查询词典 let out

He let out a cry of pain.

他痛的大叫一声。

Hermione's terrified look vanished as she let out a derisive snort.

赫敏脸上惊恐的表情消失了，她嘲笑地哼了一声。

The breeze shout of pare off, good the elephant be let out to the disaffection of the nature.

风呼呼的刮着，好象在发泄对自然界的不满。

If true love you, he would never scold you, at you are very intractable of time allow you to let out, be your self-will is past of time, will discommode very much of say:Wife, I make again wrong what?

如果真爱你，他绝对不会骂你，在你很任性的时候任你发泄，当你任性过去的时候，会很委屈的说：老婆，我又作错什么了？

Don't let out the details of our draft plan.

不要把我们计划草案的细节泄露出去。

"Very good!" said Charlotte."Now make an attachment with your spinnerets, hurl yourself into space, and let out a dragline as you go down!"

"非常好。"夏洛蒂说："现在，用你的纱盘吸住，狠狠的把自已抛向空中，掉下来的时候放出一条线来。"

I struck a stance that was probably ridiculous;then I raised the hoe and brought it down on the snake. At the same time, I let out a yell that would have made a drill instructor proud.

我摆出一个很可能是非常可笑的姿势，然后举起锄头，照准蛇打了下去，与此同时，我发出一声可能会使训练指导引以自豪的尖叫声。

Hip-hop is a kind of street culture deducted by Afro-Americans from sports to let out emotions, featuring with dancers' outburst of power, exaggerating body movement s, and a feeling of ebullience brought by vigour of the whole body.

街舞是美国黑人由一种发泄情绪的运动演绎成的街边文化，其特色是爆发力强，肢体所做的动作亦较夸张，以全身的活力带来热情澎湃的感觉。

Hip-hop is a kind of street culture deducted by Afro-Americans from sports to let out emotions, featuring with dancers' outburst of power, exaggerating body movements, and a feeling of ebullience brought by vigour of the whole body.

街舞是美国黑人由一种发泄情绪的运动演绎成的街边文化，其特色是爆发力强，肢体所做的动作亦较夸张，以全身的活力带来热情澎湃的感觉。

Emetic to pay attention to not to let out the trachea were blocked.

催吐时要注意不要让吐出物堵住气管。

We have no common name for a mime of Sophron or Xenarchus and a Socratic Conversation; and we should still be without one even if the imitation in the two instances were in trimeters or elegiacs or some other kind of verse--though it is the way with people to tack on 'poet' to the name of a metre, and talk of elegiac-poets and epic-poets, thinking that they call them poets not by reason of the imitative nature of their work, but indiscriminately by reason of the metre they write in.

索夫农 、森那库斯和苏格拉底式的对话采用的模仿没有一个公共的名称；三音步诗、挽歌体或其他类型的诗的模仿也没有——人们把&诗人&这一名词和格律名称结合到一起，称之为挽歌体诗人或者史诗诗人，他们被称为诗人，似乎只是因为遵守格律写作，而非他们作品的模仿本质。

The relationship between communicative competence and grammar teaching should be that of the ends and the means.

交际能力和语法的关系应该是目标与途径的关系。