into the center of a lemon, after which he passed the lemon into the center of an orange, then pressed the orange between his hands, making it smaller and smaller, until only a powder remained, whereupon he asked for a small potted orange tree and sprinkled the powder thereupon, upon which the tree burst into blossom, the blossoms turning into oranges, the oranges turning into butterflies, and the butterflies turning into beautiful young ladies, who then married members of the audience), a condition so damaging to real-time social intercourse of any kind, the best thing she can do is give up, and lay down her arms, and he will lie down in them, and together they will permit themselves a bit of the old slap and tickle, she wearing only her Mr.

然后阻止，因为到最后那是他自己的关心的观点而不是她的，在他的脑子里根深蒂固，他自信地走了一步，这就像你也许会在布尔沃？里顿的作品中看到的一样，他进入兴高采烈地进入她占有的空间，抓住她的手，开始撕开他白色僵直的病号衣（但是我们没有在他冠冕堂皇的充满智慧的语句中发现那种带有色情的废话，那也许会在国会图书馆中绝迹）（在他的意识中有一些东西正在被替代，当他看她的时候，就如我们知道的意识始终是意识，她在这个事情中不是完全没有责任的），所以，然后抓起她的手，他掉进了她深渊的巨大白色水中，不，我想他问她自从她上回来已经多久了，她说有两个星期了，他战栗着告诉她她现在的情况（她是一个非常受欢迎的女兵，她的部队通过埋伏在森林里赢得了所有的战斗，在最后的时刻敌人发现了，那些他们吃掉他们午餐的树有了眼睛和剑）（这使我想起了一八四五年罗伯特？乌丹的演出，叫做《奇幻橘子树》，在其中罗伯特？

She is not in the washroom and then stopping, because it is finally his own point of view that he cares about and not hers, and with this firmly in mind, and a light, confident step, such as you might find in the works of Bulwer-Lytton, he enters the space she occupies so prettily and, taking her by the hand, proceeds to tear off the stiff white hospital gown (but no, we cannot h39e that kind of pornographic merde in this majestic and high-minded sentence, which will probably end up in the Library of Congress)(that was just something that took place inside his consciousness, as he looked at her, and since we know that consciousness is always consciousness of something, she is not entirely without responsibility in the matter) so, then, taking her by the hand, he falls into the stupendous white puree of her abyss, no, I mean rather that he asks her how long it has been since her last visit, and she says a fortnight, and he shudders, and tells her that with a condition like hers (she is an immensely popular soldier, and her troops win all their battles by pretending to be forests, the enemy discovering, at the last moment, that those trees they h39e eaten their lunch under h39e eyes and swords)(which reminds me of the performance, in 1845, of Robert-Houdin, called The Fantastic Orange Tree, wherein Robert-Houdin borrowed a lady's handkerchief, rubbed it between his hands and passed it into the center of an egg, after which he passed the egg into the center of a lemon, after which he passed the lemon into the center of an orange, then pressed the orange between his hands, making it 56aller and 56aller, until only a powder remained, whereupon he asked for a 56all potted orange tree and sprinkled the powder thereupon, upon which the tree burst into blossom, the blossoms turning into oranges, the oranges turning into butterflies, and the butterflies turning into beautiful young ladies, who then married members of the audience), a condition so damaging to real-time social intercourse of any kind, the best thing she can do is give up, and lay down her arms, and he will lie down in them, and together they will permit themselves a bit of the old slap and tickle, she wearing only her Mr.

然后阻止，因为到最后那是他自己的关心的观点而不是她的，在他的脑子里根深蒂固，他自信地走了一步，这就像你也许会在布尔沃？里顿的作品中看到的一样，他进入兴高采烈地进入她占有的空间，抓住她的手，开始撕开他白色僵直的病号衣（但是我们没有在他冠冕堂皇的充满智慧的语句中发现那种带有色情的废话，那也许会在国会图书馆中绝迹）（在他的意识中有一些东西正在被替代，当他看她的时候，就如我们知道的意识始终是意识，她在这个事情中不是完全没有责任的），所以，然后抓起她的手，他掉进了她深渊的巨大白色水中，不，我想他问她自从她上回来已经多久了，她说有两个星期了，他战栗着告诉她她现在的情况（她是一个非常受欢迎的女兵，她的部队通过埋伏在森林里赢得了所有的战斗，在最后的时刻敌人发现了，那些他们吃掉他们午餐的树有了眼睛和剑）（这使我想起了一八四五年罗伯特？乌丹的演出，叫做《奇幻橘子树》，在其中罗伯特？

The task of translation is as follows: First, an understanding of the cultural and experimental worlds that lie behind the original act of speaking or of writing, ways into their schemata. Second, an understanding of the potential of the two semiotic systems in terms of their image-making. Third, a making intelligible of the linguistic choices expressed in the message. Fourthly, an opportunity to explore the social psychological intentions of the originator of the message matched against one's own. Lastly, a challenge to match all of these with our appropriate response in our semiotic and linguistic system, and our culture. Traditional translation theory also presented means of differentiating and categorizing translation types, including metaphrase, imitation and paraphrase.

翻译的任务是：首先，要理解隐藏在原文中的现实世界及其文化内涵；其次，要理解两种不同语言中的不同符号学体系下的潜在意象；第三，要从语篇的信息中了解其所反映的语言学方面的选择；第四，要探究原文作者与译者自身在社会心理方面的不同倾向；第五，翻译也是一种挑战，译者要在自身符号学与语言学体系中以及文化环境中将以上各方面要求协调起来。

The task of translation is as follows: First, an understanding of the cultural and experimental worlds that lie behind the original act of speaking or of writing, ways into their schemata. Second, an understanding of the potential of the two semiotic systems in terms of their image-making. Third, a making intelligible of the linguistic choices expressed in the message. Fourthly, an opportunity to explore the social psychological intentions of the originator of the message matched against ones own. Lastly, a challenge to match all of these with our appropriate response in our semiotic and linguistic system, and our culture. Traditional translation theory also presented means of differentiating and categorizing translation types, including metaphrase, imitation and paraphrase.

翻译的任务是：首先，要理解隐藏在原文中的现实世界及其文化内涵；其次，要理解两种不同语言中的不同符号学体系下的潜在意象；第三，要从语篇的信息中了解其所反映的语言学方面的选择；第四，要探究原文作者与译者自身在社会心理方面的不同倾向；第五，翻译也是一种挑战，译者要在自身符号学与语言学体系中以及文化环境中将以上各方面要求协调起来。

We have no common name for a mime of Sophron or Xenarchus and a Socratic Conversation; and we should still be without one even if the imitation in the two instances were in trimeters or elegiacs or some other kind of verse--though it is the way with people to tack on 'poet' to the name of a metre, and talk of elegiac-poets and epic-poets, thinking that they call them poets not by reason of the imitative nature of their work, but indiscriminately by reason of the metre they write in.

索夫农 、森那库斯和苏格拉底式的对话采用的模仿没有一个公共的名称；三音步诗、挽歌体或其他类型的诗的模仿也没有——人们把&诗人&这一名词和格律名称结合到一起，称之为挽歌体诗人或者史诗诗人，他们被称为诗人，似乎只是因为遵守格律写作，而非他们作品的模仿本质。

The relationship between communicative competence and grammar teaching should be that of the ends and the means.

交际能力和语法的关系应该是目标与途径的关系。