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In the information age of this excessive transition , only paying attention to the name to the products, sharpening sharp information , let it with superstrong shock power straight thrust the brain of people in the twinkling of an eye, could attract , infect and strike audiences' soul strongly and memory your brand within shortest time; And only let audiences remember your brand firmly in mind at first , will just have the " chance " and possibility to implement the marketing strategy of brands, which will just bring enterprise's marketing the largest success.

在这个传播过渡的信息时代，唯有重视对产品的命名，削尖信息，让它以瞬间的超强冲击力直刺人们的大脑，才能强烈地吸引、感染和撞击受众的心灵，在最短时间内记住你的品牌；而唯有让受众首先铭记住你的品牌，才会有实施品牌营销战略的&机会&和可能，才会获得企业营销的最大成功。

In summer let him expose himself to the heat of five fires, during the rainy season, let him live under the open sky; and in winter be dressed in wet clothes, thus great increasing the rigour of his austerities.

在夏季，让他暴露了自己的热能5火灾，在雨季期间，让他下生活，开放天空；及在冬季可在穿着湿衣服，从而极大提高严谨，他austerities 。

She is a typical "charming chinese old-style woman" who accepted a little "new education".through our analysis,we can find when she was giving in to her husband,she wanted to react against him inside of her;she loved her son ,but she took all she could do to let him give up his true love at the same time; she did pursue her love,but meanwhile shed rather let herself be in chains in this rich family and play a painful role between "mother" and "lover"; she looked down up working-class people ,but meanwhile she commiserated working-class women.all above,prove that fan is a double-personality female.she could stand for all contemopany chinese young women who were influenced by "new education": lovely but unreasonable.the author of "the thunder storm" expressed how contemopany chinese young women should face the challenge from life through creating her.meanwhile,it can prove the value of "the thunder-storm".

她是1个具有特殊魅力的&中国旧式女人&，同时又是受了点&新式教育&影响的女性。她是1个有着双重性格的女子。她对丈夫既表现出软弱地屈从又表现出怨恨和反抗；她既关爱儿子又要以世俗的等级观念来干涉儿子的感情；她敢于追求自己的爱情却又把自己束缚在1个狭小的空间；她鄙视下等人的生活同时又对处于社会底层的女性表现出真诚的同情。蘩漪是54时期中国青年知识女性的1个时代缩影。通过对她的分析，我们可以看到特定时期中国知识女性的可爱之处以及时代赋予给她们的缺陷，从而进1步阐述当代中国女性应该以什么样的姿态站在人生的舞台上，也更进1步确定了《雷雨》所具有的社会价值和时代意义。

If you are in Gyros, do not let your mind dwell upon the life at Rome, and if you are in Rome, do not let your mind dwell upon the life in Athens.

如果你在吉洛斯，就不要让你的心智驻留在罗马的生活；而如果你在罗马，不要让你的心智驻留在雅典的生活。

I can feel his standpoints and courage to the contemporary culture. But he is unable to use pungent language to criticize the tradition. He uses persuasive dreamland and seemingly sober state to face to it. In another aspect he has cut his ink language off the relations to traditional landscape paintings. Let the audiences in front of his works realize and moved, let the mark shape, kinking, variation objects appear repeatedly in his pictures, so that he subverts all requests in art to traditional pictures. Based on the above, I dare to conclude Liuming is not a "Chinese landscape painting painter", although on the "www. yanzhoucn. com" he insists on calling oneself "the renowned Chinese painting painter".

我能感受到刘鸣对当代文化所持有的立场和勇气，但他又无法用一种辛辣的语言去批判传统，他婉转地用梦境、用似醒非醒的状态去面对；而在另外一个层面，他揭然斩断了传统山水画与其艺术的关系，让观众在其作品前省悟和木讷，让符号状、扭结、变异的物体，在其画面上反复出现，彻底地颠覆了传统画论中对山水画的所有要求；基于上述，我敢断定刘鸣绝不是一个中国山水画画家，尽管他在 yanzhoucn.com 网页上坚持称自己为&著名国画家&。

The "political pop" heat possesses the intent of modern art movement in 1980s apparently, and the representative artists deconstruct the revolutionary realism set up in the Mao Zedong's Time by peculating the trends of western modern art and post-modern art. The more important cause is that the great transformation of Chinese social background, reform and opening-up policy made by Deng Xiaoping let China transit from the original political country to economic country. And this kind of profound change compels sensitive artists to pay attention on current reality in new approach. The angles of view of "pop" let artists find popular approach to confront the political complex of the past.

政治波普热明显的带有80年代现代艺术运动的意向，它的代表性艺术们通过挪用西方现代与后现代艺术的思潮使毛泽东时代建立的革命现实主义得到了解构，更重要的原因是中国社会背景的大变化，邓小平的改革开放使中国由原来的政治国家逐渐过渡到经济国家，这种深刻的变化逼迫敏感的艺术家们必须以新的途径关注当下现实，而波普的视角使艺术家们找到了与过去的政治情结相对抗的流行途径。

Nevertheless leave the stump of his roots in the earth, even with a band of iron and brass, in the tender grass of the field; and let it be wet with the dew of heaven, and let his portion be with the beasts in the grass of the earth

4：15 树墩却要留在地内，用铁圈和铜圈箍住，在田野的青草中让天露滴湿，使他与地上的兽一同吃草

Yet leave its stump of roots In the earth, But with an iron and bronze band around it, In the tender grass of the field; And let him be wet with the dew of heaven, And let his portion be with the beasts in the grass of the earth

4：15 树根的不却要留在地内，用铁圈和铜圈箍住，在野地的青草中；让他被天露沾湿，且与走兽同分，吃地上的草

Nevertheless leave the stump of his roots in the earth, even with a band of iron and brass, in the tender grass of the field; and let it be wet with the dew of heaven, and let his portion be with the beasts in the grass of the earth

树蘖却要留在地内，用铁圈和铜圈箍住；在田野的青草中让天露滴湿，使他与地上的兽一同吃草。

Nevertheless leave the stump of his roots in the earth, even with a band of iron and brass, in the tender grass of the field; and let it be wet with the dew of heaven, and let his portion be with the beasts in the grass of the earth

树不却要留在地内，用铁圈和铜圈箍住，在田野的青草中让天露滴湿，使他与地上的兽一同吃草

But we don't care about Battlegrounds.

但我们并不在乎沙场中的显露。

Ah! don't mention it, the butcher's shop is a horror.

啊！不用提了。提到肉，真是糟透了。