查询词典 let out

He has gone,you can let out a sigh of relief.

他已经走了，你可以松口气了。

Come now, Ken, we're here to let out our feelings, not repress them further.

现在来，肯恩，我们在这里放出我们的感觉，不更进一步抑制他们。

Who let out the details of the reshuffle in the department?

是谁泄漏了部门重组的细节？

As long as trade secrets are let out or stolen by others, the righter will loss a lot.

由于商业秘密一旦被泄露或被他人盗用，就会给权利人造成无法估量的损失。

The new monarchs, gave or let out for an indefinite period numerous parcels of royal or sacerdotal land, freed the inhabitants of several cities from taxes and forced labour, and seem to have encouraged by a new society emerged, a society of big farmers, free citizens and enterprising merchants which was to last throughout the ages.

新近的君主们，暴露了在一个无限长的时期，有众多小型属于王室或僧侣的土地，喂养着几个城市的居民，他们是来自税收和劳动力，似乎是被一种新浮现的社会所鼓励。那是一个大农场主的社会，喂养着公民，吸引着贯穿那个时期的商人。

As a practised scribbler—never truly a hack, for that word, borrowed from England, denoted a broken-down horse let out for hire—he also knew better than to squander a good nugget in the lede.

作为一名经验老到的三流作家（他从来不是英语中称为hack的雇佣文人，因为那个从英格兰借来的词本指用来出租的老弱马匹），他也知道在讣告一开头就把好东西端出来太过浪费。

She let out a shriek of laughter.

她尖声大笑了一声。

After a moment, he let out a shuddering sob, quickly covering his face with his free hand.

过了一会儿，他发出了一声战栗的抽泣，并且很快地用他的另外一只手掩住自己的脸。

" And she let out a shuddering breath,"I'll go nuts.

" 而且她放出战栗呼吸"，我将抓狂。

In the night the armed men who were enclosed in the body of the horse, being let out by the traitor Sinon, opened the gated of the city to their friends who had returned under cover of the night.

半夜堙A载在木马腹中的武装士兵们由间谍西农放了出来，他们打开城门迎接在黑夜掩护下返回来的战友们。

We have no common name for a mime of Sophron or Xenarchus and a Socratic Conversation; and we should still be without one even if the imitation in the two instances were in trimeters or elegiacs or some other kind of verse--though it is the way with people to tack on 'poet' to the name of a metre, and talk of elegiac-poets and epic-poets, thinking that they call them poets not by reason of the imitative nature of their work, but indiscriminately by reason of the metre they write in.

索夫农 、森那库斯和苏格拉底式的对话采用的模仿没有一个公共的名称；三音步诗、挽歌体或其他类型的诗的模仿也没有——人们把&诗人&这一名词和格律名称结合到一起，称之为挽歌体诗人或者史诗诗人，他们被称为诗人，似乎只是因为遵守格律写作，而非他们作品的模仿本质。

The relationship between communicative competence and grammar teaching should be that of the ends and the means.

交际能力和语法的关系应该是目标与途径的关系。