查询词典 letting

This routine is a series of moves which must be done smoothly to create illusions of knotting the ring on the rope without letting go of the ends of the rope, removing the ring by apparently visibly penetrating through the knot, then finally removing the knot itself from the rope.

这个流程中的所有动作需要快速且平稳的完成，从而产生圆环被粗棉绳牢系的视觉幻象。接着环将从绳结中逃脱，最后绳结也会从棉绳上脱逃。周围吹拂着微风，轻抚着我的头发与手指，穿越夜晚边缘的暗影，直到所有星星沉寂。。。

He loved letting himself in at the three-locked green front door, and looking it again behind him, and feeling the still security of the house as he looked into the red-walled dining room, or climbed the stairs to the double drawing room, and up again past the half-open doors of the white bedrooms.

他喜欢让自己呆在那有三把锁的绿色前门那儿，转身再次看在自己背后的它，感受这所房子寂静的安全感，如同他窥视那红色墙壁的餐厅。或者爬上楼梯去那间双客厅，然后再一次地经过那间半掩着门的白色卧室。

It's unmistakable as Kim feels the length of a jalapeno with her tongue then pours milk down her throat, letting it spill down her cheeks and chin.

显而易见，金用舌头感觉到了辣椒的长度，所以将牛奶灌入喉咙中，任其溢到自己的脸上和下巴上。

We've received a report from a self-proclaimed "hardcore Sirius fan" who recently visited the set letting us know that Gary Oldman/Sirius Black will only be appearing in his CGI form in the Goblet of Fire movie.

i： \/ \， V% U5 w0 S 我们已经从一个自称是&hardcore Sirius fan&的组织收到一份报告，如果报告真实，这就表明Sirius的头将是他在《火焰杯》电影里出现的唯一的部分。

Are youignoring me, or are you just letting my charm wash over you?

你在装作无视我，还是在享受我扑面而来的魅力？

That's why I'm letting you go.

所以我让你走。

So, what you're saying is you're letting me go, right?

所以，您的意思是说你们要裁掉我。。。

So, what you're saying is you're letting me go, right?

所以，你的意思是说你们要裁掉我吗？

I'm letting him go.

我要放他走了。

So, what you're saying is you're letting me go, right?

所以，您的意思是说你们要裁掉我是吗？

We have no common name for a mime of Sophron or Xenarchus and a Socratic Conversation; and we should still be without one even if the imitation in the two instances were in trimeters or elegiacs or some other kind of verse--though it is the way with people to tack on 'poet' to the name of a metre, and talk of elegiac-poets and epic-poets, thinking that they call them poets not by reason of the imitative nature of their work, but indiscriminately by reason of the metre they write in.

索夫农 、森那库斯和苏格拉底式的对话采用的模仿没有一个公共的名称；三音步诗、挽歌体或其他类型的诗的模仿也没有——人们把&诗人&这一名词和格律名称结合到一起，称之为挽歌体诗人或者史诗诗人，他们被称为诗人，似乎只是因为遵守格律写作，而非他们作品的模仿本质。

The relationship between communicative competence and grammar teaching should be that of the ends and the means.

交际能力和语法的关系应该是目标与途径的关系。